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The FRETLEZZ. (could be my worst idea yet)

The metal inserts will start out flush with the board... but they won't stay that way. They will expand/contract differentially, so depending on the season, maybe slightly raised or slightly sunk, as the wood board expands/contracts. it might not be enough to affect the tone, but you will definitely feel it. It's been tried before, I remember there was one bizarre version that had "retractable" frets. Another one had interchangeable boards held on by magnets, both commercial failures. that said, and in the Interest of Science, let us know how it turns out. :D
 
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But here you have a metal on metal contact with the string hitting the fretted note, and also slap tone is created when the string hits the last fret and continue to ring while still fretted on metal, just like on a regular neck.

Also optional - mini screws to set the blocks in place, to allow switching between stainless and nickel.
 
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Charles Berthoud has a steel fretless bass:
Sanford Parker plays/played a fretless EGC Bass: https://www.talkbass.com/threads/sanford-parker.679533/

The closest thing I'd have to a converse would be the wood wearing at a faster rate from fretless gliss, leaving divots in the wood. The said, maybe the metal would protect the wood by leaving a stronger plane at the point where you play most often. Go for it, it could be rad!
 
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Classic slap tone is partly the strings hitting the tops of metal frets, at least on the "pops". If the metal is flush with the wood, the string will contact both metal and wood for any fretted note, so I think what you will get will be something less crisp than a fretted bass, but more crisp than slapping on a fretless, which always sounds a little less distinct, more "woody". Maybe that's close enough? If you can solve the expansion/contraction issues, this might work, but wood expands and contracts mostly due to humidity, metal exclusively due to temperature. I remember back in the Day, a buddy had one of those Kramer basses with the "Y" shaped aluminum necks. That thing WOULD NOT stay in tune. Just the heat from your hand was enough to make the neck move. Plus it was like playing a cold fish. I think they made some later versions with wood inserts so it was little better tactile. If you have 24 3mm wide metal bars, and each one expands/contracts a fraction, the total deflection will be 24 times that fraction. You may be adjusting relief on this thing all the time. Science!
 
I seem to remember seeing a video of Bill Clements playing on a bass similar to what's being described. It had wide inserts in the fret positions that made a fretted sound when hit, but the neck was smooth. Can't find it, and I can't remember the name of the company that made it.
Also, Ashley Pangbourne used to make aluminium fingerboard fretless basses.
 
Might work as a super-low action slappable 'fretless wonder', but would almost certainly fail in terms of the fretless 'language'. Imagine trying a nice deep slow vibrato, ±30 cents or more, glissing a harmonic from top to bottom, or getting a bit 'creative' with intonation and the timbre changing every time you roll over from 'tang' to wood and back again...
 
That stainless fretless Berthoud is playing sounds great, but it's a single material, the amount of expansion at any one point along it is probably tiny, I wonder how much longer/shorter the board gets based on temperature? Maybe not much, since hopefully it's kept in a reasonably steady temp range.
I'd think fixed at the nut, held in slots but free to slide elsewhere so expansion/contraction wouldn't affect the overall neck shape. Kinda have to toss out the usual role of the fingerboard, or rather make that the job of the fingerboard you don't see, under the stainless face...?
 
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If you're thinking of this because you want a metallic slap sound on a fretless, I've seen pics of fretless basses made with brass plate at the neck heel, just north of the highest stop on the (wood) fingerboard. When the string is slapped, it hits the plate, you get your clang and don't have to worry about how well wood and metal interact.
 
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