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Thunderbird Club

Great question. The EQ section is a little weird. There's no instruction manual specific to the controls on this model (classic Gibson).

The two big knobs are volume and blend.

Sweetwater says this - 1 x master volume (I know that!), 1 x blend (Yup, sorted), 2 x high/low EQ (not really?), 1 x mid parametric EQ (that's the 3rd knob, for sure), 1 x mini-switch (active/passive) (maybe my battery is dead, but it's hard to tell which is which).
In an early write up I'd seen on the RD re-ish, the knobs were listed as Volume, Blend, High, Low, Mid, and Mid Sweep, with an active/passive mini-toggle...
 
Thanks. Yeah, I wind the strings exactly as you do. I replied to them asking for clarification since it sounds really weird to me. But isn't the 90˚ crimp then cutting after that just for round core strings?


I originally typed 'ArcticKat', but the two hard sounds next to each other sounded awkward to me, so I modified it. Probably best this way, though.
"ArctiCat" is a snowmobile manufacturer. I wouldn't be surprised if that's enough to keep Kat from using the name...
 
In an early write up I'd seen on the RD re-ish, the knobs were listed as Volume, Blend, High, Low, Mid, and Mid Sweep, with an active/passive mini-toggle...

Hmm... that makes WAY more sense. I think that one on the end is the "mid-sweep", the noisy one.

Even the Gibson site isn't clear on it. (That, and I don;t really, truly, understand what "parametric" means).

Gibson Controls.jpg
 
Hey, you're welcome. It's really flexible. You can dial in a wide array of tones, but overall it has a tonne of growl and sustains beautifully.

IT'S REALLY HEAVY.

Sounds like it! Just going from that one clip, there’s seems to be a lot of hard, fast ‘smack’ right at the start of the note, which I like a lot for some things I do. Kinda similar to a Wal. Is that fair to say, or are my earbuds playing tricks on me?
 
Me. On every Cataldo and all my personal basses. The only string(s) that gets cut is the one closest to the nut, and only the amount absolutely necessary. More winds give a steeper break angle. That's a good thing, especially with non tilt headstocks. Much easier with a quick release bridge or tailpiece, you just wind on the post and slip into slot when appropriate. Practice makes the job easier.
I just learned something. I'll try it next time I change strings.
 
Sounds like it! Just going from that one clip, there’s seems to be a lot of hard, fast ‘smack’ right at the start of the note, which I like a lot for some things I do. Kinda similar to a Wal. Is that fair to say, or are my earbuds playing tricks on me?

You're dead-on there. The punch at the start of the note is huge. And it carries. The body is ridiculously thick. I'll weigh it tonight, but it reminds me of the heft of the Dan Armstrong I had for a while.
 
You're dead-on there. The punch at the start of the note is huge. And it carries. The body is ridiculously thick. I'll weigh it tonight, but it reminds me of the heft of the Dan Armstrong I had for a while.

From what I’ve seen they ain’t featherweights :)
Beautiful and sounds terrific though!
 
Hmm... that makes WAY more sense. I think that one on the end is the "mid-sweep", the noisy one.

Even the Gibson site isn't clear on it. (That, and I don;t really, truly, understand what "parametric" means).

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Just watched your video again, and I'm thinkin' yer right about the noisy pot on the end.

I was quite tentative about the active system in there... but that thing has a nice bark to it!:cool::thumbsup:

(You're not alone. I too am among the parametrically uninformed)
 
Is there anything more unpleasant than cleaning the microwave............

I'm thinking of tying mine to the bumper of the Subie and taking it to the landfill...........................
Then I could just buy a new one :woot:
 
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Just watched your video again, and I'm thinkin' yer right about the noisy pot on the end.

I was quite tentative about the active system in there... but that thing has a nice bark to it!:cool::thumbsup:

(You're not alone. I too am among the parametrically uninformed)

That mid eq is technically called ‘semi-parametric.’ It’s also a great idea if you’re using active electronics, in my opinion. In this case, one knob selects a frequency center and the other knob boosts or cuts that frequency center. Fully parametric would add a third knob to adjust how wide or narrow the frequency center, or ‘q’ is.
 
I don’t throw this word around casually...Jonathan Reiner is a genius. He has a very serious career as well as a growing young family, so I think his products are as much for his own fun as they are a commercial venture of any sort. For instance, he’s made a bunch of great cabs, but none are for sale that I know of. I’m sure he’ll do an actual line of them one day, but for now he seems content to be mostly a mad scientist and do small batch stuff. I know the 6SL7 pre he made me is one of maybe 10 in the world. Once he’s made a few, his interests shift to something else. He’s become a very good friend and has done most of the heavy lifting when it comes to the design of my BNA sealed cabs. He’s also a really funny dude and great to hang with. I can get behind folks like that :)

Thanks Mark! - and your pre is one of five! Five seems to be the number I get stuck on before I move to something else, though I did get ten Studio1200's done, and am about to get Gasoline's 6-10 finished!
 
Out shaking the trees today. I have had my eye on this for a while. 1970's 7ender Bassman 10. All tube, remakably clean . Got it for the princely sum of $350. Sounds great at low to moderate volume, if I wanted to crank it I would have to replace the speakers with something beefier. It was lost over in the guitar section. I guess today's players don't know what a killer amp this is for guitar. It's gunna look great in my bass room.
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