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Thunderbird Club

Excellent!

The first song I played on the ‘15 when I got home with it was the Clash version of I Fought the Law. I knew immediately it was a forever bass.
Only Clash 100% in my miniscule repertoire is Should I Stay or Should I Go.

I will def give it a go before tuning down a half and tackling some old Social D.

My guitar buddy is a serious Mike Ness devotee.
His #1 is a 2018 goldtop, of course.
 
The groups I was a part of in Miami wore matching outfits including leisure suits in the 70's and tuxes on weekend nights. The most recent group wore non-matching "Aloha" shirts and khaki pants/shorts.
I personally prefer a band to look good on stage regardless of the style/tact/theme. The general disregard of personal appearance in public unfortunately has seeped into on-stage appearance. I've always felt performers have an obligation to give their audience a certain amount of style, but maybe I'm just old fashioned.
 
Is that yours? Pretty cool - always liked a white SG/EB bass. Is it a Gibson?


That's one I built long ago. I didn't want to route my EBO for a bridge pickup, so I copied it in maple. But the truss rod didn't work and the neck was too narrow at the body. And the J pickup could not compete with the 60's mudbucker.

I almost threw it out but a few months ago I realized I could mount a 2 point on the studs of the original 3 point if I used a 32" scale neck. So I ordered a MIC neck, added string through ferrules and put a DecolaTbird pu in a chrome cover in place of the J. It uses 34" scale strings.

The Decola is a better match for the mudbucker. And now the bass is playable. I'm planning to paint the headstock face black.
 
Playing in horn-or concert-bands, alotta stuff is in flat keys so open strings are not a 'thing'.
Playing upright, I realized Bb and Eb are much easier in first position and the major thirds + leading tones to the roots are opens. That little break for your left hand makes it way easier than playing further up on the fingerboard.
 
That's one I built long ago. I didn't want to route my EBO for a bridge pickup, so I copied it in maple. But the truss rod didn't work and the neck was too narrow at the body. And the J pickup could not compete with the 60's mudbucker.

I almost threw it out but a few months ago I realized I could mount a 2 point on the studs of the original 3 point if I used a 32" scale neck. So I ordered a MIC neck, added string through ferrules and put a DecolaTbird pu in a chrome cover in place of the J. It uses 34" scale strings.

The Decola is a better match for the mudbucker. And now the bass is playable. I'm planning to paint the headstock face black.
very nice Irv :thumbsup:
 
"Classic White"

Custard sounds good but not before dinner, we're going out for Schnitzel tonight :drool:
No Schnitzel on my menu tonight.

IMG_4139.jpeg
 
I personally prefer a band to look good on stage regardless of the style/tact/theme. The general disregard of personal appearance in public unfortunately has seeped into on-stage appearance. I've always felt performers have an obligation to give their audience a certain amount of style, but maybe I'm just old fashioned.
Agreed and is why I try to obtain attractive and/or exotic looking instruments as well-
 
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So many early R&R bands had a schtick. The Young Rascals dressed as school-boys, Paul Revere & the Raiders dressed as early American/British revolutionaries, Devo dressed as... Devo, even The Beatles in their Sgt Peppers gear -

...and Bond Girl - dressed to kill! :)
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That lighting guy and cameraman can stay employed.
 
I personally prefer a band to look good on stage regardless of the style/tact/theme. The general disregard of personal appearance in public unfortunately has seeped into on-stage appearance. I've always felt performers have an obligation to give their audience a certain amount of style, but maybe I'm just old fashioned.
Style is cultural, and there's a culture for every style on stage. It's a question of whether your style matches the audience's culture.