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The truth about flatwound strings, please

I am a newcomer to the bass and have two of them...a Fender Active P-Bass special with maple neck and a Fender MIM Jazz with rosewood (currently has a fretless neck but I also have a fretted neck for it).

I have flatwound strings on the Jazz and prefer the feel of them. However, I have been told that flatwound strings sound horrible on a maple neck.

Is that true? Will my P-bass Special sound lousy if I switch it to flatwound strings?

Thanks,

Jim
 
For flatwound slapping, listen to the chorus of 'Peg' by Steely Dan. :bassist:

You aren't going to get any sizzle, so Marcus Miller tone with flats isn't going to happen.

There's also a track on the John Mayer's 'Continuum' album where Pino is doing some pops on his P bass strung with TI Flats. It's called "I Don't Trust Myself with Loving You." I think there are two basses on that track. One of them is played by the great Willie Weeks, IIRC.
 
I certainly can't comment on maple fretboards, but the main objection that I had towards flats many years ago was that they sounded 'dead' with no high frequency definition. Times have changed. I was persuaded to try TI Jazz Flats in correspondence with some studio players. I bit. Either I was totally wrong about flats in general, or the TIs are really something special (okay, they really are). I don't slap due to lack of coordination (or taste). Pure fingerstyle. I was told that they had an extraordinary balance from string to string (way trewth!). The low tension was very comfortable-yup. What I was totally not expecting was the high frequency clarity. Serious note-for-note definition. Flats have clearly come a long, long way since I last tried them in the early 70s. A lot of folks really like the Chromes. I haven't tried them. But I know for a fact that basses I never, ever would have considered to wear flats do so now...and sound much better to my ear.

Kim
 

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