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The incredible John Myung

That Yamaha definately didn't give him what he needs, though it wasn't bad. On the most recent album he did alot of recording with an EBMM Stingray, unless I"m mistaken. Step in the right direction.

Yeah, that's correct. It was obvious he was never happy with the Yamaha. For one, when he used it live, he would add a second pickup (near the bridge) to get a different sound.

He is an amazing bassist.

Personally, I love male falsetto. James Labrie's vocals fit with this music. I can't imagine Dream Theater with anyone else. IMHO of course.
 
I don't see how the vocalist is even tolerated. I made it about 20 seconds in after the vocals started. Horrid.

Well, I'm not a big fan of his live performances, but I should at least mention that this song was written with a different (kind of) vocalist in mind.

As for Myung, I used to be a huge fan about ten years ago. I'm not one of the many people who think that DT haven't released anything worthwhile since, but I really think that their "write and record in the studio" approach doesn't seem to go well with Myung's way of working. He used to be a pretty inventive bassist, but it seems he really needed the time he had back in the days to come up with those parts. Now most of his parts seem rather underdeveloped, way too often just doubling the guitar parts.

Oh yeah, I've always been quite happy with his signature six string bass (except for slapping).
 
Yeah John Myung is a great player who often gets buried in the mix in some studio and live situations. But since this thread is now more about James Labrie, I will add my two cents about him. Although I feel his voice works for the bands sound, his voice in live situations is very much hit and miss (I've seen them live twice and he was actually pretty solid both times). In the studio, however, one recording of his which I admire his vocal work is on Innocence Faded from Awake.
 

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