That reminds me of something funny. My Epiphone came with black tape-wound strings. Of course, I knew absolutely nothing about strings, but I wondered why I could never get the same bright sound out of my bass that I kept hearing from the bass players in the bands I listened to. Then one day I noticed what appeared to be black fraying near the bridge. "What the...?" So I started pulling on it, and soon the tape started to unwind. It blew my mind. As I got into the job of removing all the tape from all the strings, I noticed what appeared to be a pristine new set of roundwounds underneath the tape. When I plugged it in, it sounded like someone had removed a pound of cotton from my ears, and suddenly I could get the bright tone I was hearing from everyone I liked.I think I could have liked an Epi like that, TBH.
Mine was a Washburn Vulture II with stainless roundwounds. I think it was a bit unwieldy for me to learn on but maybe it made me stretch out and toughened me up a bit.
It's been all Fenders since then. I did try a friend's Rickenbacker 4001 way back though. The neck felt easier to me, especially compared to that Washburn... which almost certainly had a bad setup the whole time.
Things ya learn.
It's funny the way we learned and discovered things as kids back in the analogue age. It was almost a wonder anyone was around to teach me EADG and how to tune thing to begin with.