But the entire point of this thread is the volume level at the playing position. I find with 8x10's the band and crowd hear twice what I hear, and what I do get is vague and muddy. My point is that by focusing the volume at the player's chest the player gets the most benefit from the output of the cab, so less overall volume is needed. You can't focus an 8x10 at one person's chest. Since the SWR 4x10 I suggested outdrives the Ampeg 8x10, it certainly seems like a better option.
I also don't find the SWR 4x10 boomy at all, if anything it's got a tad too much midrange snot, which is great for hearing the intonation of a fretless, but not so great for driving a room. I've never heard one complaint from another tech about my stage sound, quite the opposite. In fact many have guessed that I'm also a tech based on how easy I make it for them.
I also don't find the SWR 4x10 boomy at all, if anything it's got a tad too much midrange snot, which is great for hearing the intonation of a fretless, but not so great for driving a room. I've never heard one complaint from another tech about my stage sound, quite the opposite. In fact many have guessed that I'm also a tech based on how easy I make it for them.

