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The Comprehensive List of Black Nylon Tapewound Strings!!!

circling back in here, i bought another bass that i'm thinking of putting tapewounds on. The Rotosound Trubass Short scale set would be what i put, that G string is such an outlier i had a thought, buy the single .50 long scale G string, and use that. on an inline 4 (fender) headstock the G string needs the most length anyways so it might fit. it would bring the tension down to be more symmetrical as well likely the same tension as the E string while the A and D are the same and it would all be within 5 pounds of one another.

thoughts?
 
Reading this thread and elsewhere, I was under the impression that all tapewound brands ( excluding G string GHS black nylon) are round wounds under the tape https://www.talkbass.com/threads/th...apewound-strings.335671/page-11#post-15300628 But D'addario seems to confuse the matter by talking about Flatwound steel ribbon construction on the same page as XL Black Nylon tapes

What gives? I realise that 'flatwound' was applied to early tapewound nomenclature. But to mention flatwound steel ribbon on the same page really muddies the water on this topic me thinks
 
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Screenshot_20241218_083151_Chrome.jpg


Appears on the Chromes and Tapewounds products pages.
 
Reading this thread and elsewhere, I was under the impression that all tapewound brands ( excluding G string GHS black nylon) are round wounds under the tape https://www.talkbass.com/threads/th...apewound-strings.335671/page-11#post-15300628 But D'addario seems to confuse the matter by talking about Flatwound steel ribbon construction on the same page as XL Black Nylon tapes

What gives? I realise that 'flatwound' was applied to early tapewound nomenclature. But to mention flatwound steel ribbon on the same page really muddies the water on this topic me thinks
D'Addarios are rounds underneath the tape.
 
Yeh, so I believe. But it it is still confusing that flatwound steel construction is highlighted on the black nylon product page. Understand why that is so on the Chromes product pages, coz they are constructed as such
Yeah it's weird, but they were most likely trying to express how they felt without making the effort of explaining further or creating new marketing materials.....
 
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How would you guys say the tension differs between Roto Tru Bass, Labella 760N Blacks and Labella 760C Coppers? The Rotos came on a bass I bought used and have that floppier E and tighter/thicker G, but was wondering how others differed in feel?
 
How would you guys say the tension differs between Roto Tru Bass, Labella 760N Blacks and Labella 760C Coppers? The Rotos came on a bass I bought used and have that floppier E and tighter/thicker G, but was wondering how others differed in feel?
I have played all the above and dissected dead strings of all the above. Yes, the .065 Roto G-string can serve as a garrote and I routinely change it out for a La Bella .060. Likewise, the .100 Roto A string is too tense on a long string set compared to the rest of the strings, but I like the .090 A string on short scale and medium scale sets, which with the La Bella substitute G string give a relatively balanced set with the right amount of thump to emulate a double bass, as designed. (I don't know why Roto won't lighten up the G string 5 thou or make one .095 to split the difference between the long and short scale sets, but there you go. Tradition is a tough thing to change, even though there may be some shortcomings.)

La Bella tapewound strings are all really similar in tension according to gauge. The nylon wrap tape adds @ 15 thou to the diameter of the string, but essentially no mass. So under the tape the regular gauge 60-115 sets have tension comparable to as set of conventional rounds 45-100. Likewise, the light gauge set 50-105 under the tapes has similar tension to an extra light set of 35-90 rounds.

Read the tapewound club thread for more info.
 
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I have played all the above and dissected dead strings of all the above. Yes, the .065 Roto G-string can serve as a garrote and I routinely change it out for a La Bella .060. Likewise, the .100 Roto A string is too tense on a long string set compared to the rest of the strings, but I like the .090 A string on short scale and medium scale sets, which with the La Bella substitute G string give a relatively balanced set with the right amount of thump to emulate a double bass, as designed. (I don't know why Roto won't lighten up the G string 5 thou or make one .095 to split the difference between the long and short scale sets, but there you go. Tradition is a tough thing to change, even though there may be some shortcomings.)

La Bella tapewound strings are all really similar in tension according to gauge. The nylon wrap tape adds @ 15 thou to the diameter of the string, but essentially no mass. So under the tape the regular gauge 60-115 sets have tension comparable to as set of conventional rounds 45-100. Likewise, the light gauge set 50-105 under the tapes has similar tension to an extra light set of 35-90 rounds.

Read the tapewound club thread for more info.
Yes I understand what tapewounds are I've been playing for 25 years and I've taken them apart. I'm really just curious about the tension differences between Rotosound Tru Bass and Labella. I haven't played Labella Black Tapes in a longtime, so I don't remember what they feel like. Switching out the Trubass 65 for the Labella 60 is actually a really good idea. Is the .115 on the Roto set floppier than Labella's .115? Sounds like you are saying the Copper White Nylon is similar in tension to the Black Tapes also?
 
Yes I understand what tapewounds are I've been playing for 25 years and I've taken them apart. I'm really just curious about the tension differences between Rotosound Tru Bass and Labella. I haven't played Labella Black Tapes in a longtime, so I don't remember what they feel like. Switching out the Trubass 65 for the Labella 60 is actually a really good idea. Is the .115 on the Roto set floppier than Labella's .115? Sounds like you are saying the Copper White Nylon is similar in tension to the Black Tapes also?
To my fingers, The Roto 115 is similar to the La Bella 115 in tension and feel. Yes, La Bella uses similar alloys and wraps, so the tension of the Various La Bella sets are similar across the board for the given gauge.