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The Stable - What do you play and why?

So I'm down to four basses, a 2018 MM Stingray Special, Fender Tony Franklin Fretless, Fender USA Geddy Lee Jazz and an Allparts Precision with an Allparts Jazz neck and EMG Geezer pups. The Geddy Lee and Tony Franklin wear Roto 66s, the Allparts TI Jazz Flats, and the Stingray EB Cobalt flats. All four sound uniquely different from each other, yet all four are equally usable as standalone instruments for the music and gigs I play.

In the past I've owned more exotic instruments (Ric 4003, Gretsch Thunder Jet, Gibson T-Bird, Dale Roberts 6-string, Spector Bantam 5, etc), and while they were all wonderful basses they usually stayed home in favor of a Precision or Jazz. I liked looking at them, and I liked playing them, but they rarely went to the gig.

So I have finally accepted that I prefer basic Leo Fender style 4-string basses, and have whittled the herd to these four. I'm curious what other Talkbass members have in their stable and why? Pics appreciated!

Stable.jpg
 
I'm curious what other Talkbass members have in their stable and why?

My response, copied/pasted from the last (?) time this question came up ...with one new addition:

Modulus Quantum-6 SPX - 6-string tuned BEADGC, EMG J-type pickups, ACG/East EQ-02 filter-based preamp, Kahler bridge, coco bola top on alder body, bolt-on graphite neck, built for me in late 1988 (preamp was retrofit in 2010)...this is my main bass, and the one that I -- and the musicians who hire me rather than just "a bass player" -- feel best represents my individual voice.

Modulus Quantum-6 TBX - another 6-string tuned BEADGC, EMG soapbar pickups, EMG BQC 3-band preamp, graphite neck-thru construction. It's a 1996 that I picked up second hand a couple years ago when I realized if my main Modulus was lost or stolen or damaged I'd be SOL. Doesn't actually sound like the SPX; it actually sounds better! Incredible sounding instrument. Huge.

Schecter Venus B/4 - traditional fretted 4-string passive Jazz Bass clone, built back in the mid-1980s when David Schecter and Tom Anderson were building these instruments. As boutique a parts bass as you can imagine; I'll put this puppy up against any passive Sadowsky, Lull, Pensa-Suhr, Aleva-Coppola, or Fender Custom Shop axe on the planet. This is my go-to instrument for conventional commercial work.

Steinberger L-2 - the original monocoque headless composite fretted 4-string instrument. I got it new in 1982, it was my main (practically only) bass for 10 years and still is the backup I bring to every studio gig. It's been around the world with me on tour, planes, trains, buses, and trucks oh my! I will be buried with this bass. Nothing sounds like an L-2!

Rob Allen MB-2 - fretless 5-string tuned BEADG with a maple neck/ebony fingerboard, Swamp Ash body with quilted maple top, Fishman piezo bridge and nylon tapewound strings. Sounds like an upright bass...or rather, sounds like what electric bassists think an upright bass sounds like. The missus gave this bass to me for our fifth wedding anniversary. :::swoon:::

Lakland Skyline 55-02D - fretted 5-string tuned BEADG with a maple neck/maple fingerboard, Swamp Ash body with quilted maple top, Lakland LH3 electronics, I forget what year it is but it's from the last year when the Skylines were made in Korea before they moved production to Southeast Asia. I bought this because I wanted a bass that, if it was lost or stolen or damaged, I could just walk into the nearest Guitar Center and buy an identical replacement right off the shelf.

Warmoth frankenbass - fretless 5-string tuned EADGC with a maple neck/ebony fingerboard, alder P Bass body with quilted maple top, one Bartolini quad-coil soapbar in the MusicMan position wired up like two individual J-type pickups to a Bartolini 3-band EQ...it's kind of the anti-Rob Allen, way more Jaco/Mick Karn/Percy Jones sounding than the upright emulation thing.

Schecter Stiletto Studio 8 - octave-course 8-string tuned eEaAdDgG, totally stock, mahogany body with bubinga top, maple/walnut neck-thru with rosewood fingerboard, EMG HiZ soapbars with a crappy 3-band preamp/EQ. I play a lot of 8-string bass and so always need one in my arsenal but this is the third different 8-banger I've owned in 30 years and tbh I'm not sure it matters which one I own. It's more about the sound of octave courses than the individual instrument's characteristics. This one is definitely the best of the three I've had though; kinda surprisingly good quality construction considering its low price, and quite possibly the most comfortable bass I own.

Warmoth P Bass - traditional passive Precision Bass clone with a Swamp Ash body, quartersawn Brazilian Ebony neck/fingerboard, Gotoh bridge, Kluson machines, Lindy Fralin pickup, strung up with GHS flatwounds. I put this together a year or so ago because I have hated the sound of a P Bass with flatwounds for most of the 45+ years I've been playing bass and finally figured maybe there was something I was missing and I should try it again. (Last time I owned a Precision Bass with flatwounds was 1977.) Y'know what? I still hate it. Anybody wanna buy a P Bass?

Breedlove Pursuit Exotic S Concerto - fretted 4-string acoustic bass guitar tuned EADG, myrtlewood top, back, and sides, mahogany neck, ovangkol fingerboard, Fishman piezo pickup, strung up with bronze roundwound D'Addario somethings. This is the "new addition" I mentioned above; just picked this up last December because I was looking for an ABG that I could leave out around the house in easy reach to pick up whenever the whim struck me and just start playing without having to deal with an amp or cable. Ironically, this bass sounds freakin' awesome when it's plugged into an amp!

I don't have any family portraits of the whole collection all together, but here are a few select pics:

Modulus-pair-1.jpg


Schecter-Venus-B4-on-the-wall.jpg


Cronk1.jpg


MINI-RIG-OF-DOOM.jpg


Lorax-10-3-2010-3.jpg


Warmoth-fretless-5.jpg


Schecter-8-st.jpg


P-Bass.jpg


Breedlove-Pursuit-Exotic-S-Concerto.jpg
 
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Link Removed

uke- sacrificial lamb for the kids. Keeps the fingers off the others.

ray34HH- beefy tones when I don’t want the b string, weight, or slab of the the Ray25ca

ray25ca- smoother beefy tones than the Ray34HH with added B string. Rewired to parallel. Main gigging bass right now.

LB100- because p bass

Japanese Marcus Miller jazz- because jazz bass. Can’t sell as it was a family gift.

Meteora- beefy fender jazz tones. Can’t sell as it was a family gift.

mini p hotrod- great gig backup bass.
 

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Okay, but there are no pictures. I can't access them - and I'm still trying to figure out how to post pictures on this... Verkakte... laptop, anyway. So, here goes...
30+ years ago, after I bought my first bass - an A-necked, '78 Fender P-Bass - I made a list of all the basses I thought I would like to have. And, I've been buying them ever since. All of them had to be 4-stringed; all of them had to be left handed; and, a bass that filled one spot, could not also fill another. Some of them were specific basses; some were specific brands; and, the rest were types of basses. For those, I didn't really care what brand/model they were; all they had to be was a 4-string lefty; in at least good, playable shape. It's taken a long time, but I finally filled the last empty spot early this month - with the Guild Starfire I Bass. So, that said? Here they are; the spots in the herd, and what fills them:
Specific Basses
- Fender P-Bass..... '78 Fender P-Bass
- Gibson Thunderbird..... '13 Gibson Thunderbird
- Rickenbacker 4003..... '01 COY Rickenbacker 4003
- EBMM 4HH Stingray..... '20 EBMM 4HH Stingray Special (first lefty 4HH's)
Specific Brands
- Danelectro..... '98 MIK Danelectro DC59 Pro (first lefty Danos)
- Gretsch.... '94 Gretsch G6119BO-LH Broadkaster (only lefty Gretsch bass I've ever seen)
Body Type and Scale Length
- Long scale Hollow-body..... '22 Epiphone Jack Casady Bass
- Long scale Semi-hollow body..... another '98 MIK Danelectro DC59 Pro
- Long scale Bolt-on neck..... '88 Tokai TB48 Thunderbird
- Long scale Set neck..... '95 Alembic Epic
- Long scale Neck-thru..... '06 Carvin LB-20
- Short scale Hollow-body..... '17 Hofner 500/2 Sunburst Club Bass
- Short scale Semi-hollow body..... '18 Danelectro Longhorn Bass
- Short scale Bolt-on neck..... '17 Warmoth Mini-Precision
- Short scale Set neck..... '23 Guild Starfire I Bass
- Short scale Neck-thru..... (ordered) Serek Sacramento Bass; should be mine in... a while:rolleyes:
Bass Types
- Aluminum-necked bass..... '78 Kramer 450B
- Headless bass..... '81 Kramer "The Duke" Special
- Active bass..... '15 Tom Hamilton Sig. G&L ASAT Bass
- "Violin" bass..... '91 MIK Rogue VB-100
- "Flying Vee" bass..... '18 Eastwood "Flying V" bass
Other than the "Specific Basses", the great majority of my herd is simply the first "best/nicest" example that I happened across at the time I was looking for that type of bass. Some, like the Serek Sacramento and the Epi JC Bass, I bought specifically because, as a lefty? There was pretty much no other choice. And, I built the Warmoth because lefty basses like that are either very cheap - or very expensive. I wanted neither... The Alembic, for example, was the first active bass I found on the day I decided to fill the "Active Bass" spot. It could have been any lefty, 4-string active bass on eBay. That day, it was this Alembic. I moved it into the "long scale set neck" spot several years later, simply because that spot was proving pretty hard to fill - and it qualified...
So... why do I have them? Because I wanted them - or, at least a bass like them. I actually do play all of them, although I have to rotate them in and out of "storage" for a month at a time to do so. There are a couple that tend to stay out, next to the amp; but, most of them just come out for a month when it's time for their opportunity to remind me why I like them...:whistle:
 
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gear.jpg


American Special Jazz with TIs - somewhere between vintage and modern Jazz bass sound - very versatile
2006 Stingray with TIs - retro sounding Stingray sound that never gets old, funky!
American Special Precision with LaBella LTF - classic P w/ flats sound - never gets old
American Special Strat - everyone needs a guitar, if only for another person to jam with sometimes. this guitar feels like butter to play.

Those are the only sounds I need for any and every genre of music I like or produce. The jazz might go soon just to keep it more minimal.
 
So I'm down to four basses, a 2018 MM Stingray Special, Fender Tony Franklin Fretless, Fender USA Geddy Lee Jazz and an Allparts Precision with an Allparts Jazz neck and EMG Geezer pups. The Geddy Lee and Tony Franklin wear Roto 66s, the Allparts TI Jazz Flats, and the Stingray EB Cobalt flats. All four sound uniquely different from each other, yet all four are equally usable as standalone instruments for the music and gigs I play.

In the past I've owned more exotic instruments (Ric 4003, Gretsch Thunder Jet, Gibson T-Bird, Dale Roberts 6-string, Spector Bantam 5, etc), and while they were all wonderful basses they usually stayed home in favor of a Precision or Jazz. I liked looking at them, and I liked playing them, but they rarely went to the gig.

So I have finally accepted that I prefer basic Leo Fender style 4-string basses, and have whittled the herd to these four. I'm curious what other Talkbass members have in their stable and why? Pics appreciated!

View attachment 5012708

‘I have a fretted version of your PBj. I play in a Motown review band. I also have a Warwick Corvette but only use it for modern music that requires a B string.
 
FF7C311A-ACAE-4959-82D6-243C7CB217D0.jpeg

Sandberg Ida 5/ TI Rounds ..It is so versatile. Can do a great early P with neck pu solo. Can do a great Jazz bass with some extra oomph in the bridge. Can sound very modern if I want it to. It has a great low B and super clarity up and down the fretboard. Chords sound wonderful.

StingRay5 Special/ Slinky Cobalt Flats ....Can get me all those Bernard Edwards sounds that I love so much.

Stingray 5HH Special BFR Crescendo /Slinky Cobalt Flats......Can get me all of those Louis Johnson/Allen MCGreir (Tina Marie/Rick James), Paul Denman (Sade) sounds that pop so much more compared to the purple one. The ash/maple combo makes a big difference here.

StingRay5 Special BFR Fuego Fretless/ TI Flats ..... when I want to get my Esperanza / Pino/ Jaco with Joni thing going on.
 
I own just six basses. So, I'll do them all individually to answer the second part of the question.

In no particular order:

1) 2017 SDGR SR300E

The oldest (to me) bass I own. I'm not in love with it, but it served me (and a friend who was in desperate need of a bass) for quite some time.

2) '79 7ender P-Bass

This is a rather long story. You may want to skip ahead.

"Rescued" from a friend of mine who is a better than decent bass player. He had it, sitting in his (interior) office at work. The walls were that cement block which was typical of schools in the 70s and 80s.

He used to lend it out to any student who wanted to use it and he kept it in one of those flimsy cardboard cases.

Once I was no longer a student of his, I gifted him a Squier Jazz bass I never played. I just couldn't get my head wrapped around it. He had told me previously the P-Bass was collecting dust because he preferred the neck on the Jazz basses.

I borrowed the bass for a recording session and realized it was in pretty bad shape. I did what I could as far as set-up and new strings before the session and muddled through.

I decided this instrument needed to be rescued and that I needed to add a P-Bass to my weaponry. We talked and I made an offer. It was accepted.

The screws in the saddles were so rusted/fused that a proper set-up could not be done. So, I had to replace the bridge. Since he had told me nothing had been changed, I decided to go with a 7ender bridge.

I did what I could with it and it plays pretty well, but ...

Recently, when I tried to sell it, I had a low-ball Johnny educate me a bit. The pick-up had been replaced (with a Schaller PBX). I was a bit miffed at my friend.

It will be for sale again soon.

3) 19(?)93(?) Epiphone AccuBass

A $150 impulse buy to go along with a different purchase which brought me into the shop. As I typed on another thread, recently: "The AccuBass was Epiphone, trying to compete with the 7ender P-Bass. As far as I'm concerned they got pretty close. I own a '79 P-Bass and 90 times out of 100, when I want a P-Bass sound, this is the instrument I reach for."

4) 19(?)93(?) Epiphone RockBass

I wanted to try a Jazz bass configuration to see if my issue was with 7ender or with the J bass sound. I'm not in love with it, but it doesn't have that odd-shaped J bass body and it is a good "alternative" to the Epiphone AccuBass.

5) 2018 SDGR SR2600

I bought this one because I was "chasing sound". I decided to go ahead and dive into the deep end of the pool.
Unfortunately, I was not told the complete truth (two totally contradictory statements from the seller helped to fortify this opinion) and I had to pay for a rather expensive repair, which turned a "pretty good" deal into a semi-negative one.

I have never been able to get a sound I like out of this bass and one of the things which drew me to it was (supposedly) it has a kill switch on the active electronics. I figured: "What the hey?".

Well, that one is for sale, now.

6) 2022 Ibanez RGB300

This bass is a tone monster. No shut off for the active electronics, but it just has such a great sound and growl, it is quickly becoming my favorite bass (selling the SDGR is partially to finance a second one of these).

No real complaints with this one and it sits side-by-side with the AccuBass as far as where the land in "the rotation".
 
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Usually a Warwick or a Maruszczyk. Why? I am usually wanting a lot of growl and when I don't, some tone roll off will do the trick. My most 'main' basses are the two below that both have bridge HBs and singles at the neck. In truth, the Maruszczyk's single coil looking pickup is a Delano secret dual coil that is humbucking but sounds more single coily.

Part of these two getting the most play lately is how their natural EQ is rather well sculpted to fit with my drummer who has a stupid big kick drum with a fundamental between 20 and 30 Hz and big transient content up to 100. These both project a lot of low mid energy.

Frog.JPG


warwick_taranis.jpg
 
My response, copied/pasted from the last (?) time this question came up ...with one new addition:

Modulus Quantum-6 SPX - 6-string tuned BEADGC, EMG J-type pickups, ACG/East EQ-02 filter-based preamp, Kahler bridge, coco bola top on alder body, bolt-on graphite neck, built for me in late 1988 (preamp was retrofit in 2010)...this is my main bass, and the one that I -- and the musicians who hire me rather than just "a bass player" -- feel best represents my individual voice.

Modulus Quantum-6 TBX - another 6-string tuned BEADGC, EMG soapbar pickups, EMG BQC 3-band preamp, graphite neck-thru construction. It's a 1996 that I picked up second hand a couple years ago when I realized if my main Modulus was lost or stolen or damaged I'd be SOL. Doesn't actually sound like the SPX; it actually sounds better! Incredible sounding instrument. Huge.

Schecter Venus B/4 - traditional fretted 4-string passive Jazz Bass clone, built back in the mid-1980s when David Schecter and Tom Anderson were building these instruments. As boutique a parts bass as you can imagine; I'll put this puppy up against any passive Sadowsky, Lull, Pensa-Suhr, Aleva-Coppola, or Fender Custom Shop axe on the planet. This is my go-to instrument for conventional commercial work.

Steinberger L-2 - the original monocoque headless composite fretted 4-string instrument. I got it new in 1982, it was my main (practically only) bass for 10 years and still is the backup I bring to every studio gig. It's been around the world with me on tour, planes, trains, buses, and trucks oh my! I will be buried with this bass. Nothing sounds like an L-2!

Rob Allen MB-2 - fretless 5-string tuned BEADG with a maple neck/ebony fingerboard, Swamp Ash body with quilted maple top, Fishman piezo bridge and nylon tapewound strings. Sounds like an upright bass...or rather, sounds like what electric bassists think an upright bass sounds like. The missus gave this bass to me for our fifth wedding anniversary. :::swoon:::

Lakland Skyline 55-02D - fretted 5-string tuned BEADG with a maple neck/maple fingerboard, Swamp Ash body with quilted maple top, Lakland LH3 electronics, I forget what year it is but it's from the last year when the Skylines were made in Korea before they moved production to Southeast Asia. I bought this because I wanted a bass that, if it was lost or stolen or damaged, I could just walk into the nearest Guitar Center and buy an identical replacement right off the shelf.

Warmoth frankenbass - fretless 5-string tuned EADGC with a maple neck/ebony fingerboard, alder P Bass body with quilted maple top, one Bartolini quad-coil soapbar in the MusicMan position wired up like two individual J-type pickups to a Bartolini 3-band EQ...it's kind of the anti-Rob Allen, way more Jaco/Mick Karn/Percy Jones sounding than the upright emulation thing.

Schecter Stiletto Studio 8 - octave-course 8-string tuned eEaAdDgG, totally stock, mahogany body with bubinga top, maple/walnut neck-thru with rosewood fingerboard, EMG HiZ soapbars with a crappy 3-band preamp/EQ. I play a lot of 8-string bass and so always need one in my arsenal but this is the third different 8-banger I've owned in 30 years and tbh I'm not sure it matters which one I own. It's more about the sound of octave courses than the individual instrument's characteristics. This one is definitely the best of the three I've had though; kinda surprisingly good quality construction considering its low price, and quite possibly the most comfortable bass I own.

Warmoth P Bass - traditional passive Precision Bass clone with a Swamp Ash body, quartersawn Brazilian Ebony neck/fingerboard, Gotoh bridge, Kluson machines, Lindy Fralin pickup, strung up with GHS flatwounds. I put this together a year or so ago because I have hated the sound of a P Bass with flatwounds for most of the 45+ years I've been playing bass and finally figured maybe there was something I was missing and I should try it again. (Last time I owned a Precision Bass with flatwounds was 1977.) Y'know what? I still hate it. Anybody wanna buy a P Bass?

Breedlove Pursuit Exotic S Concerto - fretted 4-string acoustic bass guitar tuned EADG, myrtlewood top, back, and sides, mahogany neck, ovangkol fingerboard, Fishman piezo pickup, strung up with bronze roundwound D'Addario somethings. This is the "new addition" I mentioned above; just picked this up last December because I was looking for an ABG that I could leave out around the house in easy reach to pick up whenever the whim struck me and just start playing without having to deal with an amp or cable. Ironically, this bass sounds freakin' awesome when it's plugged into an amp!

I don't have any family portraits of the whole collection all together, but here are a few select pics:

Modulus-pair-1.jpg


Schecter-Venus-B4-on-the-wall.jpg


Cronk1.jpg


MINI-RIG-OF-DOOM.jpg


Lorax-10-3-2010-3.jpg


Warmoth-fretless-5.jpg


Schecter-8-st.jpg


P-Bass.jpg


Breedlove-Pursuit-Exotic-S-Concerto.jpg
 
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So I'm down to four basses, a 2018 MM Stingray Special, Fender Tony Franklin Fretless, Fender USA Geddy Lee Jazz and an Allparts Precision with an Allparts Jazz neck and EMG Geezer pups. The Geddy Lee and Tony Franklin wear Roto 66s, the Allparts TI Jazz Flats, and the Stingray EB Cobalt flats. All four sound uniquely different from each other, yet all four are equally usable as standalone instruments for the music and gigs I play.

In the past I've owned more exotic instruments (Ric 4003, Gretsch Thunder Jet, Gibson T-Bird, Dale Roberts 6-string, Spector Bantam 5, etc), and while they were all wonderful basses they usually stayed home in favor of a Precision or Jazz. I liked looking at them, and I liked playing them, but they rarely went to the gig.

So I have finally accepted that I prefer basic Leo Fender style 4-string basses, and have whittled the herd to these four. I'm curious what other Talkbass members have in their stable and why? Pics appreciated!

View attachment 5012708

I have six Basses. However, since getting a fretless MIJ Jazz Special, it is all I play.

The freedom of fretless, is exhilarating.