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My options really are limited, though. Apart from 'made to measure' basses, only the TB10 comes close and I'm not sure about that bass!
The Ortega looks good but that's about it!
It would be good to see Martin or Taylor offering a fretless option, but they don't.
1. I paid much less used. I wasn't looking for one per se, but it came up locally on eBay....Well, a few points, really, bearing in mind that I've never seen a TB10 never mind had a try on one. And, because, it's a niche market instrument, dealers don't have them hanging on the wall so I'm very unlikely to get that chance. So ...
First, spending £/$2500 on a bass I've not seen is a big put off.
Second, I understand there are no position dots on the side of the neck.
Third, the action is set fairly high: I like mine low so that would have to be done.
Forth, I want to play it on a strap but there are no strap buttons: another job to be done.
Fifth, I'm unsure about the 6" f/board radius as I like a fairly flat 'board.
Sixth, will the body be too deep for comfortable strap playing?
That's what makes me unsure!
John
Well, a few points, really, bearing in mind that I've never seen a TB10 never mind had a try on one. And, because, it's a niche market instrument, dealers don't have them hanging on the wall so I'm very unlikely to get that chance. So ...
First, spending £/$2500 on a bass I've not seen is a big put off.
Second, I understand there are no position dots on the side of the neck.
Third, the action is set fairly high: I like mine low so that would have to be done.
Forth, I want to play it on a strap but there are no strap buttons: another job to be done.
Fifth, I'm unsure about the 6" f/board radius as I like a fairly flat 'board.
Sixth, will the body be too deep for comfortable strap playing?
That's what makes me unsure!
John
I've got issues too that are only getting worse. No point ruining my work and my hobby.Thrown into the mix is not so great health. I've had carpal tunnel for some years, shoulder probs, wrist probs + general poorish health.
I got a DB that I'm playing only short stints at home and short gigs. I've simplified my playing drastically, which allows me to sing more.I realised... I wasn't going to be able to handle [DB] for health reasons.
I looked at the TB10 over ten years ago. Maybe a used one will come along.
Masterbilt Century is just the name of the product line, FFIW:I don't exactly know what "Masterbuilt" means.
Yes, indeed. Thanks. But Epiphone use that word to have the potential buyer think he / she is getting more than a run-of-the-mill bass. It evokes an image of craftsmen lovingly building the instrument when, in all probability, they're churned out by the truck load in a Chinese factory (which does not in itself make them bad instruments).Masterbilt Century is just the name of the product line, FFIW:
MBCentury
Epiphone Masterbilt® De Luxe Classic™ 4-String Acoustic/Electric Bass Guitar
You know, @Rockin John , I appreciate how you are taking your time on this. I see so many "I saw this and just had to buy it right now!" (and then try to sell it a month later) posts on TB. Very cool that you are taking this methodically.
One needs to put it in perspective I guess. Epiphone Masterbilt *guitars*, as far as I've googled, are made out of solid woods with some attention to detail and deliberate design, and "Masterbilt" is probably only meant to convey they are more than run-of-the-Epiphone-mill acoustics: in the end the company name, which all of us in less than our eighties equate with "Gibson's sub-brand", and the price point (which I understand to be around fiveish Bens for the flat-top six-stringers) should be enough not to fool buyers into illusions of sublime craftsmanship and fully made in the US of A masterpieces, finally and finely polished in human leather cloths. Heck, they even spell it without the "i": if anything it should evoke visions of undertoothed, red-necked, one-shouldered-overalls-clad cabin builders, at most...Yes, indeed. Thanks. But Epiphone use that word to have the potential buyer think he / she is getting more than a run-of-the-mill bass. It evokes an image of craftsmen lovingly building the instrument when, in all probability, they're churned out by the truck load in a Chinese factory (which does not in itself make them bad instruments).
Just how it appears to me.![]()
One needs to put it in perspective I guess. Epiphone Masterbilt *guitars*, as far as I've googled, are made out of solid woods with some attention to detail and deliberate design, and "Masterbilt" is probably only meant to convey they are more than run-of-the-Epiphone-mill acoustics: in the end the company name, which all of us in less than our eighties equate with "Gibson's sub-brand", and the price point (which I understand to be around fiveish Bens for the flat-top six-stringers) should be enough not to fool buyers into illusions of sublime craftsmanship and fully made in the US of A masterpieces, finally and finely polished in human leather cloths. Heck, they even spell it without the "i": if anything it should evoke visions of undertoothed, red-necked, one-shouldered-overalls-clad cabin builders, at most...
But seriously, there's little doubt these instruments are made overseas, but those from the Century De Luxe line are supposed to be benefitting from older archtop-building bracing design and construction in general, plus decent electronics. Or so they say. Only thing I can say for sure is I like the looks of the bass. The gold (amber, natural, whatever) even more than the 'burst.
Have you asked on BassChat if anyone in UK who owns one will let you pick it up and play it? Clarky (Moderator) had one for a while, he's very helpful.