The downside of doing remote sessions for a band that lives a couple thousand miles away...
First version sent...band leader loves it, so I print and send. An hour later one of the members thinks this part is too busy or that part isn't busy enough...do another couple takes and send. "Perfect!" An hour later the drummer (the drummer!) points out that in one lick I play a G note in the key of A major. (me) "I know, flat 7...pretty common accidental to use." (drummer) "But it's in A Major." (me) "Correct. I did it on purpose. Want me to change it?" (drummer) "Yes." (guitarist) "Wait, I kinda like it." (band leader) "Maybe just print a few versions of that section so we can choose later." So alternate takes of the turnaround, chorus, bridge and outro so the band can argue about it come mix time...sheesh, that was frustrating. They all loved the bass sound, so that was nice. Now the entire record will be either the '02 Gibson or the Cataldo, depending on the song. Poor P bass got kicked to the curb![]()
Jeez, Mark, I'm with the drummer here... when you played a G note in the key of A major... well, wow... it just threw me off my axis and I couldn't get back to where I needed to be for the rest of the track. I felt like I was derailed... what were you thinking?!
Of course I'm kidding because I have no idea what you and the drummer are talking about and everything sounded great from start to finish.


