• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Touring for "exposure"

Pffft "Christian" - pretty sure Jesus would turn down this gig and probably turnover some tables while doing so
ePVp7L8.gif


The Merch tables

:)
 
That's a great advice but I wonder If that kind of information leak out? Could be an embarassing downfall for the band.
Ever read the story of a guy who faked a following for his band to live out the dream of a tour?
Threatin: band creates fake fanbase for tour attended by no one

Anyway, fakery has been part of the music industry since the earliest days. It's just changed forms. It used to be about shock value, or being outrageous to the the point of absurdity (sex pistols anyone?), these days it's using bots and fake followers to promote your stuff. Targeted ads, etc etc. Next week it'll be using AI to compose your music. Or maybe that's already happening, hehehe.
 
I just got a random email about participating in some tour this year. I've been working hard with my personal brand, and decided that I wouldn't mind "auditioning" to provide artist support.

Then... they sent the details, and my "this is going to cost me a small fortune" detector went off.

Let's discuss the hidden gotcha's from their website to help the next up and coming musician.

The Extreme Tour

From their FAQ - I underlined the key things to be wary of:

HOW MUCH DO I GET PAID,AND ARE MY NEEDS TAKEN CARE OF WHILE I AM WITH YOU?
Of course, it goes without saying, like any other charitable effort, this is not necessarily something to do to get rich. But we do work hard to take care of the needs of the artists that participate. Unlike most other tours of this size which provide accommodations and meals for only the headlining acts, EVERY band that tours with us has their food and lodging provided for at each performance date. And, unlike most other tours of this size that take a percentage of the merch sales from the bands that are part of the tour, the Extreme Tour takes no percentage of the band’s merch sales.

Some bands may receive enhanced support for being involved in elements of the tour beyond just their performance, and some bands may also receive enhanced support based on their role in the Tour Events. Specific details will be worked out with each band that is selected after they have been notified of their selection.
I hear the crack of a whip reading that. There's "exposure" (ie - working for free to get some cred) and there's slave labor.
 
Ever read the story of a guy who faked a following for his band to live out the dream of a tour?
Threatin: band creates fake fanbase for tour attended by no one

Anyway, fakery has been part of the music industry since the earliest days. It's just changed forms. It used to be about shock value, or being outrageous to the the point of absurdity (sex pistols anyone?), these days it's using bots and fake followers to promote your stuff. Targeted ads, etc etc. Next week it'll be using AI to compose your music. Or maybe that's already happening, hehehe.
Read about how the band that became ZZ Top was founded. Crazy story.
 
whoa, so much to unpack with this. 75 bucks just to apply:roflmao:


Kind of like the "contests" that high school music department bands "win" to play in places like Hawaii or Disney. Participants pay entry fees as well as all expenses to participate. I know a high school kid that had played her instrument for exactly a month before her freshman band "won" one of them. It cost the parents thousands for her to make the trip.

The same stuff exists in youth sports. I have a friend who is an assistant D3 college basketball coach. The events pay his way to "scouting camps" in Florida. He spends much of the time at the dog and horse tracks. :roflmao:
 
  • Like
Reactions: Acoustic356
That's a great advice but I wonder If that kind of information leak out? Could be an embarassing downfall for the band.
It’s kinda common practice in the electronic music and hip hop worlds. Hire a name act to play a show. Pay them their contract rate. Sell tickets at the market rate for the headliner so you can recoup their fees, and then book yourself and another local act/band/DJ as the support. It wouldn’t necessarily be scandalous or have much fallout in those worlds. Can’t say what the attitude towards it would be in other genre scenes.

Of course, some people do this same thing not only so they can recoup some money from the door/tickets and open for the big name headliner, but also to make sure they’re the only one at the event selling, let’s say, “certain inhalable/ingestibile merch” that party goers enjoy. That’s where the real profit is, and why they have have the money to pay the headliner in the first place. Making money through music usually means using music to make money from something else.