I got one!!!! Have waited almost 30 yrs and finally found THE ONE!!!
Now I have The Red, White, and Blues!
Now I have The Red, White, and Blues!
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I also changed the pre amp to an Audere pro Z.
The combo of the Nord’s and Audere have given me a killer tone that I find cuts through a mix.
Might I suggest changing your avatar picture? It looks outdated.
BTW, luv the red, white and blue thing! But what is the red one?
That looks amazing you have to be proud I would be. After hearing about Gibson I'm happy we still have luthiers that care about their craft and signature product. There is nothing out there quite like a Penta.Hi boys & girls
I haven't updated my inventory on TB in a long time, but I recently purchased a '93 PentaBuzz (now christened Aura Lea) and I had to share. The fingerboard was in rough shape - worn finish, digs in the side made by a previous owner with a pen - and I needed more contrast between the lines & markers and the maple board (very poor vision).
After excellent correspondence with Christine, I shipped her to Michael for TLC: new pickups & electronics, dark lines & markers, repair of the damage, and complete refinish. Michael also buffed the bridge & machines; I added the Q-Parts knobs & Dunlop Straploks. and that's his signature on the back of the headstock.
I think she looks amazing and I'm thrilled with the sound and playability. Christine & Michael are The Best!!!
I took some pictures this afternoon - try not to drool on your keyboard.![]()
The MVP/Buzz amoeba, a distinct shape to be sure. I've wondered how it came about. Is there a story behind that shape?
The next bass on my wishlist will eventually be a Hexabuzz. In the meantime, I've been looking up information and watching as many videos of the Buzz line as I can find. I couldn't help but notice the placement of the control knobs. Even plucking, I was curious if the volume knob gets in the way occasionally.If you look at the early designs it seems like Mike was after a particular ergonomic experience from a pretty early point, which the shape was meant to serve. Basically to have your plucking hand more toward the front of your body rather than further off to the side as in a Fender. Beyond that I'm guessing it was just an evolution of his own aesthetic preferences.
On the topic of the MVP/Buzz design, one thing I've always found a little inconvenient is the placement of the volume knob. It's hard to palm mute or play with a pick because it's kind of right in the way there. I took that knob off the other day and it actually helped a lot. I can play pretty freely with a pick now if I want. I'm guessing not many Pentabuzz players use a pick, but I use one for maybe 30% of my band's songs and generally just enjoy having it as an option. Buzz basses actually sound great with a pick, especially if you turn the bass knob down and turn on the mid boost.
The next bass on my wishlist will eventually be a Hexabuzz. In the meantime, I've been looking up information and watching as many videos of the Buzz line as I can find. I couldn't help but notice the placement of the control knobs. Even plucking, I was curious if the volume knob gets in the way occasionally.