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The one that got away.

  • Thread starter Thread starter Deleted member 394181
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We all have the story of Basses we should not have traded, or sold, but which one do you miss the most? I let a 1974 White with Black binding and hardware, Rickenbacker 4001 get away. Stupid.

I had a '73 Precision that I bought brand new that I wish I had held onto. I used it for the entire two years I was playing in a Country & Western band that was on the Holiday Inn circuit ... six nights a week with only a couple of weeks off during the entire stretch. The neck was as solid as a rock and sometimes it would stay in perfect tune for a month at a time (we played those Holiday Inn lounges for a month ... sometimes two before moving onto the next one). The singer in the band owned a pre-CBS '62 Jazz bass that he brought on the road with us and let me play it when I wanted to. This is where I originally caught the pre-CBS bug (back when you could still buy them simply as used instruments and not Holy Grails) and sold that '73 P to start my vintage Fender bass collection. I did end up getting some super cool pre-CBS Ps and Js but I still think about that killer '73 P that I let go.
 
a sweet Ball Family Reserve mm five string. Had a solid rosewood neck, the traditional mm pickup and a jazz pickup for a great variety of tones. The thing was just so solid, looked, felt, and sounded great. But after a few months of not finding a job and then my car dying, it made sense to sell it so I could get a car to get a job and earn money and not get kicked out of my apartment.
 
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I miss both of these equally the most.

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We all have the story of Basses we should not have traded, or sold, but which one do you miss the most? I let a 1974 White with Black binding and hardware, Rickenbacker 4001 get away. Stupid.
Early in my bass playing I had one bass and got the crazy idea I needed a 4-string - no a 5-string - no a 4-string - wait, a 5-string... I should have just saved up for one of each, but in the process I sold a Carvin LB70F, which is my biggest bass regret.

It was neck through with a maple/walnut/maple/walnut/maple with mahogany body wings. The top was bookmatched curly walnut and the headstock matched. It had a 2+2 headstock, so not the beakey Carvin headstock. MM/J pickups with a 3-band preamp and blendable piezo pickups in the bridge.

Should never have sold that bass!
 
My black Kubicki ExFactor. Think it was an 86 model. I bought it new and used it for years on the road and did a lot of sessions when I was making my living with music. Played it in a lot of places where TB people said “you can only have a P there”. It was so versatile and played like magic.
I saved my money to put myself through school when touring got old, full-on “Triple Lindy” style. But tuition increases…. I sold that bass for a full semester of classes and books. My self-supported engineering degree is cool but not as cool as that bass
I remember test driving those in my college yrs thought they sounded/played like magic! Never owned one though. Great post.
 
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About 4 yrs ago I bought an 02 MIM jazz from a guitarist who owned it. His wife made him sell it because of his GAS for guitars. She must have had a limit.
That bass had never been played. Minty fresh.
That light blue color and it played and sounded perfect!
Traded it for a Jack Casady that I never really bonded with. Thought all Jazzes would play and sound the same but can't find any of them that I have really cared for.
:bored:
 
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2005 Musicman Stingray natural, 4 string, 3 band eq. The body was a single piece of ash. I’ve owned numerous other 4 string Stingrays, but none of them sounded as good. Nothing beats a good piece of ash!
I traded a Black '05 Stingray, and worse, a Burgundy 30 th Anniversary, if I remember correctly, Stingray neck through.
 
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1987 G&L L2500 White which had aged ever so slightly to a beautiful ivory. Maple fretboard black dots. What a bass!
Early 2000-something G&L SB-2 in Lake Placid Blue. I have yet to play another 4-string bass that felt as solid and played as effortlessly. And that pickup combination was gorgeous soloed or blended!
 
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My first bass. It was either my uncles or my moms depending on who you talk to. Was an unknown make (headstock logo got removed years before I was born) violin style from the 60s or 70s. If I could track it down I would, but I wouldn't even know where to start at this point.