Gaolee
Official leathers tester and crash dummy
There is a lot to like. That is one of the things.I love how kinetic his band is!
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There is a lot to like. That is one of the things.I love how kinetic his band is!
you mean like this?Tone ?
More that the bass being audible in the mix attracts me. Whether it be a melodic line or even just roots and fifths.
I like to be able to ‘follow the bouncing ball’ of the bass line if that makes sense.
not sure I’ve put this clearly.
you mean like this?
A buddy recently purchased a Mesa 400+ for $500. He’s pretty excited. He asked me to play it at my gig tonight so he could hear it as a listener. Twist my arm![]()
I remember the photographer part. At least he didn't go off and sell insurance.He also played a P-bass with an added Gibson 'mud bucker' hugging the neck heal. Many players then liked the full-on bass lowness it offered, especially through the 360. He also played a clear lucite-bodied Dan Armstrong bass. After MO disbanded, he tried to keep playing in NYC but found all the music there a letdown from what MO was doing and stopped playing bass altogether and became a professional photographer.
That's the first time I've understood this color thing of yours. I get the tan thing with the Burners, I see/get that impression too.Great song about I am not sure what happened, but surely it did.
We never fail to cross around here. Cross what? Erm...
Just got back from band practice. The Flamingo with Burners sounded like Armageddon. My opinion of those strings is 100% changed. They sounded harsh and burnt tan at first. Now they have lots of black and white in them. No tan left. Tan is the wrong color for a bass sound. They have just enough metallic teal blue to color the sound.
What head are you using with it?On the subject of tone....I bought Rick Laird’s Acoustic 361 cabinet that he used with Mahavishnu Orchestra a couple months ago. Sounds great- just waiting for my bird to arrive and I’ll try to post some sound clips.
I think you did.Tone ?
More that the bass being audible in the mix attracts me. Whether it be a melodic line or even just roots and fifths.
I like to be able to ‘follow the bouncing ball’ of the bass line if that makes sense.
not sure I’ve put this clearly.
What head are you using with it?
A buddy recently purchased a Mesa 400+ for $500. He’s pretty excited. He asked me to play it at my gig tonight so he could hear it as a listener. Twist my arm
Terrific amplifiers
View attachment 3678663
Aw, gee. Do I have to?A buddy recently purchased a Mesa 400+ for $500. He’s pretty excited. He asked me to play it at my gig tonight so he could hear it as a listener. Twist my arm
Terrific amplifiers
View attachment 3678663

Just fine.Tone ?
More that the bass being audible in the mix attracts me. Whether it be a melodic line or even just roots and fifths.
I like to be able to ‘follow the bouncing ball’ of the bass line if that makes sense.
not sure I’ve put this clearly.
The first tone I noticed was Flea's in Higher ground. That brought me to Jazz basses. Then Geddy's distorted tone, again with a Jazz. After mucho experimentation and losing money buying and selling pedals, I finally settled on what I have now, giving me a somewhat woolly tone, not clean, but not really OD'd either. I fool around once in a while with it, but always come back to it.
I called the number on the back of that cab and got a Starbucks.
Yes, though I wouldn’t have picked that one.
More this one:
Or Something, or 100 others.
many other people as well, not just Sir Paul.
edit: or even
That's kind of depressing.I called the number on the back of that cab and got a Starbucks.
Fortunately I was kidding, but hopefully that's not the real case.That's kind of depressing.
I think you should find out... if someone answers, just pretend to be from the IRS.Fortunately I was kidding, but hopefully that's not the real case.