So, I've scoped a bunch of frequency sweeps through the Tone Hammer at different settings. I don't suppose anyone would be interested in seeing them though. 
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I agree with clean. With the AGS off I can get a great warm, fat tubey tone but I struggle because that AGS just has that magic mojo going on.....lolI've been using the THDI exclusively in AGS mode since I bought it, used on a modern worship board. The other day I was playing around with preamps and used the THDI with AGS off, as a clean preamp/DI. It is remarkably good as a clean EQ preamp, EQ points tuned nicely. There is NO saturation even with the gain all the way up (AGS off), correct? I may try the THDI with AGS off and some favorite drive pedals in front of it for a while and see how that goes.
No need to switch the AGS off, IME. Clean sounds can be achieved with AGS on by turning the gain control CCW.I've been using the THDI exclusively in AGS mode since I bought it, used on a modern worship board. The other day I was playing around with preamps and used the THDI with AGS off, as a clean preamp/DI. It is remarkably good as a clean EQ preamp, EQ points tuned nicely. There is NO saturation even with the gain all the way up (AGS off), correct? I may try the THDI with AGS off and some favorite drive pedals in front of it for a while and see how that goes.
The EQ points seem to totally change with AGS on. The bass and treble controls were of low value to me with AGS. Without AGS, the bass and treble controls are excellent.No need to switch the AGS off, IME. Clean sounds can be achieved with AGS on by turning the gain control CCW.
I'm trying to recall which Drive settings on the Head correlate to the AGS being engaged on the pedal. I wanted to say it was around 3 o'clock?No need to switch the AGS off, IME. Clean sounds can be achieved with AGS on by turning the gain control CCW.
I prefer the pedal with AGS on even for clean sounds. The only exception would be if I played slap technique-in that case I would need the frequencies above 3.5 kHz which AGS attenuates. For other standard techniques (fingers, pick), I don't need/want those frequencies...
IMHO, the attenuation of highs provided by the AGS on is particularly useful when there are drive pedals upstream...
YMMV
YesI'm trying to recall which Drive settings on the Head correlate to the AGS being engaged on the pedal. I wanted to say it was around 3 o'clock?
Post in thread 'DemonFX Pedals - Any good?'I am a long time user of Tone Hammer DI's. I have had two of the orignal clunky steel pedals and now have the new version.
This is the first time I have seen a counterfeit. "Tone Mallet" ??? ***?
https://reverb.com/item/85414773-de...Obsession-Evergreen&utm_id=120233471479840456
I know the DemonFX makes a lot of counterfeit Darkglass pedals, but this is the first one I have seen of an Aguilar product.
Anybody seen one of these in the wild. So... does it suck?
Your setting here is how I am currently running mine for my P Bass with rounds for a rock tone.
And what a rock tone it is. I play a J-bass with the neck pickup soloed, probably in your ballpark.Your setting here is how I am currently running mine for my P Bass with rounds for a rock tone.
Yep, that's ol faithful for meYour setting here is how I am currently running mine for my P Bass with rounds for a rock tone.
Do you run that setting with AGS on or off @pisces_bass ? I used AGS on for years, but lately have been using another drive in front of the THDI and running AGS off. To me it has a slightly beefier, more pleasant tone.And what a rock tone it is. I play a J-bass with the neck pickup soloed, probably in your ballpark.
What drive are you running?Do you run that setting with AGS on or off @pisces_bass ? I used AGS on for years, but lately have been using another drive in front of the THDI and running AGS off. To me it has a slightly beefier, more pleasant tone.
EBS Billy Sheehan Deluxe.What drive are you running?