yeah but that you can't seeThanks, Chucky! Now I gotta get Mountain Dew outta my keyboard!![]()
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yeah but that you can't seeThanks, Chucky! Now I gotta get Mountain Dew outta my keyboard!![]()
That was me. In looking at pictures of 60s Thunderbirds the tailpiece is much closer to the body edge so that's where I installed it. I didn't take into account on Classic and Vintage Pro's the whole bridge assembly is moved forward.
I probably should have left it where it was, it functioned just fine. One reason why I priced it so cheap.
Speaking of chrome, i have a set of rings and covers for the taking. pm me if interested.
What did you do???Oh... well... ok then..., all good. Just extras laying around.

I think you should give them to me for jilting me the other night!!Speaking of chrome, i have a set of rings and covers for the taking. pm me if interested.
I think you should give them to me for jilting me the other night!!
Just kidding, I have no use for them![]()
now theFixer can throw BaCH pickups into those covers and we have the birth of the "Fixerbucker"...., all good. Just extras laying around.
Crap!yeah but that you can't see
Wouldn't that be distracting having all those lines and decals on there?Would you say this is accurate?
View attachment 2995167

Well, this popped up, very local to where i work. It's seen some action. And very expensive.
Gibson Thunderbird II 1967 Pelham Blue | Southside Guitars
You know, I'm not positive that IS Pelham Blue, it looks way too turquoise. Given all it's wear, I'm assuming it has a fair amount of yellowing, and Pelham usually comes out way more green that that. Not only that, but it doesn't look like a Poly (metallic) finish, looks like a flat color (don't really see and sparkle to it). But then where you see the wear on the neck, it does look very blue, still not very metallic however.
I think you're right. At the back of the neck where the lacquer has worn away it is a flat colour underneath, the cracks in the finish look over aged too. Also the wear on the neck looks to be up from the 12th fret, me I never play up there much, I would have expected the wear to be closer to the nutYou know, I'm not positive that IS Pelham Blue, it looks way too turquoise. Given all it's wear, I'm assuming it has a fair amount of yellowing, and Pelham usually comes out way more green that that. Not only that, but it doesn't look like a Poly (metallic) finish, looks like a flat color (don't really see and sparkle to it). But then where you see the wear on the neck, it does look very blue, still not very metallic however.
You CAD!!! {insert finger-wagging emoji}Uh oh. i did not mean to.![]()
I think I'll call "shenanigans".I think you're right. At the back of the neck where the lacquer has worn away it is a flat colour underneath, the cracks in the finish look over aged too. Also the wear on the neck looks to be up from the 12th fret, me I never play up there much, I would have expected the wear to be closer to the nut

You're friends have some funny names!I think I'll call "shenanigans".![]()
That's not the way I would've mashed those words together (though your way is much more socially acceptable)now theFixer can throw BaCH pickups into those covers and we have the birth of the "Fixerbucker"....
Part Irish, you knowYou're friends have some funny names!

But yes you're right, there's something not right there and at that price too. Norman Watt Roys, original Fender Jazz (the blockhead bass) went for less than that with a huge amount of provenance and other Blockhead memorabiliaPart Irish, you know![]()
Provenance. Isn't that in Belgium?But yes you're right, there's something not right there and at that price too. Norman Watt Roys, original Fender Jazz (the blockhead bass) went for less than that with a huge amount of provenance and other Blockhead memorabilia
