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The Fender Super Bassman 300 thread

Gig this morning for the premiers of the Aus Football League-Hawthorn Hawks.

Stage from out from before public arrive.
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At sound check. Alleva-Coppolo EUT5 -Fender Super Bassman -Bassman Neo 115 (I should've brought both 115s but an 8am sound check meant I was slack. It was fine with the single 115 but 2x15s would've been nice)
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FOH & monitor power amps etc
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FOH PA
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The crowd ....... waiting for us yup finish/team to arrive and sign things.
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My rig and Sean on drums
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I gigged Saturday night with my Tecamp Puma 900 and Sunday afternoon with the SB 300, both times with the Neo 410 cab. Now, let me say that the Tecamp Puma 900, which I recently acquired and have gigged with three times in the last few weeks, has rapidly become my favorite solid state amp ever. I just adore the tone and design. But Sunday's B side of the weekend A/B comparison really wasn't a fair fight. There simply is nothing like tubed Big Iron. The weight and authority of every note with the SB 300 is a beautiful thing. I don't always enjoy schlepping it, and won't at some venues with unusually challenging load-ins, but the amp thrills me every time I use it.

And a word about the Neo 410, which I've owned for a year and a half now. I'm a fan of 410s, and this is the last one I ever will own. It sounds great, looks fabulous with the matching amp and, most of all, the light weight is ridiculous.
I couldn't agree more with your assessment of Big Iron vs. SS.
 
Gigged the SB300 into the neo 810 cab yesterday. I underestimated the sheer stage filling power of this combination (and I have owned a couple of Ampeg 810 fridges and SVTs). In comparison to my old neo 610 cab there was noticeably more bottom end, easily fixed halfway through the gig - I should have done it sooner - by turning the bass on the vintage channel down to 2 1/2 from 4. Initially any note on the E string was a little more resonant, I guess everyone is right when they say that 2 -10 -2 is flat on Fender vintage tone controls. Anyway, after the tone tweak it was a pretty awesome sound and power. It was probably a room issue, but it also reminded me how easy to use that old fashioned Fender eq is if you are familiar with it. I think the 810 will be my go to for a few outdoor stages we have coming up, the Berg 215 with the SB300 will do for small to medium gigs as I don't want to dominate the onstage mix too much :D - I know you can turn down but eight tens are still eight tens:hyper::hyper:.The guys in the band commented on how light the neo 810 is, the trick is to keep it fairly vertical when moving it on its wheels. Last thought - I am pretty confident I could get just about any tone I want out of the SB300/810 combination
 
Yo guys. So I posted these in the sb owners thread but i thought I'd drop them here as well. These clips are from a radio performance that my band did in toronto about a month ago. I'm using my sb300 thru an ashdown 810. Running pretty much flat on the od channel. We took a line out of the head and blended that with a mic on the front. We have now been on tour for a month and every night the head has worked flawlessly. I'm so happy with this amp. Anyway check it out.

 
Yo guys. So I posted these in the sb owners thread but i thought I'd drop them here as well. These clips are from a radio performance that my band did in toronto about a month ago. I'm using my sb300 thru an ashdown 810. Running pretty much flat on the od channel. We took a line out of the head and blended that with a mic on the front. We have now been on tour for a month and every night the head has worked flawlessly. I'm so happy with this amp. Anyway check it out.


Great stuff Man! That's awesome! F Bass to boot. I've wanted to try one of those for a while. If you guys ever play Vermont...
Take Care,
Brent
 
@rodl2005 Thanks! The cab is an Electric 15L. It's a sealed single 15" cab that's the same length and width as their 2x12 cab, but a couple inches deeper. I had it made several years ago because the band I was in had been playing a lot of small coffee house type of gigs, and my 612 was a bit much:) It has a really nice old school growl at much more reasonable volumes, and surprisingly good bass extension. c.
 
After spending the last few months with the sb300 I've found that a higher volume level on either channel makes for an ideal punchy tone for my liking. It seemed like it was muddy at most eq settings until I turned up the volume on channel 1. Im still wrapping my head around how to use the tube head for best tone and I think I'm on the right track? Is that the way these work? A higher volume on the channel and then adjust the master?