• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

MCF
Your collection is just like mine. All the same names.
I currently have about 2200 CD:s but unfortunately no vinyls anymore, I stupidly sold all some 10-15 years ago, when Spotify was expanding, and I only listened to that. I had 4 meters of vinyls (4*1m shelfs full, don't know how many records that is), and sold all for 3500 eur. :banghead: Kept the CD:s though, as they didn't want to buy them.
Fast forward to a couple of years back, when I decided to check if my old HiFi is till working, and yes it was. And sounded good. So I then decided to start to buy music again. Wanted back all my old music. But as I don't have the money to buy the collection back as vinyls, I decided to go with CD:s. Now I have managed to get hold on the main part of my old collection, and many more. And there is more to come, constantly looking for new used CD:s.

If you don't mind, I'll join you and PhR75.
By the way, I got retired 7 months ag, I highly recommend it:hyper:
I don't have that much vinyl, but I have never got rid of any of it over the years. Sometimes inertia is good.
 
Rockin'! what is it about that silly song....

There's a short clip of us playing "Blister in the Sun on FB, I can't heist it, which is too bad 'cause the crowd is bat $%^& crazy.
 
Last edited:
that's another one….interesting how many of the same songs are preferred by bands….

I put our set list together, we don't always play the same songs every show, that song just "works" certain places.......
Ultimately it's about giving people a good time, folks want dance, get sweaty, drink and have fun.
 
At one point in the mid-late '80s ... every house party I attended had a big screen TV on with "Stop Making Sense". (live Talking Heads) I was over saturated with TH's at that point and nothing they did after that did anything for me. I personally thought their groundbreaking "Remain In Light" LP was their 'peak' (Eno produced) and then they retreated into milk-toast (sellable) "happy pop" on their next LP. I've gone through the same trajectory with many bands - usually after the 3rd or 4th LP... I'm done.

I can't think of an album produced by Eno that I didn't like, or those by Alan Parsons, or Rupert Hine for that matter. Mind you I haven't always liked their own projects, but I've liked what they've done for other musicians and bands.
 
Last edited:
Don't discount being able to work from home. My previous job I worked two days from home. When I took the promotion to my current gig I get to work four days from home. At current gas prices, that's a defacto raise. Now I fill the tank about every 8 to 10 days instead of every five to six days, and I'm saving the wear and tear on my ol' car too. It's a bit of an adjustment but I'm gonna stick in this job for a while...as long as my supervisor and director don't retire and leave me.
I've had my office at home the last 12 or 13 years. The company I stared working for at that time have their office in another city, about 250 km from where I live. So I put up a dedicated office room at home. On the other hand, I travelled around visiting customers and suppliers maybe 3 days/ week as an average, So my office was actually in my car, in the hotelroom, at airports....
 
Are there any contemporary bands maiming T-birds? By contemporary I mean troubling the radio and charts.

As a teenager I loved Marilyn Manson, Twiggy and his T-Bird inspired me to play bass. Then in my twenty's The Kings of Leon were incredible, with a T-Bird right there on stage. Now… I cannot recall seeing a Thunderbird in the wild.

Young contemporary bands I don't know about, but Saxon's long-time bassist Nibs Carter has lately been playing a sunburst 'Bird on tour-
 
I've had my office at home the last 12 or 13 years. The company I stared working for at that time have their office in another city, about 250 km from where I live. So I put up a dedicated office room at home. On the other hand, I travelled around visiting customers and suppliers maybe 3 days/ week as an average, So my office was actually in my car, in the hotelroom, at airports....
isn't sales a great career choice?…
 
So it arrived and looks pretty good between my other green ones:
20240521_174949.jpg


Changed the strings to a bit lighter ones (had an old set of D'addario EXL170) and luckily as it is a string through body the long scale strings do fit even 'though I may try medium scales for it.
Pickups are hot and I lowered them quite a bit. Then a quarter of a turn of the truss rod and that's about it. Doesn't feel that heavy to me and balances nicely with the strap.

I made the obligatory sample. Some stupid riffing with a drum part taken from an older song. First both pickups on with a pick, neck pickup with a thumb (which felt and most likely sounds like it got stuck between the strings), repeat that, then the bridge pickup with fingers and then both pickups played separately in stereo.
Definitely dark sounding bass. I like it.
20240521_193722.jpg
 

Attachments

Talk Talk is one of the few '80s bands I like. I'm a pop-music advocate (when it's good) but honestly I'm not a fan of most '80s "New Wave"...

It was 80's bands who inspired me not only to play bass, but fretless, whom I liked and still like to this day. But the songs were a bit off the mainstream-

To name the primary three, the first would be Icehouse featuring Guy Pratt on the Sidewalk and Measure for Measure albums, and whoever it was who played bass on the Man of Colours track "The Kingdom".

The thing about Icehouse was that, although they wrote straight up pop songs like "Hey Little Girl" and "Street Cafe", they also wrote deeply, haunting and atmospheric pieces like this one, the first fretless bass line I ever learned-



The subtle beginning with the roto-toms and the bass' three note slur at 1:22 still knock me out to this day-

I also liked the tracks "No Promises", "Angel Street", "The Flame", and "Spanish Gold" from that album.

The next would be The Fixx with Dan K. Brown's lovely work on the Walkabout album in 1986. Although the single was "Secret Separation", my two favorites were the relatively unknown "Read Between the Lines" and "Camphor", featuring nice work on Dan's Wal MK II fretless five- in fact they were so unknown that I was the first person to post them on YouTube as they did not appear on anthologies and Walkabout was no longer in print, nor were those two songs available as downloads from Amazon or iTunes.

A quick aside, after about six months to a year and so many views, a temporary hold was put on public viewing of those vids (though no castigation regarding copyright violation), after which the hold was removed and the videos appeared with a notice that they could not only be downloaded individually but that the entire album could be purchased via Amazon or iTunes.

Here are the two vids I submitted back in 2009 or so, debuting their appearance on YouTube- with the first, I added the pictorial and both have the lyrics, which I thought were phenomenal, in the description-





Made me want a Wal MK II fretless five, but alas they were rare and very expensive, so I had to settle for a good replacement, the Warwick Thumb NT 5-

Finally, Thomas Dolby's Golden Age of Wireless album- always liked "One of Our Submarines" although I hated "She Blinded Me with Science" (did not know it was the same artist, having never made the connection when I heard them on the radio. It wasn't until the advent of the internet that I have found out who it was.); the paired songs "Wreck of the Fairchild/Airwaves" featuring Mark Heyward Chaplin comping with his Fender Jazz have enthralled ever since I discovered them much later when I friend shared "Airwaves" at around 2009.

As with my other T-Bird club members, there are a lot of bands I have liked, but these are the ones who influenced me to play bass -

So, that's pretty much it- I tend to be song oriented, and not so much loyalty to bands on the whole-
 
Last edited:

Latest posts