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Oh, these tortured explanations and divisions and how many bass players can groove on the head of a pin!!!
Good technique makes grooving and achieving good tone, and making good note choices, and everything else exponentially easier. The whole point of good technique is to make it easier to play so you can concentrate on making good music, not on how to play a passage or achieve good tone. Good technique puts the mechanics of playing on auto pilot so you have one less thing to think about. Why would anyone want to make it harder on themselves???
Good technique makes grooving and achieving good tone, and making good note choices, and everything else exponentially easier. The whole point of good technique is to make it easier to play so you can concentrate on making good music, not on how to play a passage or achieve good tone. Good technique puts the mechanics of playing on auto pilot so you have one less thing to think about. Why would anyone want to make it harder on themselves???
Sorry, but I don't believe this at all. A LOT???? You know that A LOT of people that have good technique and sound like s***????? I know you are trying to make a point, but please keep it real.
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Ah, the fallacy of either-or. If you believe that “tone” is in the equipment you buy (or, sometimes, build) and that “technique” is about speed and that one can be more important than the other then you are one among the millions who keep the factories humming with new stuff to show at NAMM.
Equipment and speed are parts of the whole but not the be-all and end-all. Nor should anyone spend time ranking them in a hierarchy of “importance.” What’s genuinely important to work on is the elements of music you don’t yet do well or even know about. You will rarely stand out or be an interesting player by doing what nearly everyone else is doing.
Music is a journey, not a destination.
I enjoy the feel of playing much more than my tone. Even if my mix is bad, I tend to get used to it and go with it. But if my hands are tight and my playing is forced that is a drag.
I think if you have good technique, that will enhance your tone greatly. So even "bad tone" won't sound terrible. That's why Zakk Wylde and Mike Portnoy sound good on Hello Kitty instruments lol.
Neither. Most important is style. I sound like me on anything.
I think a more important question would be- Groove, or Technique.
A great simple groove beats a handful of notes with no soul.
A great simple groove beats a handful of notes with no soul.
Well about gear I can affirm that yes I need gear to have the tube amp + rick tone I like and I want but I see the point
Respectfully, this is also a false dichotomy. I rarely see a player with a great groove that has bad technique and I rarely see a player with bad technique that has any groove. No one is saying you have to have a Master's Degree in performance from Julliard, but it is just a fact having the ability to put your playing on auto pilot improves your musicality. If you want to be a well rounded player you should have good technique, good tone, good groove and good knowledge of theory. There is no need to settle for less.
Please understand that MAYBE i need an excuse to justify my bad timing playing and having lot of different basses
( the secret point of that poll )
( my band first album coming next week to let you understand how many work I did in my tone )
( the secret point of that poll )
( my band first album coming next week to let you understand how many work I did in my tone )
Likewise. I think the OP is confusing technique for speed and flash. Both of these things can be faked or learned parrot fashion. Or they can the result of consistent practice of good technique, as you discovered. I bet after all that practice you did playing rests you can play a whole 10BPM faster without even trying...
Well I prefer being a B+ player with a great tone, worked with love and pain to find the perfect alchemy between hands, gear, personality, than being a A+ player ( who can play things considered as harder to play ) with a random OK tone
This is how I see the answers of this poll
Putting more effort into how we sound vs how we play
Well kind of
Hard To explain
You understand
Maybe
This is how I see the answers of this poll
Putting more effort into how we sound vs how we play
Well kind of
Hard To explain
You understand
Maybe
Technique before tone for me and it rarely has to do with 180 BPM or flashy slapping. Some of the best players I've seen show up to live gigs with mediocre gear, leave the slapping at home and do their job just fine. Sure, when both come together it's great but the best sounding gear in the hands of a buffoon will still be un-enjoyable.
