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TI Flats advice.

Jul 19, 2009
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ok, so after a long time of wanting to try out some TI flats Ive finally got a set on the way. I started out on a fretless and for years and years once I moved to a fretted bass I continued to use tape wounds because I loved the slippery rubbery feel under my fingers. Ive been longing to go back to that and figured Id get some low tension flats like the TI's. BUT... I got to thinking about a couple questions I had.

first.. I (and my band) play with everything dropped a half step AND I have the E drop tuned to a full step from there (D flat, A flat, D flat, G flat). I play with a pretty light touch usually, but since these are renowned for low tension, will I run into problems from down tuning that makes them TOO low tension?

second.. I play both Musicman and Fender jazzes. I hear that the TI's are a bit more mid forward than other flats. How well do they mix with a Musicman Stingray or Sabre? OR, which would any of you recommend I put them on, the jazzes or the Musicmans? I know, I know, they are flats so they belong on a jazz, but I dont always follow tradition. Has anyone used them on a Stingray and what did you find? I bought them with the Musicman in mind, but since its a little mid prominent I dont want something that futzes up the mids too much. I would IDEALLY like to try them on both, but since the headstocks are very different I can only cut them for one of them.

any experience would be helpful.

thanks.
 
you might start to get some flop on the E string tuned to Db, but I played on a set of TIs tuned down a half step for a year or so with no issues, just a slightly lighter touch.

Cant speak towards the MM basses, but they sure do sound good on a Pbass.

edit: tuned my e string down to Db, its definitely looser, but if you use a light touch and raise your action a little, it should be usable
 
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Here's how the dropD sounds on my Precision. This set is 3 and 1/2 year old.

I've used them a lot on many instruments, and as you get used to the tension, there are no issues. If you play half step down in drop D just add a slightly more relief to the neck, not much, and maybe raise a bit the E saddle. But you'll have to discover these things on your own, trying them.

PS: stingray & flats have been fellows in the 70s, and today you can hear the stingray with flats on many recordings. The first I recall is Cliff Williams from the ACDC since the Ballbreaker album.
 
cool. thanks for that!
btw.. Im really familiar with flats on a Stingray. I used em for years. My question was more specifically how are the TI's on a Stingray since they are said to be more mid forward and a Stingray is more mid forward too? Do is make it TOO middy?

From your soundlink I dont think it would be too much. The mids seem very broad and not spikey in a particular range. Also, I liked the way it seems to tame the flubby low end that Pbasses can sometimes have. Nice tone man!
 
I tried TI Flats on my Warwick Thumb and didn't like them, sounded dull. i then tried on the Jazz fretless and didn't like them either (the TI Jazz rounds on the fretless are amazing).
i then tried them on my StingRay and they sound awesome. Exactly the sound I was expecting when I bought the StingRay, that 70/80's funk sound. Even slapped they sound great. i tried them last night in a gig and they sat very well. so I think that is a perfect coupling.

I cant speak for the drop tuning though.
 
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Thanks !
I can tell you that they are middy "compared to other flats", but in fact they just have a kind of "flat eq" spectrum, with a rich harmonic content.

On every bass I've used them, the result was a nice flatwound tone with all the characteristics of the specific bass.

Here are a couple of samples on a jazz:

Finger

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Pick

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I've used them on a PJ (yamaha bb414), on a G&L L1500 and on other jazz (I always keep my used sets of strings :P ), and they always let the bass shine!

One thing to remember is that the gauge is peculiar, and needs a proper setup, in particular for the A and D string. They are 70 and 55, like a 35-90 set, so don't be afraid to raise the A saddle a bit more then you maybe are used.
 
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