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The Great Bass Preamp/DI Comparison

If I remember correctly, the 1/4 amp out is blended, but without cab sims. I quite like the idea of separate XLR outs for a number of reasons. Not the most convenient way of managing dirt tones, but it seems the most efficient to me if you like that kind of sound.
Anyway, the pedal seems a little bit overlooked here and I asked why. Most of the gear I tried because of this thread was absolutely killer, so I just want to know.
Thanks.
 
Got this toy today:

View attachment 3903726

Initial impressions is that this all sucker does have some tone magic in it. Seems to roll off the top and give a nice round bottom. No EQ or other adjustments other than level.

Seems to have a NOS tube in it. Wiring is flawless. Perfect!

View attachment 3903727

Thoughts of this going in front of the NuX are running through my head. Wish my compressor would get here. Haven't seen the tracking move on it since June 11th....over a month ago.
I really love what it does, but I wanted to try it as a tube overdrive (cue "I had a Sunray in my cart" joke) and some great tones come with quite a lot of gain that you have to adjust for overall volume unless you use the pedal as an "always on" (and fair enough - it is a preamp after all). I will keep it - but I wish it had an output volume pot...
 
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Right...It's pretty amazing how close a 10lb rig(TH700+Oracle for me) can get to the sound and feel of the 80lber these days. Given the choice if it's existing backline or somebody else is schlepping it I'd probably take the SVT but that margin has been significantly narrowed.

It is amazing. I've explained that same thing to one of the groups I play with when they ask why I don't bring my tube amps to gigs or practice. I can pack an HX Stomp + a nice tube comp. or tube pre + Quilter BB800 and have a handful of classic bass amps and serious tube tone that almost rivals the real thing - except in a board that weighs around 12 lbs. It's been said numerous times already, but once more won't hurt...great time to be a bassist.
 
I really love what it does, but I wanted to try it as a tube overdrive (cue "I had a Sunray in my cart" joke) and some great tones come with quite a lot of gain that you have to adjust for overall volume unless you use the pedal as an "always on" (and fair enough - it is a preamp after all). I will keep it - but I wish it had an output volume pot...

Yes...and output volume would be awesome. Could probably drill a hole in the side, and put a pot in line with the output jack. The wiring inside is so neat and clean that you can easily see where all the wires go.
 
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Question about tube rolling, as it is called - do you wear gloves when touching the tubes?

I'm one of those drivers whose headlights are always on, so I go though them every few months. The advice I was given at multiple auto stores was to wear rubber gloves when changing them because fingerprints can decrease their life. While they burn hotter than pedal tubes I have to wonder if it's not good advice for them as well.

That's for halogen lamps, not LEDs or tubes.
 
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I can pack an HX Stomp + a nice tube comp. or tube pre + Quilter BB800 and have a handful of classic bass amps and serious tube tone that almost rivals the real thing - except in a board that weighs around 12 lbs.

I have found that my tube compressor (LA-1A) has been the biggest influence on my sound of anything I have tried. I have a Nano with that, a TU-2 and a Rolls PM50s For my wired IEM's. A CIOKS DC-7 is mounted underneath for power. I use the compressors balanced out (I have a special cable) as my DI. Even without a preamp/DI I get great warmth and tone. I may start using my Genzler MG350 head. A bird in hand instead of getting an expensive Pre/DI for my board.
I've thought about trying the stomp but it's expensive and menu driven and I kind of like simple and analog as demonstrated by my only using a tube compressor.
 
There really is no way to avoid talk about how amazing the LA-1A on Talkbass, eh? Maybe I'll give up and grab one...
Like I've said before, I rarely go all "game changing" on gear. My Roscoe basses...yes. My amp...I love it but it's not a game changer for me. My LA-1A...game changer. The singer (love her but she doesn't know gear at all) in my band noticed the first day I used it. The sound guy was playing air bass. That's how good it is. It's expensive for sure, but it's so worth it.
 
Like I've said before, I rarely go all "game changing" on gear. My Roscoe basses...yes. My amp...I love it but it's not a game changer for me. My LA-1A...game changer. The singer (love her but she doesn't know gear at all) in my band noticed the first day I used it. The sound guy was playing air bass. That's how good it is. It's expensive for sure, but it's so worth it.
Yeppers!
 
The gushing for the LA-1A aside, seems no one here used/uses a Lightning Boy Op-2 vacuum tube powered optical compressor, which by design seems somewhat similar

It's hard to find a Lightning Boy Audio tube pedal, as they're not making them anymore. I'd be interested in the NuVision pedal myself, if/when I have funds available. I did have funds available when I bought the LA-1A and the Oracle.
 
From church last Sunday: FB-1A -> LB2020 -> LA-1A -> LBA2020 = big warm notes with sustain. 4 tubes and 3 transformers in this example.

2020-07-12 1 pedals sm.jpg
 
From church last Sunday: FB-1A -> LB2020 -> LA-1A -> LBA2020 = big warm notes with sustain. 4 tubes and 3 transformers in this example.

View attachment 3904757
Dang. I've been on the fence about those LB2020's. I'm considering getting 1-2. I read that with passive basses you'd want two. But it/they would be sandwiched between several other effects, preamps, etc. I can't decide if it's worth the expense or not. Do you feel that they contribute something significantly worthwhile to your overall tone? I'm guessing so, or you wouldn't (still) have them, lol.
 
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