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The Busiest Supportive Bass Lines

Dr. Cheese

Supporting Member
Mar 3, 2004
57,294
120,451
Metro St. Louis








Listening to Darling Dear last really
made appreciate what an absolute genius James Jamerson was. I don’t think anyone else can play that many notes without getting in the way of the vocals. That said, the fact that his bass was not mixed as high it would be in the Funk era helped him too. I also included some other great who managed to go busy without clutter too.
 
Placement in the mix makes a big difference - as does the overall arrangement. There's nothing wrong with a busy bass line if the context is right. There are times I wish a given bass line was busier. A musician friend of mine was saying that Prince was one of his top five bassists. I asked why and he said "because he always plays for the song". My response was that he writes the songs, so whatever he writes and then plays will be "for the song". I personally find 95% of Prince's bass lines uninspiring and "lazy". I'm all for space but to me many of his songs would have been more interesting with bass lines that were "busier"/more developed.
 
This is one of my favorites. We don’t often talk about the aggressive nature of some of JJ’s lines, or the confidence required to deploy them. Listen to the intro here, and the reprise at the one minute mark. What bassist do you know who would play something that syncopated against nothing but fingersnaps under a vocal? On an unrehearsed master session? Kind of mind boggling. The artistic license explicitly granted by Berry Gordy (even in 1966) has much to do with it, but still…