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Double Bass Tl :dr; summary on the Red Eye please?

The EAP and the RedEye Twin are a “match made in heaven” with my bass and any amplifier I should choose to connect it to. Traynor SB 106, Ampeg B-15N, GR Bass AT Cube Acoustic, Grace Felix/ MAS 1/8 (powered version) even a Fender Rumble 1x15.
 
My little bluegrass pedal board includes a Red Eye preamp and a Genzler re/Q (HPF/LPF and EQ). I’ve also used the Red Eye by itself as a DI when there is FOH (rare in my world). The Red Eye’s impedance matching is the secret sauce with simple piezo wing pickups, such as the K&K and Vic’s on my Kays. The treble control is useful as a single-knob attack-noise control — I tend to roll off the zing on my steel-strung bass and crank up the attack on my gut-strung instrument. The Red Eye’s XLR out feeds the effects return on whatever head I’m using; the head’s DI out feeds the band’s PA or FOH.
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Are you still around here? That Kay is the same color as my ‘51 C-1. When was yours built? Also, please tell more about that cabinet.
 
Are you still around here? That Kay is the same color as my ‘51 C-1. When was yours built? Also, please tell more about that cabinet.
That is my 1950 C1. Body is in fabulous condition on this one. Setup was “hot-rodded” before I got it with a modernized neck block with increased overstand, thick ebony fingerboard, and 7” tall bridge. Strung with low-action Spiros. Super punchy, fast response, and very centered pitch. I also have a ‘41 S-9 (high action, low tension gut) and a ‘53 M1-B that needs a new bridge. Cabinet is my Revsound RS210 — it’s 30 lbs of crisp, clear sonic goodness. David also just built me a RS28V (20 lbs), which is going to serve as my compact grab n go rig. First gig with that this weekend!
 
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