I needed to downsize bad. Been lugging around an svt4 pro in a 12u shock case with a bunch of rack stuff i didn't need
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Uh, don't let JimmyM get wind of this.Darkglass 900
It's super lightweight and just as effective as my old svt4 pro

@JimmyM 's been around the block. Maybe even both directions. He can handle the truth.Uh, don't let JimmyM get wind of this.![]()
Uh, don't let JimmyM get wind of this.![]()
Same difference.Hey I didn't say better...
I said just as effective hahah
I also like the two cab option in part because I only have to haul one for smaller venues and two for larger ones. If the venue is very large, then you need to depend on the PA and sound guy.Everybody's situation is different. For me I play in two bands which means I can leave a cabinet at each rehearsal space and tote my heads around in a laptop bag. I'm running around with my gear at least twice per week excluding gigs so smaller is better.
(Sorry, I get nauseous now every time someone mentions one of these)

We're wrong since the moment we need anything else than the bass itself to play and being heard. Amps, cabs, DI's... why? we play the bass, not the "rig". On the other hand, without that bunch of "adjacent" stuff we couldn't discuss all these things in a bass-related foum.I wont be happy untill I get a cab with 1000 1" drivers driven by a head just slightly larger than the size of a speakon connector.
And another thing. Speakon connectors.... why are they so huge? It's the 21st century already! That connector is holding back my ultimate goal of a head the size of air to drive my 1000 driver cab.
Any gear you all select to use is wrong. Whats the point. Indeed.![]()
We're wrong since the moment we need anything else than the bass itself to play and being heard. Amps, cabs, DI's... why? we play the bass, not the "rig". On the other hand, without that bunch of "adjacent" stuff we couldn't discuss all these things in a bass-related foum.
I consider the rig to be part of the instrument. An electric bass isn't very electric without one.We're wrong since the moment we need anything else than the bass itself to play and being heard. Amps, cabs, DI's... why? we play the bass, not the "rig". On the other hand, without that bunch of "adjacent" stuff we couldn't discuss all these things in a bass-related foum.
I have yet to hear a well reasoned argument for the POV that only the bass itself is the instrument. I (and several music pros I've known through the years) assert that your instrument is the sum of everything you control that stands between the sound in your mind and the listener's ear.We're wrong since the moment we need anything else than the bass itself to play and being heard. Amps, cabs, DI's... why? we play the bass, not the "rig". On the other hand, without that bunch of "adjacent" stuff we couldn't discuss all these things in a bass-related foum.
Tottally agree, I was only giving some salt to the discussion. Anytime I changed or upgraded any piece of my rig I found an inspiring fresh new tone that gave me energy to play more. responding to the OP, actually I'm thinking seriously to bulid a fEARful 162/6 to swap for my SWR Goliath III. First I change a Hartke 3500 head for a Aguilar TH 350, now it's time to lighting the cab. The differences (in a good way) of tone can be very huge too, not only on size and weight.I have yet to hear a well reasoned argument for the POV that only the bass itself is the instrument. I (and several music pros I've known through the years) assert that your instrument is the sum of everything you control that stands between the sound in your mind and the listener's ear.
Uh, don't let JimmyM get wind of this.![]()
