Just some scratch charts of Pippin tunes I made for myself in Musescore the day before (example attached) because I knew nothing about its score. The rest was just muscle memory from having played Godspell and The Magic Show back before the Ice Age, although the aging voices from the original productions required taking keys down a whole step or more.Wow, no charts! That's impressive. Assuming Paul was the bandleader? Any adjustments you had to make or just play the songs? And what a treat to play with amazing vocalists, we should all be so lucky.
Paul was the bandleader. He rehearsed with the vocalists the previous day to get keys, tempos, etc. and he was also the MC for the induction. The songs were pretty much show length.
Wicked and Pocahontas are challenging scores because they're traditional Broadway arrangements intended for full orchestras. So those shows sent their keyboard players to accompany the singers. Broadway shows typically have cut-down arrangements for solo piano accompaniment so they can do morning shows, special events, etc. without paying $$$ for and transporting a full orchestra. So I got to enjoy those divas from the audience. Man, they were pro. I don't miss much about Broadway except the caliber of talent I had the privilege of working with.
Stephen Schwartz was one of them.