Now enjoy a real Portable upright. it stands tall over its flawed brother, laughing and snickering..
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enjoy your mediocrity
Well based on that response, I guess it's ok now for me to say, enjoy our inferiority complex as well..
Ok, we get it. You hate your Palatino.
I like the cork idea and the reverb. Smart.
What foam under the bridge are you talking about?
I gave cork some thought, but it is much stiffer and figured the softness of the rubber is the benefit, rather than bulk filler.
SORRY - I meant the cloth covered foam block under the TAILPIECE...
I've tried lots of materials over the years as mechanical "filters" to deal with piezo pickups on various instruments - natural rubber, silicone rubber, foam rubber, latex, neoprene and neoprene foam rubber, felt, wool, - virtually anything that is softer than Spruce. What I've found, is there's really two properties to consider: Stiffness and damping. Solid rubber is really soft, but it doesn't damp so well - it still acts like a spring even under extreme pressure. Felt or cork on the otherhand, might be a little more stiff (at these thicknesses, everything is essentially still stiff), but they damp a whole lot better and act less like a spring. It seems that damping is the key to remove the quack and highest frequencies. Also, look at foam rubber instead of just solid rubber which is what an inner tube simulates. foam rubber is softer still, and damps better than solid rubber. I found some at Hobby Lobby in sheets of 1/16". You can double it or triple it if its compressing too much. Anyway, the inner tube material works well enough. I'd like to hear more folks' results with other materials.
[/QUOTE]Someone sez: <It just didn't work for the sound was an electric bass, and then it also felt weird.. I was forced to use it for so long until the gig was over (I was traveling of course) and it put a really bad stain on me as you can tell..>
Yep, it has a lot of sustain like a BG, but, so does an upright with a pickup. If you could listen your upright thru an amp without hearing the bass itself (very hard to do without a helper), you'll find it sounds a lot like...an EUB. Its because the signal from bridge-style pickups doesn't decay as much, as the natural acoustics of a DB. The pickup is direct coupled to the bridge and strings, bypassing the other 95% of the instruments contribution. So, an EUB is not much different than a DB with a pickup since its all going from the string to the bridge and then to the pickup. All this brings up a good point: why do [you/me/us] own an EUB? For me, its three things: transportable where a DB is not, silent practice at night, and superior gain before feedback when my upright w/pickup won't work (loud bars, tight but loud cafes, electric instruments and loud drummers). I'll always take a DB if at all possible. There's just times when its can't happen, and the EUB is an acceptable compromise.


Well, I just got my Pal about a week ago. Love it so far! Probably going to experiment with a couple of different materials to cushion the bridge and pickup. One thing that puzzles me...
I've been playing around with it, and the one thing that might keep me from being able to take it to a gig is the endpin sliding all over the place. It's gradual, but after a three minute tune it's 2-3 inches closer to the floor and I have to readjust. The force required to tighten the knobs puts a strain on my wrists as it is :/
Anyone else experience this dilemma? Any fixes uncovered?
Side note, parting out my old AUB after a neck separation from the body. Any parts you think I might be able to salvage for this new guy?
Thanks!