• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

Thing is, it's difficult bass to fake - not that it couldn't be done. But that's the point, Greco, Ibanez, Orville, Burny ESP and Epiphone have all made Birds and put their own name on the headstock. American made guitars are highly sought after in Japan and a lot of other countries, it's almost a cultural thing to like U.S. fads and western trends.


Same here, most Fenders are either Mexicans or made elsewhere and there are very few Gibsons out here, all Epiphones, there are a lot of those out here though. I've only seen on Ric out here besides mine.
 
As an eBay Associate, TalkBass may earn a commission from qualifying purchases.
So tell us more about that bird.
I don’t see a third PU screw or a red/white/blue bird on the pick guard, so I assume it’s not a Bicentennial. I don’t see a hard tail, so I assume it’s not a VP. I do see a Gibby logo on the headstock, so I assume it’s a neck through.
Are they Lull pups by chance? And what year Gibby is it?

It's an '89, so early reissue ( Something Henry J. did right), very shallow pitch to the neck. It's hardware was all black when new and for the first 14-15 years of it's life I kept it that way. The Gibson forum on The Dude Pit was quite a place and I was a bit of a shy newbie for awhile, Uwe, Scott, George and others were really into this whole thing and the chrome hardware itch soon struck me. It didn't happen all at once but that bass eventually got all it's hardware traded out, and I skinned the plastic off of the original pickups and potted them into N.O.S. '76 Gibson covers. Mike Lull set it up and after he started making Thunderbirds I had him install a set of his pickups in it. Its very much a "player" with lots of honest wear on it, hard to believe I've had it for 33 years now.


c2vtCx7.jpg
 
Took both my T-Bird and my Vox Pathfinder 10 Bass Amp to music class today, my teacher loved the Bird and liked the amp, for such a small amp it does have quite the punch to it. He does like Gibson and epiphone considering he does have a Korean-made Les Paul bass copy. To be honest my Bird does sound and feel better than his LP. And I think his LP bass is waaay more expensive than my bass, also looks much older.
 
@JIO
not to put Geo on the spot or anything but which…?……:D
View attachment 4882854
View attachment 4882849
I do have to say, that Jazz is stunning in looks. Even has my favorite bridge for a Jazz, and in my favorite jazz color scheme. Haven’t tried yours yet, but I have owned and still own a lot of Jazz basses and anymore, I just can’t get along with the Jazz pickups as readily as I do humbuckers or split P’s. I’ve tried dual Jazz pups thinking it would give me that humbucker sound I like, but on the one bass I have them I like them even less than Jazz single coils.
 
Took both my T-Bird and my Vox Pathfinder 10 Bass Amp to music class today, my teacher loved the Bird and liked the amp, for such a small amp it does have quite the punch to it. He does like Gibson and epiphone considering he does have a Korean-made Les Paul bass copy. To be honest my Bird does sound and feel better than his LP. And I think his LP bass is waaay more expensive than my bass, also looks much older.
Viva la furia roja...had to throw that in and will be wearing my kit tomorrow just to piss off my son-in-law. He's from Costa Rica. No pura vida para el :p
 
Took both my T-Bird and my Vox Pathfinder 10 Bass Amp to music class today, my teacher loved the Bird and liked the amp, for such a small amp it does have quite the punch to it. He does like Gibson and epiphone considering he does have a Korean-made Les Paul bass copy. To be honest my Bird does sound and feel better than his LP. And I think his LP bass is waaay more expensive than my bass, also looks much older.
Sounds like you got a keeper! Lookin out for number one!

Now you just need a second bird for backup when gigging (always take two basses to a gig, even if one never comes out of the case).

Then of course you’ll need one strung up in flats and another in tapes, so that’s bass numbers 3 and 4.

Don’t forget the all important issue of “stage presence”, so you’ll need a white bass for when you wear dark clothes and a dark bass for when you wear light colored clothes. That’s basses 5 and 6.

Then you’ll need a collector or some vintage bass that’s so valuable it never leaves home but is a monster in the studio. That’s bass number 7.

Don’t forget, no Tbird player would be complete without at least one Non Reverse in the line up, that’s bass number 8.

Then there’s the tonal nuance that can only be achieved with a single pickup Thunderbird II. That’s bass number 9.

To round out the line up you’ll need to get a beater, like a Goth that you can mod or alter to your liking. That’s 10 Tbirds and a good start. :thumbsup::D;)

Just let us know when you have at least $500 saved up and we’ll help you spend it.
 
Sounds like you got a keeper! Lookin out for number one!

Now you just need a second bird for backup when gigging (always take two basses to a gig, even if one never comes out of the case).

Then of course you’ll need one strung up in flats and another in tapes, so that’s bass numbers 3 and 4.

Don’t forget the all important issue of “stage presence”, so you’ll need a white bass for when you wear dark clothes and a dark bass for when you wear light colored clothes. That’s basses 5 and 6.

Then you’ll need a collector or some vintage bass that’s so valuable it never leaves home but is a monster in the studio. That’s bass number 7.

Don’t forget, no Tbird player would be complete without at least one Non Reverse in the line up, that’s bass number 8.

Then there’s the tonal nuance that can only be achieved with a single pickup Thunderbird II. That’s bass number 9.

To round out the line up you’ll need to get a beater, like a Goth that you can mod or alter to your liking. That’s 10 Tbirds and a good start. :thumbsup::D;)

Just let us know when you have at least $500 saved up and we’ll help you spend it.
I like your thinking. Tobacco burst IV with Irv's black PG running La Bella black tapes, white CP running EBCF...next up is an ebony VP but what strings to put on it? I don't like string noise from rounds...

Maybe someone will trade one of the other 7 options for my Dano...hint, hint. @MCF wants it but is the 2015 on the table :roflmao:
 
I do have to say, that Jazz is stunning in looks. Even has my favorite bridge for a Jazz, and in my favorite jazz color scheme. Haven’t tried yours yet, but I have owned and still own a lot of Jazz basses and anymore, I just can’t get along with the Jazz pickups as readily as I do humbuckers or split P’s. I’ve tried dual Jazz pups thinking it would give me that humbucker sound I like, but on the one bass I have them I like them even less than Jazz single coils.

The sweet J is Chuckies - being played in his house at the T-bird gathering earlier this year. Jeff & Chucky played a few of my basses when they 'dropped by' the following week. :bassist:

I love all my basses with a number of differences - can't say one is 'better' than the other. I use a few consistently for specific applications (a few for TC's and my '66 J exclusively for BG)

upload_2022-11-23_12-54-4.jpeg
20A2389B-815B-4CD2-8930-9651773CA3F0_1_201_a.jpeg
 
Last edited:
Sounds like you got a keeper! Lookin out for number one!

Now you just need a second bird for backup when gigging (always take two basses to a gig, even if one never comes out of the case).

Then of course you’ll need one strung up in flats and another in tapes, so that’s bass numbers 3 and 4.

Don’t forget the all important issue of “stage presence”, so you’ll need a white bass for when you wear dark clothes and a dark bass for when you wear light colored clothes. That’s basses 5 and 6.

Then you’ll need a collector or some vintage bass that’s so valuable it never leaves home but is a monster in the studio. That’s bass number 7.

Don’t forget, no Tbird player would be complete without at least one Non Reverse in the line up, that’s bass number 8.

Then there’s the tonal nuance that can only be achieved with a single pickup Thunderbird II. That’s bass number 9.

To round out the line up you’ll need to get a beater, like a Goth that you can mod or alter to your liking. That’s 10 Tbirds and a good start. :thumbsup::D;)

Just let us know when you have at least $500 saved up and we’ll help you spend it.


Do I get extra points for doing this more than once? :beaver:
 
Right there with ya, we’ll, maybe slightly behind, but in the same camp. ;)

I haven't really done that much experimenting with strings other than Rounds.....There's been a lot of basses, but that's hardly noteworthy here.:laugh:
 
Another track from my "alter ego" project. I almost played it with the VP but ended up using my friend's 1977 Fender Jazz. Suited for the zeuhl-ish bass thing I was after. One friend helped out with the drums, other wrote the melody and played the solo synth.


Sounds great! Kind of a Yes joins Grateful Dead vibe. Excellent playing by all!
 
I do have to say, that Jazz is stunning in looks. Even has my favorite bridge for a Jazz, and in my favorite jazz color scheme. Haven’t tried yours yet, but I have owned and still own a lot of Jazz basses and anymore, I just can’t get along with the Jazz pickups as readily as I do humbuckers or split P’s. I’ve tried dual Jazz pups thinking it would give me that humbucker sound I like, but on the one bass I have them I like them even less than Jazz single coils.

I have a strong humbucker preference too. I have a jazz (ESP series 400) that I added a series parallel switch to. It always stays in series. Another custom build with two singles, not jazz, is the same way.

Strangely, I have an old Japanese Rick clone that sounds just great with two single coils in parallel, but that's the only one where I run singles like that.

Other than those three, everything else I have is humbuckers and one P/J.
 
Sounds great! Kind of a Yes joins Grateful Dead vibe. Excellent playing by all!

Thanks! Great description too. I haven't really listened to the 'Dead that much but Yes I have. A lot.
The track's title might sound a little bit pompous but it's nicked from Black Sabbath (one of those extra titles they had in US/Canada releases, like "Bassically" or "The Straightener" or "The Haunting"). This one appears only on sheet music 'though, it's the name of the intro to my fav Black Sabbath song.