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Thunderbird Club

@MCF
I do like her sound in this clip. (Not so much on the album version.) It's got a good part where the guitar drops out and you can hear the bass great. This I can like and would work well in our mix, I would think. In the rig rundown clip I got to see how she EQed her head. My Ampeg V-4BH is only 100w but has the same pre as an SVT, so she definitely gave me an idea.

I looked at that rig rundown of hers and I gotta say, I've never even thought of setting up like that. Gain nearly pegged and master nearly off I've done with my Musicman hybrid but never on my Ampegs. And treble maxed while on contour setting 1 is another interesting choice. I'll have to try those on my SVT to see what it sounds like.
 
@MCF
I do like her sound in this clip. (Not so much on the album version.) It's got a good part where the guitar drops out and you can hear the bass great. This I can like and would work well in our mix, I would think. In the rig rundown clip I got to see how she EQed her head. My Ampeg V-4BH is only 100w but has the same pre as an SVT, so she definitely gave me an idea.


Yeah, I love that tone.

Funny how Nikki, Tal Wilkenfeld, Tina Weymouth, and other women in otherwise guy bands get a lot more camera time than the average bass player. That generally hasn't proved as true with the all-female bands I've seen (Micki Steele with the Bangles, Kathy Valentine with the GoGos). The latter still got more camera time than most male bass players, but not as much as the former. There are plenty of songs where you're lucky to see the bass player's instrument enough to be certain what it is.
 
That Jazz looks like a case queen. The other looks like it's been out vanquishing the vandal hordes in the name of the Queen of Case.

Both from '66 - the J has been refinished, the P is far from being finished! ;) :bassist:
 
I looked at that rig rundown of hers and I gotta say, I've never even thought of setting up like that. Gain nearly pegged and master nearly off I've done with my Musicman hybrid but never on my Ampegs. And treble maxed while on contour setting 1 is another interesting choice. I'll have to try those on my SVT to see what it sounds like.
Yes, that was kind of odd looking to me as well. And the bright button was depressed. Maybe it works great with a modern Tbird, but might not with anything else.
 
Yeah, I love that tone.

Funny how Nikki, Tal Wilkenfeld, Tina Weymouth, and other women in otherwise guy bands get a lot more camera time than the average bass player. That generally hasn't proved as true with the all-female bands I've seen (Micki Steele with the Bangles, Kathy Valentine with the GoGos). The latter still got more camera time than most male bass players, but not as much as the former. There are plenty of songs where you're lucky to see the bass player's instrument enough to be certain what it is.
Funny, Isn't it? Wonder why? Maybe has something to do with the cameraman maybe?
 
I looked at that rig rundown of hers and I gotta say, I've never even thought of setting up like that. Gain nearly pegged and master nearly off I've done with my Musicman hybrid but never on my Ampegs. And treble maxed while on contour setting 1 is another interesting choice. I'll have to try those on my SVT to see what it sounds like.
kinda how a guitarist would setup their Marshall or Mesa..
 
I'll have to give her a better listen. Have you seen this?

Oh yeah. Many times. I’m a huge, huge fan. There’s something mesmerizing about their sound. Since they’re LA based, I get to see them every tour. The band is comprised of four of the nicest people in music. And Nikki is great; a THUNDERBIRD player all the way. Here’s a shot of her board from a show last year:

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Slowly but surely, my project is finally coming together. I plan to thin/contour the lower horn for comfort and weight reduction as well as make the control cavity bigger because I need to and, it will shave more weight. I originally wanted to do some kind of distressed paint job but, may go straight up solid white, or white with metal flake. It will show up better on a dark stage. The awesome dingwall d bird I had was dark and kind of dissapeared in photos.
Very cool.
 
It's songs like these that make me want to become proficient at playing with a pick...

get yourself a fairly light pick (Dunlop Nylon .60)....place (kinda like 'grab' the bridge) your palm on top of the bridge (saddles)...grab the pick with your thumb and index fingers and start with gentle up and down strokes in quarter notes...nice and relaxed..that's pretty much the jist of that bass line except they are 8th notes..the trick is to keep your wrist relaxed, the rest comes automatically..
 
Oh yeah. Many times. I’m a huge, huge fan. There’s something mesmerizing about their sound. Since they’re LA based, I get to see them every tour. The band is comprised of four of the nicest people in music. And Nikki is great; a THUNDERBIRD player all the way. Here’s a shot of her board from a show last year:

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I haven't really heard many of their songs. What I've heard in the past just didn't do much for me. I listened to more this evening than all combined previously. I do like her sound live. I like live settings more than studio as they are representative of what is more possible to achieve. I find Nikki's tone interesting and some of the songs did grow on me, to the point I'll be doing more listening. Really glad you mentioned Nikki!
 
It's songs like these that make me want to become proficient at playing with a pick...

I will say I'm tempted to play all the time with a pick while playing the newer Gibson. It certainly adds some definition. Normally I play around 25-30 with a pick, and I found myself wanting to use one more and more.
 
I will say I'm tempted to play all the time with a pick while playing the newer Gibson. It certainly adds some definition. Normally I play around 25-30 with a pick, and I found myself wanting to use one more and more.
The joys of a Bird with a pick should not be missed imho...almost like a match made in heaven..
 

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