I agree with everyone that there’s nothing overly limiting about 2 finger; indeed it simplifies things in a number of ways
from a technical perspective, I think that three finger technique, etc. works best with a floating thumb, which tends to include the plucking fingers being curled/bent- The reason I bring this up, and you basically play like me, is that with an anchored thumb (and the relatively straight plucking fingers), you will always be fighting the fact that your middle finger is longer than the others… If you just look closely at the video, you will see that your middle finger looks like it’s barely moving, why you seem to almost have to do this weeble-wobble thing thing to give the other fingers contact access. Not only does it make it more difficult to play fast notes and long passages, but the consistency in the sound will be something you battle and really have to take a focused approach to, including a physical audit, and some conscious decisions about how you want to solve the problems physically. with two finger technique, fast players simply angle their hand to where the vertical position of the first and second fingers are level/even, but of course you can’t do that with three fingers with the longest finger in the middle, creating almost a pivot point. It’s not impossible, but it will take a focused rework.
I would argue for the kind of music you seem to be interested in playing, that you don’t gain much by having a three finger technique, and if you did, then you would probably want to do more of a Gary Willis floating thumb thing, while also taking advantage of the thumb as a plucking digit. but this kind of stuff really helps a lot more with a jazz approach, where free access to arpeggios and very vertical runs is made easier by this technique… But if you’re playing music written by guys using two fingers, or a pick, then it doesn’t really inherently necessitate a more-than-two-finger approach anyway. I will say that the syncopated accent thing that the three finger seems to be bringing out, is actually a pretty cool effect; I’m not sure offhand if that’s very intentional per the song, but it certainly worth keeping in your back pocket, I do something fairly similar if I’m going to be chugging triplets etc.
all that being said, I don’t know that I thought that recording sounded overly bad in any way… There are some evenness problems, maybe, but you’re also playing a very clean sound, on a very clean pickup setup, playing in the foreground over the music- every little flab, rub, and outlier is going to stick out. A little dirt would even out the attack a bit- I almost never suggest pedes or compression as a solution to a physical issue, but this is one of those cases where it’s really more of a stylistic thing, which happens to smooth out the inconsistencies while doing it. And again I wince at the idea of using a compressor to even out attack, but this seems like a slam dunk scenario for the style of music, the style of playing, and the fact that you were 90% there anyway.
I’ll look back over my comment later for grammar issues, I’m doing voice to text and have to go now
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