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Tommy Cogbill's old bass, only 95K

Let's all chip in!

http://www.ebay.com/itm/The-Histori...9570164?pt=Guitar&hash=item1c2f1ddb74&afsrc=1

The Historic American Sound Studio 1959 Fender Precision Bass

The Historic American Sound Studio's 1959 Fender Precision Bass Guitar Serial #38726

Yes, this is this bass guitar you see in Elvis's lap!! Whether relaunching the musical career of Elvis Presley or the launching of numerous others, American Sound Studio in Memphis TN produced 122 charted recordings between 1967 and 1972("an unmatched achievement") and this bass was witness to it all. History oozes out of this axe. This Fender P. was the house bass at American Sound Studios and played on the majority of these hits. (There was a Hofner there and occasionally others but they were seldom used) This bass was used mainly by legendary Bassist and producer Tommy Cogbill and the equally legendary Bassist, arranger, and producer Mike Leech, who owns and is selling this instrument. These two guys have influenced a plethora of bass playing luminaries over the generations. This was the bass Tommy and Mike played that made them legendary. This bass, as authenticated in supporting documents, played on Elvis's incredibly significant comeback recordings in Memphis TN in 1969 including but not limited to Suspicious Minds, In the Ghetto, Kentucky Woman, Daddy Don't Cry, Trouble, Power of Your Love, Stranger in my Own Home Town, and all songs from these sessions. This is just the tip of the iceberg. This bass has to be nominated as the Holy Grail of Rock and Soul Bass Guitars when you consider the long list of hits it has played on. Memphis Soul Stew by King Curtis (with the crazy legendary bass solo intro), Memphis Underground by Herbie Mann, Sweet Caroline, Brother Love's Salvation Show (Neil Diamond),Aretha Franklin's Respect, Chain of Fools, A Natural Woman, Baby I Love You, Do Right Woman- Son Of A Preacher Man, Dusty(Springfield) in Memphis, B.J. Thomas-Hooked on a Feeling, I Just Can't Help Believing, Somebody Done Some Body Wrong Song, Eyes of a New York Woman, -Drift Away and Lovin Arms by Dobie Gray,- Funky Broadway, Land of a Thousand Dances, Midnite Mover, I'm in Love and many others by Wilson Pickett, James Carr, Joe Tex, James and Bobby Purify, Arthur Conley, and other soul masterpieces. Grammy Award winning, Always on my Mind by Willie Nelson. The first two albums by John Prine, Guy Clarke, and the first two recordings by the The Highwaymen. (Producer Chips Moman told Mike Leech before The Highwaymen Sessions to make sure and bring "the magic bass." He knew what he meant), Billy Swan's I Can Help, Sleepin Single in a Double Bed, Barbara Mandrell, Cry Like a Baby-The Boxtops, Rings by Cimmaron and just more hit records than I could possibly name here.
 

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I hope they are very careful with this transaction. It's a cash only sale. If an unscrupulous person learned where the buyer & seller plan to meet, that person might try to intercept the briefcase containing $95K in cash.

Come to think of it, that might make a pretty good movie, well TV movie perhaps.
 
Wonder if Mike Leech would take $20 just to let me play it for a few minutes, so some of the mojo rubs off on me... :ninja:

Seriously, that has to be one of the top 5 most important bass guitars, right up there with the Bass of Doom, the Funk Machine & Sir Paul's Hofner. VERY cool.
 
I love the story, but would probably look at it in disappointment for the rest of my life. Why? Because the bass itself will not tell the stories. The mojo will not show up when I play it. They need to video interview all the still-living people who ever played it on a recording and have them tell their stories.

What it must be like to hold it, huh?