- Jun 30, 2010
- 49,589
- 221,969
- Disclosures
- musician/artist/owner - Gildaxe
So *you* are why the Goth prices went up!
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So *you* are why the Goth prices went up!
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"Knights in White Satin"... their "Stairway to Heaven"/"Free-Bird" cross to bare - at least from my past memories of TMB... I'll listen to Story in Your Eyes.Itās a great song, but they had quite a few. Their early hits (this was the third I knew of) all grabbed me. I like Story in Your Eyes a bit better.
I still love Tall Black Woman in a Long Dress."Knights in White Satin"... their "Stairway to Heaven"/"Free-Bird" cross to bare - at least from my past memories of TMB... I'll listen to Story in Your Eyes.
Yah, Steve Winwood also had a successful '80s revival as did Yes...I still love Tall Black Woman in a Long Dress.
I know itās sacrilege around here, but of all my Thunderbirds, my VP is probably my least favorite.It doesn't surprise me at all. Epiphone finally did Gibson's job and produced a decent RI of the '63-'65 T-bird IV. And it sounded good! So of course it increases in value.
If you Goggle/AI - "first jam band" - you know what appears... but this was an early jam -
Never played a VP, what makes it your least preferred vs your other Thunders?I know itās sacrilege around here, but of all my Thunderbirds, my VP is probably my least favorite.
George āhelpedā with that too.So *you* are why the Goth prices went up!
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I canāt get comfortable playing it. Standing or sitting. Maybe itās a combo of my arm length and the ginormous headstock/balance. I also think the pickups sound a little thin. The latter issue can be addressed by finding the right strings and EQing. Iāll admit to not really trying to address that, mainly because it just doesnāt fit me all that well. FWIW, Iāve auditioned several Rics over the years hoping to find one that fit. No luck with that so farā¦Never played a VP, what makes it your least preferred vs your other Thunders?
No Mellotron - but just as over-the-top melodramatic from the period! Another of my favorites. Tim Bogert (and Carmine Appice) rules. And the B3 also ruled then.
I canāt get comfortable playing it. Standing or sitting. Maybe itās a combo of my arm length and the ginormous headstock/balance. I also think the pickups sound a little thin. The latter issue can be addressed by finding the right strings and EQing. Iāll admit to not really trying to address that, mainly because it just doesnāt fit me all that well. FWIW, Iāve auditioned several Rics over the years hoping to find one that fit. No luck with that so farā¦
Weāre all different. Will had a VP that he didnāt much care for and passed it on to Dave who modded/moved the pickups and loves it.
Thatās an amazing price. Were it here, I'd snag it in a heartbeat.Too bad Iām not shopping.
There is an Epiphone Elitist Thunderbird on the OzBass Forum atm, $AU1,000 (approx $US 670).
It looks immaculate in the photos.
Funny you mention it. J bass ergos have never felt right to me. While I like a thin neck, they just donāt click with me.Quite understandable, i've felt the same way with Jazz basses, until i chanced at building my own & it's the best for me. Honestly it was mainly the neck thickness i never got on with (the narrow width/slim profile, doesn't match my longer hands). + coming from Pbass land & the likes in Gibson style bigger bats, my J build fits nicely within the collection.
I'm looking at those old Epiphone Active Pro line Thunderbirds, would love to score one in a light burst finish (or natural & do my own light burst to it). But that's for the future, if ever.
Yeah, I get that. I'm 'blessed' (?) with short fingers. Add to that the first bass I played was a skinny neck 66 Gibson EB-3 (and I bought one a year later), and that's what my fretting hand is comfortable with. Switching to my 67 Gibson NR TBird was just a matter of getting used to the length, which didn't take long. I played a J once- it was "OK", but not my thing. I held a P once.Quite understandable, i've felt the same way with Jazz basses, until i chanced at building my own & it's the best for me. Honestly it was mainly the neck thickness i never got on with (the narrow width/slim profile, doesn't match my longer hands). + coming from Pbass land & the likes in Gibson style bigger bats, my J build fits nicely within the collection.
I'm looking at those old Epiphone Active Pro line Thunderbirds, would love to score one in a light burst finish (or natural & do my own light burst to it). But that's for the future, if ever.

Mine as well, but itās still a really good bass, and once I nail down a set of pickups I like in it, it will, well, still be my least favorite ābird. All my Gibsonās just have a slightly better feeling neck and feel overall just simply more āsolidā. The 2014 heritage cherry I would say is the very best as far as feeling and sounding, but all are so close that ranking them is not really possible.I know itās sacrilege around here, but of all my Thunderbirds, my VP is probably my least favorite.
Yep. Great quality with all my Epiphones, except maybe the tuners on my Gothā¦Mine as well, but itās still a really good bass, and once I nail down a set of pickups I like in it, it will, well, still be my least favorite ābird. All my Gibsonās just have a slightly better feeling neck and feel overall just simply more āsolidā. The 2014 heritage cherry I would say is the very best as far as feeling and sounding, but all are so close that ranking them is not really possible.