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Thunderbird Club

Cliff is a superb bassist and their whole rhythm section (Cliff, Phil and Malcom) is one of the best.
Mark Evans was no slouch either (he played up and including "Let There Be Rock").

One thing I love about AC/DC is that they seldom play the same thing. If bass is chugging the 8th's there's hardly ever a rhythm guitar doing the same with palm muting. Very economical and makes the band sound bigger.


Cliff is very good, he can really get around on the neck when he wants to, he gives AC/DC what they need, nothing less and nothing more, I would have a hard time playing that simple all the time, check out his stuff before he joined AC/DC. I also love Phil's drumming.
 
Interestingly, in Mark Evans’ book about the early days he mentioned that George Young would grab a bass and jump on in while they were working songs up in the studio. George also played live with them when they were between bassists (often!) before they settled on Mark and then Cliff.
Mark rated George as an excellent and melodic bass player, in the McCartney mould. I don’t hear that, but maybe some of George’s imprint stuck around on the earlier albums?

Cliff was a more established bassist before joining than Mark was, and I guess more influenced my Malcolm’s requests. Sheer guesswork here though.

I did read an interview with one of the drummers between Phil Rudd stints say that Malcolm was insistent on how he played. This song you play this. Only this. Right through the repertoire for whatever show was coming up. I guess the alternative was ‘or be fired’.


Malcolm was spoiled by Phil, hard to improve upon what he did. You'd have to play them like he did, that is signature stuff.
 
and even when you think he’s pedaling 8ths he may not be….the verse here’s a half note followed by legato quarter notes…..always loved their cleverness masters at that style imho…



I love their Bon Scott stuff, he was a great lyricist too. That was a sad day in my life when he died, they were just taking off in the U.S. my local FM station used to play them a lot though before Highway to Hell.

I hope I didn't post there here recently:

Mark Evans- bass






There was a friend of mine on murder
And the judge's gavel fell, yeah
Jury found him guilty
Gave him sixteen years in hell
He said, "I ain't spending my life here."
I ain't livin' alone
Ain't breaking no rocks on the chain gang
I'm breakin' out and headin' home
Gonna make a jailbreak
But I'm lookin' towards the sky
Gonna make a jailbreak
Man, I wish that I could fly
It's all in the name of liberty
Well, it was all in the name of liberty
Got to be free
Jailbreak, had more than I can take
Jailbreak, sixteen years
Jailbreak, you better get me outta here
Jailbreak, yeah
He said he'd seen his woman being fooled with
By another man
She was down, and he was up
He had a gun in his hand
And the bullets started flying everywhere
And people started to scream
There was a big man lyin' on the ground
With a hole in his body
Where his life had been
But it was all in the name of liberty
Yes it was all in the name of liberty, yeah, yeah
You just got to be free
Jailbreak
Jailbreak
Heartbeats, they were racin'
Freedom, he was chasin'
Spotlights, sirens, rifles firin'
But he made it out
With a bullet in his back
Jailbreak, had more than I can take
Jailbreak, sixteen years I had
Jailbreak, get me outta here
Jailbreak, sixteen years
Jailbreak, oh, oh, yeah
Jailbreak, you gotta get me free
Jailbreak, oh I've had more than I can take
Jailbreak, yeah
 
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One more, if you haven't seen this AC/DC concert from 1978 check it out, it's great, great sound too. Cliff with three SVT's, three cabs stacked and three heads on the floor, grills off like in the old days. 24 tens with 900 watts, boom! Phil Rudd: human machine especially in their closer, "Let There Be rock".




Awesome!