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Thunderbird Club

I started a thread here 3 or 4 years ago entitled something like 'If you had a time machine and go back to any era and choose any band to be in, which band would you want to be in?' I chose this one, the Bon Scott era.
First choice woulda been Chicago(but while I sing, I can't sing like Cetera); second, BS&T 'cos Fielder didn't sing-that I know of.
 
Both great bass players and love both bands.
I had the pleasure of being in a 7 member band in 69/70 that played a lotta early Chicago/BS&T. I had most of the bass lines down-we had note-for-note charts of the C.T.A. album-or what I could hear from BS&T.
Lotta rehearsal for 2 short-lived gigs. Nobody wanted to pay 7 guys.:banghead::thumbsdown:

ADDENDUM: On our last night of our last gig, we played whatever our last song was, then played "The Star Spangled Banner" like a TV station sign-off, after which, the lead singer, guitarist, and I stepped to our mics and went "ssssss"-as if the signal was "off". Someone in the audience 'got it' and hollered "far-fvcking-out". We packed our gear, said "hasta la later" and never saw each other again.:(
 
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Malcolm was spoiled by Phil, hard to improve upon what he did. You'd have to play them like he did, that is signature stuff.

There was a Phil Rudd story. They were going to record with a new producer who was demanding Phil play to a click track. Phil was resisting and they did a test run without the click. Phil nailed it. The producer was amazed, Phil responded with “yeah, I’m a f’ing metronome”.
(Words to that effect)

I love their Bon Scott stuff, he was a great lyricist too. That was a sad day in my life when he died, they were just taking off in the U.S. my local FM station used to play them a lot though before Highway to Hell.

I hope I didn't post there here recently:

Mark Evans- bass






There was a friend of mine on murder
And the judge's gavel fell, yeah
Jury found him guilty
Gave him sixteen years in hell
He said, "I ain't spending my life here."
I ain't livin' alone
Ain't breaking no rocks on the chain gang
I'm breakin' out and headin' home
Gonna make a jailbreak
But I'm lookin' towards the sky
Gonna make a jailbreak
Man, I wish that I could fly
It's all in the name of liberty
Well, it was all in the name of liberty
Got to be free
Jailbreak, had more than I can take
Jailbreak, sixteen years
Jailbreak, you better get me outta here
Jailbreak, yeah
He said he'd seen his woman being fooled with
By another man
She was down, and he was up
He had a gun in his hand
And the bullets started flying everywhere
And people started to scream
There was a big man lyin' on the ground
With a hole in his body
Where his life had been
But it was all in the name of liberty
Yes it was all in the name of liberty, yeah, yeah
You just got to be free
Jailbreak
Jailbreak
Heartbeats, they were racin'
Freedom, he was chasin'
Spotlights, sirens, rifles firin'
But he made it out
With a bullet in his back
Jailbreak, had more than I can take
Jailbreak, sixteen years I had
Jailbreak, get me outta here
Jailbreak, sixteen years
Jailbreak, oh, oh, yeah
Jailbreak, you gotta get me free
Jailbreak, oh I've had more than I can take
Jailbreak, yeah


Love it! I can’t believe the stoopid record company made you wait so long for Jailbreak.

Listen to the bass in Let There Be Rock! Mark and (the Grabber*) *what was I thinking!? The Ripper!!!
laying down a righteous Thunder!
 
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I had the pleasure of being in a 7 member band in 69/70 that played a lotta early Chicago/BS&T. I had most of the bass lines down-we had note-for-note charts of the C.T.A. album-or what I could hear from BS&T.
Lotta rehearsal for 2 short-lived gigs. Nobody wanted to pay 7 guys.:banghead::(


Fielder played a lot of flat five stuff, jazz guy, Cetera played it straight, I find his stuff a lot easier to play.
 
There was a Phil Rudd story. They were going to record with a new producer who was demanding Phil play to a click track. Phil was resisting and they did a test run without the click. Phil nailed it. The producer was amazed, Phil responded with “yeah, I’m a f’ing metronome”.
(Words to that effect)



Love it! I can’t believe the stoopid record company made you wait so long for Jailbreak.

Listen to the bass in Let There Be Rock! Mark and the Grabber laying down a righteous Thunder!


That I can believe, his timing seemed almost perfect.
And I know, I don't think we got that stuff until 1984. I was just thinking now about how appropriate the album name of 'Back in Black' was, it was their first after Bon died.
 
That I can believe, his timing seemed almost perfect.
And I know, I don't think we got that stuff until 1984. I was just thinking now about how appropriate the album name of 'Back in Black' was, it was their first after Bon died.
There was a story that Bon had started a song - maybe just the title - Back in Black before he died.
But his theme was they were Back in the Black after Highway to Hell’s success. They finally had some money in the bank, credits being the black, after being in debit ‘in the red’ all the previous time.
 
Cliff is a superb bassist and their whole rhythm section (Cliff, Phil and Malcom) is one of the best.
Mark Evans was no slouch either (he played up and including "Let There Be Rock").

One thing I love about AC/DC is that they seldom play the same thing. If bass is chugging the 8th's there's hardly ever a rhythm guitar doing the same with palm muting. Very economical and makes the band sound bigger.
The AC/DC bit was sarcasm, no? Hard to tell via Internet these days...
 
When I still played sax, I useta end on a flat 5(13th?) on a lotta songs.
I come from a very varied background. My Dad played in a coupla local(Miami)big bands, so I grew up with that influence, played saxes in concert, marching, and big band ensembles in H.S. and USN, and 'dug' R&R from 57>. Picked up bass during my Navy time in 67, and have played-mostly-bass ever since. The jazz has always stayed with me to some degree and is prolly recognizable in my 'style'(?)whatever genre I'm playing. The one constant is that I use-and prefer-this "Heavy Metal/Hard Rock" THUNDERBIRD-w/ flats-for any(and every)thing.
IMG_0057.jpg
 
I come from a very varied background. My Dad played in a coupla local(Miami)big bands, so I grew up with that influence, played saxes in concert, marching, and big band ensembles in H.S. and USN, and 'dug' R&R from 57>. Picked up bass during my Navy time in 67, and have played-mostly-bass ever since. The jazz has always stayed with me to some degree and is prolly recognizable in my 'style'(?)whatever genre I'm playing. The one constant is that I use-and prefer-this "Heavy Metal/Hard Rock" THUNDERBIRD-w/ flats-for any(and every)thing.
View attachment 4807768


Yup, I had no jazz background at all, I wouldn't even listen to it until the early '90's when my then flute playing girlfriend dragged me grumbling to a Count Basie concert, Frank Foster the great tenor say player was leading it, the Count had died recently. I changed my opinion fast, they were great. I like it now and can play it but not as natural as rock or blues.
 
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I assume you don't like AC/DC? :laugh:
Nope. I do like some of their stuff(I haven't heard everything nor do I own any albums), but a lot is played on Sirius/XM. I don't turn it off.
There are other artists(?)that I will change channels-I mostly listen to Little Steven's Underground Garage-when they're played who might be surprising: Stones, Springsteen, U2(I'm mostly Irish, sorry); and others that I'll search out: Joan Jett, Scorpions, Vixen, and, of course, the 'horn' bands.

I tend to listen to the overall sound of a group/record. My family has been aghast that I like a song: "Have you listened to the lyrics?" "Nope, just the sound-don't really care about the words."
 
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That I can believe, his timing seemed almost perfect.
And I know, I don't think we got that stuff until 1984. I was just thinking now about how appropriate the album name of 'Back in Black' was, it was their first after Bon died.

I should add about Angus’ “costume” in that clip. It was probably a couple of years earlier that an Aussie company Bonds (I think) released “Convict Pyjamas” for kids / maybe teens (I had some!) playing up the Australiana colonial days thing and that was what Angus is wearing. Pyjamas!

It was a thrill seeing this song and film clip on tv as a kid. We all picked the convict pyjamas thing straight up. See what Angus is wearing! :laugh:

The other thing was it was pretty big budget for an AC/DC shoot up to then (still cheap as I bet). They didn’t get an effects guy for the explosions, but someone had a mate ‘who knew this stuff’. He turned out to be in demolition or something!