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The Worlds Biggest Playable Banjo made by Gibson

In the early 1900's when ragtime and the big Sousa-style brass bands were on the wane in the days leading up to the explosion of jazz and swing with the Roaring 20's, bands made up of banjos and mandolins in the same four divisions as the viol-family instruments were a thing.

So you had mandolins, mandolas, mandocellos and bass mandolins, and banjos divided the same way, just as you see violins, violas, cellos, and bass viols.

As well, Gibson began to market guit-jos, a common session player's tool with the banjo body and head buttoned up to a guitar neck, tuned and played as any guitar..

In an acoustic-only world before amplification, a lot of instruments (mandolins and arch top guitars particularly) were influenced and adopted violin-based designs, both in construction and the concept of the various sized versions to.mimic four part harmony: Soprano, alto, baritone, and bass, as seen in these two families of instruments from that time frame, something Gibson's legendary designer Lloyd Loar labored to encompass.

Yeah, there were a lot of crazy acoustic stringed instruments built back in the 1920's. It's sad that very few have survived to today.

When I built Banjozilla, back in 1992, I was playing in a bluegrass/folk band. One of our dreams was to try being a modern all banjo band. A 5-string Lead Banjo, a Mando Banjo, a 4-string Open Back Banjo, a 6-string Guitar Banjo, and me on Banjozilla. We never quite got it all together. But we did do some recordings with me on Banjozilla. From 1995 to about 2005, I always took Banjozilla to the Topanga Bluegrass & Fiddle festival. Always a crowd pleaser.
 
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Gibson's also got just the guitar to jam with it.
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Yeah, there were a lot of crazy acoustic stringed instruments built back in the 1920's. It's sad that very few have survived to today.

When I built Banjozilla, back in 1992, I was playing in a bluegrass/folk band. One of our dreams was to try being a modern all banjo band. A 5-string Lead Banjo, a Mando Banjo, a 4-string Open Back Banjo, a 6-string Guitar Banjo, and me on Banjozilla. We never quite got it all together. But we did do some recordings with me on Banjozilla. From 1995 to about 2005, I always took Banjozilla to the Topanga Bluegrass & Fiddle festival. Always a crowd pleaser.
Bruce, where do you get 'zilla heads, can you just use the appropriate drum head or do you use something bespoke? Drum rim or lugs on the wooden rim, though I'm sure you're capable of grabbing the metal bits.
 
Bruce, where do you get 'zilla heads, can you just use the appropriate drum head or do you use something bespoke? Drum rim or lugs on the wooden rim, though I'm sure you're capable of grabbing the metal bits.

The head for Banjozilla is a 24" Remo Ambassador Bass Drum head, as typically used on the bass drum in marching bands. The Ambassador series are the heaviest gauge Mylar that they carry. I deliberately used a standard stocked size drum head, because at the time, I didn't know how long it would last. I'm tightening it to much higher tension than a Bass drum would normally be tightened to. I didn't know if it would be good for a few years or a year? But....that same head has been on there, up to tension, for 32 years and counting. No signs of pending failure.

Banjozilla currently lives in a quiet dry corner of my music room, surrounded by my Kay upright, a 1920's walnut-case upright piano, a few misc guitars, and my collection of Scroll Basses and a few other basses. That room is only about 10 feet from my little apartment where I sleep.

I sometimes worry that some night, I'll be awakened by a deep explosion sound. With a bit of twang. The night that Banjozilla's head let go!!!
 
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Reminds me of when I had my wife pose with the Octobass at the Musical Instrument Museum in Phoenix "for scale" (no pun intended, but I'll accept the groans):
View attachment 5383552

(They also have an empty display case with a wall text describing the "air guitar" it contains. Gotta love a museum with a sense of humor.)
An older version of the air guitar, from around 300 million years ago contained about 10% more oxygen, but playability was very close, depending on what stalked you.
 
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According to the records, Gibson made only 10 of them, in the late 1920's. Only 2 are known to still exist today. The one in your picture is one of them. They were one of the references I looked at carefully when I was designing my Banjozilla.

By the way, the name Banjozilla is mine, for my upright bass banjo, which you've seen pictures of. I don't have any trademark on the name, but it's been appearing in national magazines and online since about 1994.
Where can I find a video/sound clip? A google search didn't return any videos of your banjozilla. :(