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The Official Warwick Club (Part 6)

Not sure if anyone has applied to you yet but congrats. Even though the thing was assembled in Korea or China it's still got German DNA. Tuners, mec humbuckers, the factory has German supervisors making sure they get built within spec. The tone will be different due to not being ovankol on the neck but it's honestly still a great bass. Maple is a great wood choice and even custom German basses have been built with maple per request. I like the pickups and I like that you can go single coil on either one. With an eq pedal it'll do everything that a team build bass will do and more because of where pedals are these days. Have fun and welcome to the Warwick side of things.

Thanks , playing it its hard to say its a comprimise
typically the pre amp and tone pots need replacing
it does have thin strings which im wondering about

the double buck configuration is easially the loudest bass i own
its got that warwick high tone but brings the bass too
huge sound
 
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Thanks , playing it its hard to say its a comprimise
typically the pre amp and tone pots need replacing
it does have thin strings which im wondering about

the double buck configuration is easially the loudest bass i own
its got that warwick high tone but brings the bass too
huge sound
So yeah my bass really has huge lows too. These are definitely low end monsters. I can definitely hear the Warwick tone coming through. I've wanted one for a long time and now I want 2. As far as strings go I've been going nuts looking at different ones. Thin isn't such a bad thing on these because they have so much bottom end you're not depriving anything but having the thin gauge. The only thing is just fitting the nut and bridge, the set up, and finding what overtones you want as well as what tension you like. That's what strings are going to do for your sound. My bass seems to do best with lower tension and no more than medium gauge. My main thing is cleaning up the huge lows and getting attack, growl, and punch in the right mid frequency so it takes that sweet Warwick sound and makes it sound as big as possible. I think about Nick Schendzielos, Ryan Martinie, how they sound and then blend that tone with my own little things. I grew up loving the Geddy Lee Rush sound and to me Warwick basses seem to take that kind of punch and growl and give you something interesting and ballsy but beautiful when you're digging in or slapping. It's just something unique that other basses don't have.
 
I actually ordered a pair of the passive MEC J pickups yesterday from TalkBass. It previously had the gold-logo’d active pickups, but they have rather glassy highs which I’m not too keen on (not to say that they are bad pickups, I know many like their sound and look for it in a J/J Warwick). I prefer more traditionally-voiced jazz pickups and think that the passives might compliment this bass. When my budget allows it would be great to invest in a good pair of split-coil/noiseless Delanos, but for now I am sure I’ll be content with the passive MECs and know that they will at least fit in the existing pickup cavities.

Edit: I’m also foregoing the original no-name preamp for a passive tone knob and a switch for two different capacitor values (to try make use of all the existing holes).

Nice! Definitely post pics when it's done (and maybe a sound clip or two).
 
So yeah my bass really has huge lows too. These are definitely low end monsters. I can definitely hear the Warwick tone coming through. to me Warwick basses seem to take that kind of punch and growl and give you something interesting and ballsy but beautiful when you're digging in or slapping. It's just something unique that other basses don't have.

Im actually worried about having so much high end
my set up is the rockbass double buck thru a mark bass head
and 4x10 hartkey xl

all these things bring out the highs they really work well with the highs
the harkey has wrap around bass reflex so it really brings the bass too

its ridiculous,..
i can make the walls shake
 
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Im actually worried about having so much high end
my set up is the rockbass double buck thru a mark bass head
and 4x10 hartkey xl

all these things bring out the highs they really work well with the highs
the harkey has wrap around bass reflex so it really brings the bass too

its ridiculous,..
i can make the walls shake
That's actually a good thing. But toning it down should be easy. I would just go easier on my treble and high mids and it'll take the edge off. It's actually way easier to tone things down than it is to have not enough of something and try to crank the eq to compensate. It usually doesn't end well. Also if you want a little less attack you can roll off the tone knob which is the one furthest to the back. I usually start mine off and only go a quarter turn on. If I'm not getting enough I turn more on but I like the roundness of the tone with the tone control partway vs full up like many of us do. Another thing is that a 4x10 cab is a lot tighter sounding than a 4x15 or anything with only wider speakers. That usually means you're not going to need as much help in the highs and mids. I know that because my rig is a big ass 4x15 basson cab with the tweeters disabled. I end up really pushing high frequency to clean up the huge bass frequency going on. Hopefully I've been helpful. I know lots of us here on tb have some great ideas and are happy to help you chase the tone you want.
 
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im used to medium gauge
Warwicks come with too light strings in fact alot of the twang and high end is from the strings,..as a tradeoff they are super easy to play

i cant comment on my tone too much unfortunately the tone pots arnt doing much
its really a matter of getting used to the distnct sound of the warwick growl

the markbass has some usfull tone knobs, including a 10k shelf lol

it will be different trying to fit it into a band context
 
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Could it just be that you're running too-light strings?

Thanks for the input. The Rockbass was my most-used bass for a while a couple of years ago, so I’ve strung it with quite a range of strings. If I remember correctly, I most enjoyed nickel D’Addarios with a 130” B-string. Definitely nothing against the active pickups - they just don’t have the timbre I prefer. I have also quite liked the tone I’ve heard in recordings on YouTube of RB Corvettes and Streamer LXs that had the passive ‘dynamic correction’ pickups installed. Now’s a good time to experiment :)

Another reason for which I’m eager to try passive pickups is the way they interact with a tone control. From my not-too-extensive understanding of pickups, the inductive nature of a pickup and the capacitor of the tone control create somewhat of a resonant tank when the tone knob is dialed. In effect, the treble isn’t simply rolled off, but the mid-frequencies just below the attenuated frequencies actually experience a bit of a boost. This is why a passive bass with the tone rolled off a bit actually sounds more mid-forward instead of simply loosing treble. The active pickups have a buffered output, and I’m therefore not sure whether the above principles would apply with them. In many scenarios, I find myself rolling off the treble a little and boosting 800Hz on the thumb’s onboard pre; which is equivalent to the effect of a tone knob.
I’m sure many here know a lot more about this than I do, and so I am eager to receive any correction where I may be wrong :D
 
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That headstock…..
 
All of my straps are 3" padded leather straps. The ergonomics of a Corvette aren't really the best fit for me either. How the streamer fits my body is much more comfortable. I may own another Corvette in the future, but it will likely be an ash body if I do. :D
 
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All of my straps are 3" padded leather straps. The ergonomics of a Corvette aren't really the best fit for me either. How the streamer fits my body is much more comfortable. I may own another Corvette in the future, but it will likely be an ash body if I do. :D

I've the same opinion about the ergonomics.
I'm wondering if thumbs are more comfortable or not.