Well, after a few days of sulking and evil thoughts, at may latest finish fiasco, I come crawling back to TB to try to regain my Happy Thoughts on this build.
So... I had an unfortunate sand-through episode on the headstock, documented above. The rest of the bass looks like a satin finish Steinway Piano, so i was loathe to re-spray the whole thing with clear. I reasoned (wrongly) that by re-spraying just the top and side edges of the headstock, any "witness" lines would be nearly invisible along the sharp edges. having easily sanded through 5 coats of black and 25 of clearcoat, I put 10 coats of black and 30 clear on the edges, resulting in... witness lines, with the added bonus of a little chip of clearcoat on the pointy tip coming off with the masking tape. Good times! Attempting to "feather" the witness lines, of course I had yet another tiny sand-through on the headstock tip. I probably already know the answer, but please advise on a course of action, in ascending order of painfulness:
1. Touch up the tiny sand-through with black, sand all the witness lines flush, and re-spray just the edges with clearcoat. Accept that my first paint job will never be perfect and move on.
2. Re-spray the whole headstock, including front and back faces and edges, with a break at the volute. This would probably result in a witness line at the volute, but at least it's on the back of the bass, and that's a pretty sharp edge.
3. Sand out all the headstock witness lines, retouch and black sand-throughs, and re-spray clearcoat over the whole bass. Repeat endless level sanding.
4. Sand the whole bass back to bare wood and start over.
5. Let it hang in it's nice cozy warm closet until I regain the Will To Live, and THEN proceed with option 4.