Looking at several 76s some have speed knobs and some gold reflector knobs. Which did they have?
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I think you are right. Looked like a neck pocket. Stone waste of bass there buddy.
This belongs to Brian Scott on twitter. He has a huge collection of Crue stuff including the real skull bass. He says this is the white one that Nikki painted white.
Yeah, that's him. He actually buys them. He paid about $15k for the skull bass.Is that the guy with the Nikki Sixx museum, who has all his used Thunderbirds? That guy should know first hand, as he gets all Nikki's basses from the man himself...
Impressive collection...![]()
Yeah, that's him. He actually buys them. He paid about $15k for the skull bass.
He only paid that much for the skull but he did tell me he bought everything he has
Ordinarily I would suggest lashings with a wet noodle.Yeah, it's a crying shame to treat a bass like that...
There should be some kind of punishment, like public flogging or stoning for doing something like that - But then, playing those horrid looking Schecters Sixx basses should be punishment enough...
Yeah, it's a crying shame to treat a bass like that...
There should be some kind of punishment, like public flogging or stoning for doing something like that - But then, playing those horrid looking Schecters Sixx basses should be punishment enough...
This is supposed to be Nikki Sixxs original Bird which was white and later painted red. Now, my question is, what year? It is a set neck so that is the issue. The 1976 wasa neck thru. I read somewhere that they kept the bicentennial PG through 1979 when they dropped them. View attachment 793560
I caught that interview. Sadly there was actual lament over that. He said the road crew gathered the pieces, but it was never the same.Paul Simonon of The Clash is pictured on the cover of London Calling in mid-stroke of slamming his now-Vinty old P-Bass to the stage floor. Later he was recorded as being sorry he'd done it... The moment was to big and he went with it. Yep, to bad, but it made for a great photo!
Paul Simonon of The Clash is pictured on the cover of London Calling in mid-stroke of slamming his now-Vinty old P-Bass to the stage floor. Later he was recorded as being sorry he'd done it... The moment was to big and he went with it. Yep, to bad, but it made for a great photo!
Looking at several 76s some have speed knobs and some gold reflector knobs. Which did they have?
I caught that interview. Sadly there was actual lament over that. He said the road crew gathered the pieces, but it was never the same.
Think anyone would have noticed if Simonon or Sixx swapped out with a Hondo first?
Paul Simonon of The Clash is pictured on the cover of London Calling in mid-stroke of slamming his now-Vinty old P-Bass to the stage floor. Later he was recorded as being sorry he'd done it... The moment was to big and he went with it. Yep, to bad, but it made for a great photo!
Fire is definitely a tender spot now for many. I remember that sorry event at the Station... A friend's cell phone captured the video you may have seen of the start of that blaze; he was the last one to leave the place whole, as it were. The FBI arrived and took his phone, promising to give it back, which they did eventually.I've thought about smashing a cheap bass as part of our show. I keep thinking, a splinter will nail someone (me) in the eye, I'll damage the stage and be liable or some such spinal tap moment. Hence, no smashing or lighting pants on fire ( I think of the great white disaster).