I plead the 5thYou talkin' cigars or people?
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I plead the 5thYou talkin' cigars or people?
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So, you saying I should buy it too? It's in San Francisco, so close by.That's likely a Classic Pro. The pickups are a clue, they should be black plastic with two screws - USA Gibson made.
Well, gosh. That might change how the next refinish project goes. The idea of the silver leaf one glowing on stage is really intriguing. Maybe the fretless 'Bird. I already spent a ton of money on it to make it worth less. Why stop now?
Which Epiphone Tbirds have 3 knobs, side jack, and through neck? See a white bird with case in like new condition for $400.
I'll ask for the serial number just to be sure.If it’s a 2013, i’d snag it.
You're lucky, I haven't played in a real original band for probably twenty years, I miss it though, I've had some opportunities late;y but they're all back in the States. I've always had good ears too and can play on the fly, that's why I like jams.
Here's a (dark) blues jam from probably 5 or 6 years ago with a TF fretless and SVT. Can't be very adventurous with this stuff.Drummer was all over the place for some reason and he's usually really good.
Well, it's "Room With a View" Rudy Lauckner
it plays for me on YouTube
Oh well, no idea why it did that.
So, you saying I should buy it too? It's in San Francisco, so close by.
I'll ask for the serial number just to be sure.
OK there it is.
And it's white. So, I could join the White Bird Wednesday crowd.It's certainly a nice bass, very close to a USA Gibson, the neck is just slightly larger.

Here's a demo I did during the early 80's I believe, I had already left by the time it was finished though so I'm not in any of the pictures. Very commercial sound, I was not crazy about it. The name was Cheese
Hey, you did it, so that counts. And it sounds like a well done recording from the early 1980s. I can appreciate the skill involved. The picture of the drummer's kit with an enormous rack and all the cymbals and gongs and everything amuses me a lot. That's 1980s hair band drums for real.
And this is what came up next when I listened to it:
Even YouTube can't help but going on tangents in this thread.
And it's white. So, I could join the White Bird Wednesday crowd.![]()
I like to play and play anything. I don't consider myself especially creative, so it doesn't matter that much to me whether I'm playing originals or covers. And, since the band I was playing upright in fell apart, I'll be playing it with people who want to go in a more jazz direction. So, there's my chance to wander off in the weeds a bit.We do both. I understand the opinion of some that there's something lesser about covering songs. I understand having that opinion but I personally don't agree with it. Certain songs will get covered by all levels of professional musicians. Go to YouTube and you will commonly see/hear many top-tier musicians cover a classic song. It's part of how songs become timeless. Most are what I consider renditions that reflect that artists 'take' on that particular song. Traditional Jazz is all about this concept. But even if it is a straight ahead 'cover' of a song, as long as it's done well with good feel - people like hearing it. Original music has to be really good for people to like it right out of the box. So to me they are both legitimate music forms and both equal forms of entertainment.
I forgot all about that, so little brain, so much damage!
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Or Jimi doing it a day after it came out.Don't forget Cheap Trick doing Sgt. Pepper. That was surprisingly good.