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I know this is condescending (and isn't aimed at anyone in this thread) but I feel sorry for people that play the Bass because they think it's easy, or because their band of guitarists needs someone to play the Bass.
Growing up in Detroit in the 60's with all the Motown and smaller independent Soul labels I noticed the Bass was always doing something to catch my ear, it was the busiest instrument. Easy to play? I was on the road in Toronto at a festival and another Bass player mentioned hearing that quote "the easiest instrument to play" and I said until you start playing and realize you better know what you're doing because you can't lay out and listen. Many of us realize that in many cases we are holding the whole thing together and we can't lay back and listen to the tune you better know it and keep playing. I asked Ron Carter if when he subbed with Monk if they had charts. His reply was no you were expected to know Monks tunes: Easy? no way.i was told that "anyone can play bass...how hard can it be?"
Don't feel sorry for them. That happened to me and it was one of the best things to happen. Now, 30 years later, I play bass and guitar and love them both equally. Most people that are asked to play an instrument that is missing in a band actually bond with it. I rarely have seen the opposite.
Yeah, you're right. If those are the reasons someone first starting to play Bass and they then fell in love with it then that's all good - whatever the reasons anyone got in to it, as long as people love what they are playing. If someone were to spend years of their life playing the Bass just because they perceive it as the easy or convenient option and they actually have their heart in another instrument then that seems a bit of a shame though.
Perhaps an overly-romanticised view but with music being a form of artistic expression I'd hope people were making that expression with their true voice. Plenty of people speak multiple languages though, I perhaps need to broaden my horizons.
Bob Babbit used to teach bass in Detroit for awhile I have friends who took lessons from him. About 20-15 years ago I played with 2 guys who went to High School with James Jamerson and they were good friends. These guys would tell me stories about his gifted ability particularly his sight reading to me it was mind boggling. We were playing at the Jazz festival Labor day weekend and James wife Annie showed up and I got to meet her.When I started learning and trying to bass in the mid-1980s, Peter Hook and Joy Division were very much an influence; a strong one really. My influences grew outward from there.
It's probably why George Murray from D.A.M. Trio became one my main all-time favorites. His work with Bowie and Iggy Pop are masterpieces to me. Similarly with Jah Wobble, Holger Czukay, and Steve Hanley. Dave Alexander and Ron Asheton on bass are also on the top of my list. There are others but those are the main men.
Steve Currie, Bruce Thomas, Tim Wright, and Peter Farndon are up high on my list. Mike Watt, of course.
Another perspective of where I'm coming from: The bass on Papa Was A Rolling Stone by The Temptations is forever a powerful, hold-everything, meditative groove. //Has anyone ever gotten to the bottom of the truth about who actually played on the recording yet? Was it in fact Babbitt?
Elegant minimalism and the minimalist approach has always been an strong fundamental characteristic that threads through virtually everything I've done as creative/maker in art, design, and music; regardless of whether it was as an ametuer, professional, hobbyist, enthusiast, expert, or whatever.
All of that is my north star.
Ma never forgave me.@Gaolee gave me POS Vantage when I was in sixth or seventh grade, along with a punk rock mixtape he'd made. Played my first shows in 8th grade, was playing gigs in clubs by tenth grade. I've taken breaks periodically, but I seem to always come back to the bass. I guess bass sort of chose me?
When I started learning and trying to bass in the mid-1980s, Peter Hook and Joy Division were very much an influence; a strong one really. My influences grew outward from there.
It's probably why George Murray from D.A.M. Trio became one my main all-time favorites. His work with Bowie and Iggy Pop are masterpieces to me. Similarly with Jah Wobble, Holger Czukay, and Steve Hanley. Dave Alexander and Ron Asheton on bass are also on the top of my list. There are others but those are the main men.
Steve Currie, Bruce Thomas, Tim Wright, and Peter Farndon are up high on my list. Mike Watt, of course.
Another perspective of where I'm coming from: The bass on Papa Was A Rolling Stone by The Temptations is forever a powerful, hold-everything, meditative groove. //Has anyone ever gotten to the bottom of the truth about who actually played on the recording yet? Was it in fact Babbitt?
Elegant minimalism and the minimalist approach has always been an strong fundamental characteristic that threads through virtually everything I've done as creative/maker in art, design, and music; regardless of whether it was as an ametuer, professional, hobbyist, enthusiast, expert, or whatever.
All of that is my north star.
This is weird, but for me it was the opposite. I started off for a short while playing guitar. I mean like 6 months when I was 15, but always wanted to play bass. Later on I'd always be asked to play guitar. It was actually hard to get a band that was interested in me playing anything other than lead. I was the lead guitarist. I don't know that it makes me better or just the guy with more responsibility. I finally much much later had to just learn to say no. My preference was always bass.I always figured the default answer to this question was "because the other guitarists were better than me."