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Trading war stories - live shows that went so wrong

Played in this biker bar once..

Concrete floor-cinderblock walls. Nothing to absorb sonic reflection.
The used kerosene heaters for heat. Wasnt sure if it was even safe to breathe in there..
Some local drunk kept yelling "DONT'T WORRY ABOUT IT!!!" OVER AND OVER.
Still not as bad as the time a hurricane came out of the holler and everyone was nearly electrocuted.
 
I’ve had soooo many, it’s hard to pick one that’s significantly worse than the others. Oh well. Here’s one, taken from a 2001 journal entry:

08.06.01 – The House
8:47 PM

Starting to get back into home mode; it’s always nice driving hundreds of miles for one show where the locals get more respect from the promoter than the nationals.

Oh, you wanted an explanation? Okay. Attend, please.

Loaded up to play Cleveland this weekend at the World Series of Metal, at the Agora. It had the potential to be a great time. Mushroomhead, our Eclipse Records labelmates, were the headliners, and Pro-Pain was direct support. Chuck [vocals/guitar] has been friends with the Pro-Pain guys for years now, and I was looking forward to meeting them and checking out their live show. This was our first involvement with a festival-type show since I joined, so I was stoked to play.

We drove up to Cleveland from Nashville in a small caravan: my SUV and the Cabbage Picker [our tour van - an old brown two-tone Ford “luxury van,” so named because it looked like something migrant workers lived in]. Kelly [Chuck’s SO at the time] went with us, as did Chuck’s cousin Bradley and our pal Damon. Chris Lee [our booking agent] was coming out, and Chris Poland [our label president] was also driving down from Jersey for the show. So we arrived at the venue around 4:30 PM in high spirits.

The high spirits pretty much went by the boards approximately five minutes after we showed up, when we were informed by the local crew guys that we had just made it in time for our set and had about fifteen minutes to get our @#$! on stage. Are you kidding? We get our gear to the door, where we see what I find to arguably be the most @#$!ed stage setup on earth: the stage is divided into two sections, with a band playing on one side while the next band is setting up on the other side. We’re setting up in full view of the crowd while some @#$!ed-up local outfit harangues the crowd from the other side of a divider curtain. We got set up and did a cursory soundcheck – again, in full view of the crowd – while the local yokels across from us finished their set and tore down, and the whole time we play our 30-minute set, we’ve got local @#$!holes toting gear behind our backline. We wrap up our set, which my subconscious mind has already begun blocking memories of, and break down our @#$! to the accompaniment of the next pack of local losers who have cranked up from the other side of the @#$!ing divider.

To say that I was not in the best of headspaces is like saying that you can buy a few things at Wal-Mart. It doesn’t really convey the larger message.

Chris Lee arrived sometime while we were on stage collectively wishing the ground would open up and swallow us. He was about as @#$!ed off as Chris Poland was whenever he showed up, about an hour after our set time. Both of them drove to Cleveland for no good reason; it could be argued that so had we.

At some point, Poland confronted the promoter, who turned out to be Mushroomhead’s manager. How convenient. We were all told that if we had wanted a better set time, we should’ve either sold tickets like the locals did or paid a few hundred dollars’ “promotion fee.” SSDD. How nice to drive obscene distances to find that you’ve been denied vital, need-to-know information and as a result been treated worse than the local pretenders by the shady P.T. Barnum type @#$!hole who’s put the show together.

I hid out in my SUV for the rest of the night, sleeping through Mushroomhead and Pro-Pain.

EDIT/EPILOGUE: Roughly a year later, Mushroomhead would breach their contract with Eclipse Records and jump ship to Universal. Poland took them to court and lost. FWIW.
 
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Hi,

I'll relate a recent experience.

We've been playing a pretty nice honky tonk every month or two, usually on a Saturday. We have to load in pretty early to sound check before the doors open, around 4pm for a 10pm show. Doors open at 6pm. I know that's a lot of down time but we get a nice room to hang around in, good food, and free beer. It has a full sound system on a good sized stage. We play only a singe two hour set and the pay is more than twice the usual bar band pay. I think it's a pretty good deal.

One weekend we decided to play both Friday and Saturday nights. Everyone except the bass player was running late getting to this club. They couldn't get off work early enough, there was bad traffic, whatever. We barely got any sound check at all but we muddled through the two hour show and had a pretty good time.

Then Saturday night everyone, except the bass player, was even later arriving to the club. The owner was upset and took out his anxiety on the only band member who was there at the time. Eventually the other band members arrived and we smoothed out things with the owner. Doors were already open and we knew we'd have to go with the previous night's mix that had been saved on the board. Add to the mix a brand new soundman for that evening. He had been waiting around since 5pm to sound check the band but most did not arrive until almost 9pm. The soundman was not happy. (NOTE: Never piss off the soundman.)

After a nice supper and a couple of beers we begin the show. Our drummer wears IEMs so he usually can't tell how loud he's playing. Plus, the back wall of this stage is brick. When drummer hits his snare it sounds like a .45 caliber going off in the back of my head. Most of the time I have vocals only in my monitor mix because I can usually hear the stage instruments from their amps. The keyboard player likes to have everything, especially kick and snare, in his monitor. I had explained to the keyboard player that, because of the SNAFU with our arrival time, we're just going to have to grin and bear it as far as our monitor mix was concerned this evening. I didn't want to make a bad situation worse. But he would have none of that. His mix has to be perfect.

During the show the keyboard player starts waving his hands at the soundmand in the booth, making hand gestures trying to tell him to turn the guitar up, turn the chick singer up, turn up the kick and snare, turn the guitar vocal down, turn the pedal steel down, etc, in his monitor. I'm already wearing earplugs because the snare is taking my head off and the guitar is melting my face. Thankfully we all have separate mixes. I don't care what comes out of the keyboard monitor.

About halfway through the performance, the club photographer comes up on the stage to take some live pictures of the band. While we're singing and playing I see the keyboardist giving instructions to the photographer to tell the soundman what he wants in the keyboard monitor. Uh oh, this won't be good.

A couple of minutes after the photographer left the stage, out of my monitor I hear cannons and machine guns, wailing sirens, and jet engines, all at decibel levels that liquefy internal organs. It seems the soundman was turning things up in my mix instead of the keyboard mix. All I could do was turn my monitor away from me and point it toward the keyboardist next to me.

I looked at the keyboardist and said, "I told you so." Then I just smiled, played, sang, danced a little, and put on the show by feel since everything was so loud I could hear nothing. It was the most uncomfortable I have ever been on stage. But I didn't let it show. (I hope.)

Moral of the story; The whole band must arrive in time for a proper sound check. Hopefully the band has learned its lesson and next time it will go much smoother, as did the the other times we've played there. Yes, they've booked us back in that room and they'll probably keep us in the rotation as long as the band is punctual. It's actually a nice gig and I'd like to keep it. If you've been following my gig reports I'm sure you can figure out what club and even what gig I'm talking about. It was quite an experience that evening.


Thank you for your indulgence,

BassCliff

I guess I'm lucky. I almost ALWAYS provide the transportation for the band to gigs. This way, I get to control when we leave and brother, I'm with you. I like to get there early, setup, soundcheck and get some breathing room for the last minute problems that always pop up. Also, I like a little chill time before the show.
 
A gig that went so wrong.

This was a few years ago, we got booked for a wedding by someone that attended one of our local gigs, in other words we didn't know them and were given NO info for the wedding. There was no dress code or song requests, just play 8-12. Seemed simple enough.

So we drive about 2 hours away and get to the venue. Quite the interesting crowd. Our music was met with a lukewarm response. About 1/4 of the crowd were family/friends who had come "up north" from places like Tennessee and Kentucky. I am not kidding when I say there were alot of the men at this wedding wearing bib overalls and no shirt? Really? For a wedding? And many of them were drinking clear liquid from mason jars with cherries floating in there. Our singer at that time never turns down a free drink so 1/2 way through the evening he had sampled enough "shine" to be incapable of forming consonants. And as bad as that was we were getting all kinds of responses we couldn't pull off and in many cases had never heard of. Sonny Landreth? I'm sorry, I'm not familiar with his music.

And with about an hour left in the gig I was sick, like get a bucket I'm puking my guts out sick. To be clear, I don't drink when I'm driving so it was not alcohol related. But I did eat some asparagus from the dinner buffet, not an easy item to throw up for your system let me say. I played at least 3 songs from the mens room playing through my wireless while being sick. Because our singer was impaired he was calling out songs not in order and starting them while I wasn't even on stage. It was not a great night.


haha, played a few wisconsin weddings very similar
 
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I actually have another one I just remembered after reading jimmy4string's post, and I've really enjoyed reading these.

Mid July a few years back, I was scheduled to play a festival in the park. It's one of those arts and crafts fairs with booths that sell legit art along side modern snake oils and overpriced forklift pallet crafts. The way this park is set up, there is a very nice bandshell that is shaded by huge trees and perfect for live bands, and it's right next to a parking lot so load in is a cinch. I've played in the band shell several times and really enjoyed it. I assumed that was where we would set up.

The festival organizers, who have been doing this for years, do not like to use the band shell. I guess it's kind of an "exit through the gift shop" mentality having the beer garden and music in the middle of the booths. So they stuck the musicians on a flatbed trailer in direct sun. On what is commonly the hottest weekend of the summer.

What was most comical about it is that they had completely not thought it through. It was pushing 100 degrees in the shade that day and they didn't have so much as an umbrella for us and no water. They ended up dipping into the bottled water they were trying to sell just to keep us alive.

Thankfully one of the vendors took pity on us and let us borrow their umbrella, otherwise I most definitely would have gotten sick from the heat, and my guitar player friend probably would have died. We were both a little loopy after our set as it was.

Even though these people have been doing this for close to 30 years, every year, they still act surprised when its blisteringly hot. At least they use a covered trailer now. (That they undoubtedly have to rent when there is a perfectly good bandshell fifty yards from it.)
 
Hmm, my drummer just reminded me of the show where our lead player, drunk and taking meds he shouldn't be drinking with...decides part way through a song that he is out of tune...

Yep, so he stops playing, puts his tuner on the drum kit, and proceeds to start tuning, no bypass, hot amp...

But he can't get it in tune, so he leans his SG up against the bass drum and wanders off into the night.

Close second, going to vault onto stage, don't make it, pint glass shatters, slices open my palm right under the pinky. Should have had stitches, played the show instead. Found dried blood in the control cavity and routs a few years later when I gutted the guitar.

EDIT: Typos and such, stupid phone keyboards!
 
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One evening getting ready for a gig, I sliced my left index finger open (by accident). So bad I thought I had chopped my finger right off until I got the nerve to actually look at what i had done. After several minutes of panic, I wrapped the finger up tight and set about figuring out how I was going to do the gig. Thursday night at a new venue - a place that was one of the hotter places on the strip when I was younger - if this worked out, it could be lucrative for us. So, I buckled down and hit the road.

First, it was a sweltering late August evening. Venue was on the 2nd floor and there was no elevator. Humped all of our gear upstairs, PA included, set up and sound checked. Drenched in sweat and each time I grabbed onto something with my left hand, I got what felt like was a 120V jolt of electricity through my left finger. I played the gig using the middle and ring finger on my left hand. I was the frontman as well, so had that extra added stress! I think I had my bandmates sufficiently fooled despite the large wad of medical tape on my left index finger and grimacing every time I went to grab something. I was not at my best. Anyways....

Well, the grand total of nobody showed up at the gig. Like nobody. OK, one somebody (barfly) and the bartender. And we were playing mostly for the door with a small guarantee so our four way split was $25 each. All that work, all that anxiety, all that discomfort for...nothing. Needless to say, we didn't get booked there again.

I guess that was one of those live shows that started wrong and didn't get any better.

I hit the hospital ER the next morning to have my finger looked at - turned out I severed the nerve and tendon and needed a couple of surgeries to fix. To this day, that finger just ain't right. As for the venue, last I heard, the place closed down.
 
Hi,

One evening getting ready for a gig, I sliced my left index finger open (by accident). So bad I thought I had chopped my finger right off until I got the nerve to actually look at what i had done. After several minutes of panic, I wrapped the finger up tight and set about figuring out how I was going to do the gig. Thursday night at a new venue - a place that was one of the hotter places on the strip when I was younger - if this worked out, it could be lucrative for us. So, I buckled down and hit the road.

First, it was a sweltering late August evening. Venue was on the 2nd floor and there was no elevator. Humped all of our gear upstairs, PA included, set up and sound checked. Drenched in sweat and each time I grabbed onto something with my left hand, I got what felt like was a 120V jolt of electricity through my left finger. I played the gig using the middle and ring finger on my left hand. I was the frontman as well, so had that extra added stress! I think I had my bandmates sufficiently fooled despite the large wad of medical tape on my left index finger and grimacing every time I went to grab something. I was not at my best. Anyways....

Well, the grand total of nobody showed up at the gig. Like nobody. OK, one somebody (barfly) and the bartender. And we were playing mostly for the door with a small guarantee so our four way split was $25 each. All that work, all that anxiety, all that discomfort for...nothing. Needless to say, we didn't get booked there again.

I guess that was one of those live shows that started wrong and didn't get any better.

I hit the hospital ER the next morning to have my finger looked at - turned out I severed the nerve and tendon and needed a couple of surgeries to fix. To this day, that finger just ain't right. As for the venue, last I heard, the place closed down.

Yeegads! That is just brutal. I know a little about what it's like to play with a finger that's just not right. I broke my left pinky in a motorcycle accident and it healed crooked. Once I started playing again it took a couple of months to get used to it. I hope it hasn't slowed you down much.


Thank you for your indulgence,

BassCliff
 
I guess we all went through difficult times onstage.

My top two :
1) when the TIP of my cable gave way during a show, playing pinball in the circuit cavity and random shorting the signal.
Had to stop show and open compartment, remove the bugger and get another cable ;)

2) when we played near a mountain rural church. Lots of light which attracted LOTS of insects.
We spent the show swatting mosquitoes and moths :D
My story will be half gardening and half wedding torture show. I used to play a lot of weddings as the bass player so I knew the drill. It became second nature to me and the boys. One Saturday afternoon before a large wedding reception I pick a few hundred jalapeños with my bare hands and as a young, inexperienced gardener did not realize that hot peppers have hot pepper oil that permeates your skin.By the time I was ready to leave for the gig my hands were burning so bad it felt as though they had been submersed in boiling water for a few minutes. Neither of my hands were usable and it was all I could do to play bass with them. I finally had the idea to get a champagne bucket filled with ice and water to dip my hands in between songs and whenever I could find 5 seconds to not play. This story is not as gut wrenching as some of the tales I have read so far but I felt it was worth the mention.
 
Hi,



Yeegads! That is just brutal. I know a little about what it's like to play with a finger that's just not right. I broke my left pinky in a motorcycle accident and it healed crooked. Once I started playing again it took a couple of months to get used to it. I hope it hasn't slowed you down much.


Thank you for your indulgence,

BassCliff

Yeah, Cliff, it was one of my worst injuries...and I’ve had a few!

Took me about a year before I could play bass again after that night. I took up playing pedal steel to fill the vacuum. That’s my main instrument these days!
 
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I played my first gig in 1975 at age sixteen, after forty plus years I've happily blocked some of the worse gigs. A particular crazy one crossed my mind, this was in the early fall of 1978.

My guitarist brother found a used music store on the other (wrong) side of the city that was selling a nice used PA system and light show. Up to this point we were running just vocals into an older 6 or 8 channel "Shure Vocalmaster" PA head and matching speaker columns. On our best gigs it sounded awful. They were selling a 16 channel board with case, proper speakers, monitors, a snake, two power amps, an outboard reverb unit and two graphic equalizers. On top of that, they had a great light show for sale. To us, this was we needed to take us to that next level. Of course we really didn't know how to use most of this, nor did we own more microphones to take advantage of this additional capacity. We also didn't own vehicles large enough to haul this, more about that later. The other thing is that this purchase meant was that we'd be eating PB&J sandwiches and only PB&J sandwiches for the next month. The other guys in the band were in their mid to late twenties and had families. My brother was twenty-two, I had just turned nineteen. He had a pretty good day job at a mill and had a nice apartment, I worked two jobs and lived in a one room efficiency. We figured that it was up to us to bite the bullet and buy a pro PA.

The music store was across the street from a venue. (I'm using the term venue loosely.) It was a really rough bar, rougher than fifty-nine year old me would be comfortable playing in. Nineteen year old me had no such reservations. The two guys that owned the music store were friends of the owner of the bar. They booked us a gig that didn't pay much. ($300) But they would set up the PA and lights, and run it for us and only take $100 of our $300. Wow, we'd play a gig at a new venue and have professional lighting and sound guys running our new system and we'd make fifty bucks each. Woo-Hoo! Of course we are stupid enough to take that deal.

We decided to go check the place out the night before the gig. My brother parked his white seven year old Cadillac Sedan Deville in the alley behind the used music store next to one of the music store owners' white six year old Sedan Deville. We joked at the time that most people would have trouble telling one from the other. We walked around the block, crossed the street and went into the bar. The place smelled pretty horrible, the regulars were obnoxious, the owner and bartender were slightly better. We walked up about 25 steps on a narrow staircase to get in there. This will be a fun load in, load out. There was no stage and frankly we didn't know how we were going to it our gear into the space allotted, but we'd make it work. The owners of the music store were there, so we hung out with them for a bit and decided to head home. We'd see them tomorrow at the gig.

My brother and I left the bar, crossed the street and went around the block to the alley behind the music store. Earlier that day the owners of the music store testified against a local youth who had stolen from their store. His friends decided to retaliate and burn the store owner's Cadillac. Instead, they had burned my brother's car. Oops. The firemen got to it before it was totally destroyed, but it was pretty bad. They told us that we needed to walk down to the police station four blocks away and file a report while they finished with the car.

We walked down the alley, cut over to the main street and walked to the police station. We told the desk sergeant who we were and that we were here to file a report. He asked where we lived. We told him and he responded that we had no reason to be in his neighborhood at night and told us to get the F out before he arrested us.

We walked back down the street and cut over to the alley. The fire department was gone as were all of the bystanders. We surveyed the remains of his Cadillac. The one rear side window was broken out. All of the other windows were crusted in black soot inside and out. The entire blue brocade interior was soaked and soot covered and the back seat was completely burned out. As we were checking this mess out, the guys who burned it showed up. They were 16 to 20 years old, larger than me and there were six or seven of them. They thought that it was pretty funny that they had burned the wrong car. My brother didn't share their amusement, we ended up in what I would characterize as a gang fight. We both had teeth kicked out, my brother really took a beating. Someone punched him in the face with a brick, messing up his eye. Both of us had broken ribs.

They left us lying bloodied on the ground in the alley after they had decided we were beaten badly enough. I helped my brother up and loaded him into the passenger seat of the Cadillac. I got into the driver's side. Amazingly, it started. But I could not see out the windows, the power windows and power seat were no longer working. My brother is six foot one, I am five foot six. I ended up driving to the nearest hospital emergency room holding the driver's side door open and hanging my head out to see while I was perched on the edge of the seat to reach the pedals. Oh, by the way, it started raining on the way to the hospital so visibility was even worse.

They patched us up, I drove my brother to his apartment and picked up my car, a 72 Skylark four door. The next day we each went to work as sore as we were. To this day I don't know how. Friends of ours carried and set up our gear as neither of us were in any shape to carry anything. My brother played the gig with a patch on his eye and seated on a bar stool as it's the only way that he could hold his Stratocaster. I played the drums with broken ribs. I can't begin to explain how painful that was. The place was packed. People from our jobs packed the place to make sure that there was no trouble. On top of everything else, the music store owners didn't know much more than we did about operating this sound system, so the sound that night wasn't much better than previous gigs. (The lighting looked great though!) We paid them for the PA and it took five or six cars to get all of our gear home.

My brother got rid of his burned up 71 Cadillac and replaced it with a black 58 Cadillac with bullet holes in it. I got rid of my Skylark sedan and replaced it with a 72 Vista Cruiser wagon that would hold a lot more gear.
 
Hands up if you've gone into rock star pose #3, with one foot on the monitor, and it has flipped over.:whistle:

Not quite, we we're playing a stage which was just a raised seating area, so basically the front of the stage is three steps. I knocked my monitor down the stairs three times before the engineer just gave up, left it on the floor and gave it a bit more juice.
 
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I played my first gig in 1975 at age sixteen, after forty plus years I've happily blocked some of the worse gigs. A particular crazy one crossed my mind, this was in the early fall of 1978.

My guitarist brother found a used music store on the other (wrong) side of the city that was selling a nice used PA system and light show. Up to this point we were running just vocals into an older 6 or 8 channel "Shure Vocalmaster" PA head and matching speaker columns. On our best gigs it sounded awful. They were selling a 16 channel board with case, proper speakers, monitors, a snake, two power amps, an outboard reverb unit and two graphic equalizers. On top of that, they had a great light show for sale. To us, this was we needed to take us to that next level. Of course we really didn't know how to use most of this, nor did we own more microphones to take advantage of this additional capacity. We also didn't own vehicles large enough to haul this, more about that later. The other thing is that this purchase meant was that we'd be eating PB&J sandwiches and only PB&J sandwiches for the next month. The other guys in the band were in their mid to late twenties and had families. My brother was twenty-two, I had just turned nineteen. He had a pretty good day job at a mill and had a nice apartment, I worked two jobs and lived in a one room efficiency. We figured that it was up to us to bite the bullet and buy a pro PA.

The music store was across the street from a venue. (I'm using the term venue loosely.) It was a really rough bar, rougher than fifty-nine year old me would be comfortable playing in. Nineteen year old me had no such reservations. The two guys that owned the music store were friends of the owner of the bar. They booked us a gig that didn't pay much. ($300) But they would set up the PA and lights, and run it for us and only take $100 of our $300. Wow, we'd play a gig at a new venue and have professional lighting and sound guys running our new system and we'd make fifty bucks each. Woo-Hoo! Of course we are stupid enough to take that deal.

We decided to go check the place out the night before the gig. My brother parked his white seven year old Cadillac Sedan Deville in the alley behind the used music store next to one of the music store owners' white six year old Sedan Deville. We joked at the time that most people would have trouble telling one from the other. We walked around the block, crossed the street and went into the bar. The place smelled pretty horrible, the regulars were obnoxious, the owner and bartender were slightly better. We walked up about 25 steps on a narrow staircase to get in there. This will be a fun load in, load out. There was no stage and frankly we didn't know how we were going to it our gear into the space allotted, but we'd make it work. The owners of the music store were there, so we hung out with them for a bit and decided to head home. We'd see them tomorrow at the gig.

My brother and I left the bar, crossed the street and went around the block to the alley behind the music store. Earlier that day the owners of the music store testified against a local youth who had stolen from their store. His friends decided to retaliate and burn the store owner's Cadillac. Instead, they had burned my brother's car. Oops. The firemen got to it before it was totally destroyed, but it was pretty bad. They told us that we needed to walk down to the police station four blocks away and file a report while they finished with the car.

We walked down the alley, cut over to the main street and walked to the police station. We told the desk sergeant who we were and that we were here to file a report. He asked where we lived. We told him and he responded that we had no reason to be in his neighborhood at night and told us to get the F out before he arrested us.

We walked back down the street and cut over to the alley. The fire department was gone as were all of the bystanders. We surveyed the remains of his Cadillac. The one rear side window was broken out. All of the other windows were crusted in black soot inside and out. The entire blue brocade interior was soaked and soot covered and the back seat was completely burned out. As we were checking this mess out, the guys who burned it showed up. They were 16 to 20 years old, larger than me and there were six or seven of them. They thought that it was pretty funny that they had burned the wrong car. My brother didn't share their amusement, we ended up in what I would characterize as a gang fight. We both had teeth kicked out, my brother really took a beating. Someone punched him in the face with a brick, messing up his eye. Both of us had broken ribs.

They left us lying bloodied on the ground in the alley after they had decided we were beaten badly enough. I helped my brother up and loaded him into the passenger seat of the Cadillac. I got into the driver's side. Amazingly, it started. But I could not see out the windows, the power windows and power seat were no longer working. My brother is six foot one, I am five foot six. I ended up driving to the nearest hospital emergency room holding the driver's side door open and hanging my head out to see while I was perched on the edge of the seat to reach the pedals. Oh, by the way, it started raining on the way to the hospital so visibility was even worse.

They patched us up, I drove my brother to his apartment and picked up my car, a 72 Skylark four door. The next day we each went to work as sore as we were. To this day I don't know how. Friends of ours carried and set up our gear as neither of us were in any shape to carry anything. My brother played the gig with a patch on his eye and seated on a bar stool as it's the only way that he could hold his Stratocaster. I played the drums with broken ribs. I can't begin to explain how painful that was. The place was packed. People from our jobs packed the place to make sure that there was no trouble. On top of everything else, the music store owners didn't know much more than we did about operating this sound system, so the sound that night wasn't much better than previous gigs. (The lighting looked great though!) We paid them for the PA and it took five or six cars to get all of our gear home.

My brother got rid of his burned up 71 Cadillac and replaced it with a black 58 Cadillac with bullet holes in it. I got rid of my Skylark sedan and replaced it with a 72 Vista Cruiser wagon that would hold a lot more gear.

As painful as that was to read it played out in my mind like a scene from a movie. Very well written. :thumbsup:
 
I’ve had soooo many, it’s hard to pick one that’s significantly worse than the others. Oh well. Here’s one, taken from a 2001 journal entry:

08.06.01 – The House
8:47 PM

Starting to get back into home mode; it’s always nice driving hundreds of miles for one show where the locals get more respect from the promoter than the nationals.

Oh, you wanted an explanation? Okay. Attend, please.

Loaded up to play Cleveland this weekend at the World Series of Metal, at the Agora. It had the potential to be a great time. Mushroomhead, our Eclipse Records labelmates, were the headliners, and Pro-Pain was direct support. Chuck [vocals/guitar] has been friends with the Pro-Pain guys for years now, and I was looking forward to meeting them and checking out their live show. This was our first involvement with a festival-type show since I joined, so I was stoked to play.

We drove up to Cleveland from Nashville in a small caravan: my SUV and the Cabbage Picker [our tour van - an old brown two-tone Ford “luxury van,” so named because it looked like something migrant workers lived in]. Kelly [Chuck’s SO at the time] went with us, as did Chuck’s cousin Bradley and our pal Damon. Chris Lee [our booking agent] was coming out, and Chris Poland [our label president] was also driving down from Jersey for the show. So we arrived at the venue around 4:30 PM in high spirits.

The high spirits pretty much went by the boards approximately five minutes after we showed up, when we were informed by the local crew guys that we had just made it in time for our set and had about fifteen minutes to get our @#$! on stage. Are you kidding? We get our gear to the door, where we see what I find to arguably be the most @#$!ed stage setup on earth: the stage is divided into two sections, with a band playing on one side while the next band is setting up on the other side. We’re setting up in full view of the crowd while some @#$!ed-up local outfit harangues the crowd from the other side of a divider curtain. We got set up and did a cursory soundcheck – again, in full view of the crowd – while the local yokels across from us finished their set and tore down, and the whole time we play our 30-minute set, we’ve got local @#$!holes toting gear behind our backline. We wrap up our set, which my subconscious mind has already begun blocking memories of, and break down our @#$! to the accompaniment of the next pack of local losers who have cranked up from the other side of the @#$!ing divider.

To say that I was not in the best of headspaces is like saying that you can buy a few things at Wal-Mart. It doesn’t really convey the larger message.

Chris Lee arrived sometime while we were on stage collectively wishing the ground would open up and swallow us. He was about as @#$!ed off as Chris Poland was whenever he showed up, about an hour after our set time. Both of them drove to Cleveland for no good reason; it could be argued that so had we.

At some point, Poland confronted the promoter, who turned out to be Mushroomhead’s manager. How convenient. We were all told that if we had wanted a better set time, we should’ve either sold tickets like the locals did or paid a few hundred dollars’ “promotion fee.” SSDD. How nice to drive obscene distances to find that you’ve been denied vital, need-to-know information and as a result been treated worse than the local pretenders by the shady P.T. Barnum type @#$!hole who’s put the show together.

I hid out in my SUV for the rest of the night, sleeping through Mushroomhead and Pro-Pain.

EDIT/EPILOGUE: Roughly a year later, Mushroomhead would breach their contract with Eclipse Records and jump ship to Universal. Poland took them to court and lost. FWIW.

You sir are a great Racontuer! Well told!
 
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I played my first gig in 1975 at age sixteen, after forty plus years I've happily blocked some of the worse gigs. A particular crazy one crossed my mind, this was in the early fall of 1978.

My guitarist brother found a used music store on the other (wrong) side of the city that was selling a nice used PA system and light show. Up to this point we were running just vocals into an older 6 or 8 channel "Shure Vocalmaster" PA head and matching speaker columns. On our best gigs it sounded awful. They were selling a 16 channel board with case, proper speakers, monitors, a snake, two power amps, an outboard reverb unit and two graphic equalizers. On top of that, they had a great light show for sale. To us, this was we needed to take us to that next level. Of course we really didn't know how to use most of this, nor did we own more microphones to take advantage of this additional capacity. We also didn't own vehicles large enough to haul this, more about that later. The other thing is that this purchase meant was that we'd be eating PB&J sandwiches and only PB&J sandwiches for the next month. The other guys in the band were in their mid to late twenties and had families. My brother was twenty-two, I had just turned nineteen. He had a pretty good day job at a mill and had a nice apartment, I worked two jobs and lived in a one room efficiency. We figured that it was up to us to bite the bullet and buy a pro PA.

The music store was across the street from a venue. (I'm using the term venue loosely.) It was a really rough bar, rougher than fifty-nine year old me would be comfortable playing in. Nineteen year old me had no such reservations. The two guys that owned the music store were friends of the owner of the bar. They booked us a gig that didn't pay much. ($300) But they would set up the PA and lights, and run it for us and only take $100 of our $300. Wow, we'd play a gig at a new venue and have professional lighting and sound guys running our new system and we'd make fifty bucks each. Woo-Hoo! Of course we are stupid enough to take that deal.

We decided to go check the place out the night before the gig. My brother parked his white seven year old Cadillac Sedan Deville in the alley behind the used music store next to one of the music store owners' white six year old Sedan Deville. We joked at the time that most people would have trouble telling one from the other. We walked around the block, crossed the street and went into the bar. The place smelled pretty horrible, the regulars were obnoxious, the owner and bartender were slightly better. We walked up about 25 steps on a narrow staircase to get in there. This will be a fun load in, load out. There was no stage and frankly we didn't know how we were going to it our gear into the space allotted, but we'd make it work. The owners of the music store were there, so we hung out with them for a bit and decided to head home. We'd see them tomorrow at the gig.

My brother and I left the bar, crossed the street and went around the block to the alley behind the music store. Earlier that day the owners of the music store testified against a local youth who had stolen from their store. His friends decided to retaliate and burn the store owner's Cadillac. Instead, they had burned my brother's car. Oops. The firemen got to it before it was totally destroyed, but it was pretty bad. They told us that we needed to walk down to the police station four blocks away and file a report while they finished with the car.

We walked down the alley, cut over to the main street and walked to the police station. We told the desk sergeant who we were and that we were here to file a report. He asked where we lived. We told him and he responded that we had no reason to be in his neighborhood at night and told us to get the F out before he arrested us.

We walked back down the street and cut over to the alley. The fire department was gone as were all of the bystanders. We surveyed the remains of his Cadillac. The one rear side window was broken out. All of the other windows were crusted in black soot inside and out. The entire blue brocade interior was soaked and soot covered and the back seat was completely burned out. As we were checking this mess out, the guys who burned it showed up. They were 16 to 20 years old, larger than me and there were six or seven of them. They thought that it was pretty funny that they had burned the wrong car. My brother didn't share their amusement, we ended up in what I would characterize as a gang fight. We both had teeth kicked out, my brother really took a beating. Someone punched him in the face with a brick, messing up his eye. Both of us had broken ribs.

They left us lying bloodied on the ground in the alley after they had decided we were beaten badly enough. I helped my brother up and loaded him into the passenger seat of the Cadillac. I got into the driver's side. Amazingly, it started. But I could not see out the windows, the power windows and power seat were no longer working. My brother is six foot one, I am five foot six. I ended up driving to the nearest hospital emergency room holding the driver's side door open and hanging my head out to see while I was perched on the edge of the seat to reach the pedals. Oh, by the way, it started raining on the way to the hospital so visibility was even worse.

They patched us up, I drove my brother to his apartment and picked up my car, a 72 Skylark four door. The next day we each went to work as sore as we were. To this day I don't know how. Friends of ours carried and set up our gear as neither of us were in any shape to carry anything. My brother played the gig with a patch on his eye and seated on a bar stool as it's the only way that he could hold his Stratocaster. I played the drums with broken ribs. I can't begin to explain how painful that was. The place was packed. People from our jobs packed the place to make sure that there was no trouble. On top of everything else, the music store owners didn't know much more than we did about operating this sound system, so the sound that night wasn't much better than previous gigs. (The lighting looked great though!) We paid them for the PA and it took five or six cars to get all of our gear home.

My brother got rid of his burned up 71 Cadillac and replaced it with a black 58 Cadillac with bullet holes in it. I got rid of my Skylark sedan and replaced it with a 72 Vista Cruiser wagon that would hold a lot more gear.

Holy crap! Now THAT is a war story!
 
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Reading these other stories I feel extremely lucky! Nothing too serious. The ones I remember:

Playing in a scuzzy joint in Hornell NY, late '70s, crowd was good, people filling up the dance floor, and out of the corner of my eye I saw a guy take a roundhouse swing at the girl he was dancing with. Knocked her out cold. Never did find out what it was all about. The cops came and shut the place for the night, we got paid for a full night anyway.

April 2011: I'm leading my very own band, we're playing at a place in West Asheville called Mike's Side Pocket. Somebody asked me what the crowd was like. I said "This is the place people hang out who have just come off their shift at the meth lab." Everybody knows everybody else. It is quarter to 12 (quitting time; one of the nice things--maybe the only nice thing--about playing there) when in walks a very tall, very drunk gentleman waving a taser. He's pointing it at the ceiling and firing it. Angie, the woman working the bar calls out "Oh, Bobby, put that thing down! You gonna hurt somebody!" to little effect. Up on the "bandstand" (a piece of plywood elevated about six inches) we look at each other. Nobody says anything. Operating on a kind of dumb momentum, we just keep playing for the next 10 minutes. There were two pool tables in the middle of the club; we decided as long as we were on the opposite side of wherever he was, we might escape without getting toasted. Fastest load-out ever, we were gone in ten minutes. The next day I called Angie and canceled the rest of our dates; I said something lame about how we had to work on new material. Just about a year later, this went down:

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Needless to say, we did not return, Angie gave up her liquor license, and the place is now a faux dive bar called the Double Crown.

Two summers ago, we're loading out from a club, and we find two women (one of them pregnant!) screaming curses at each other. And suddenly they're swinging at each other, and the pregnant one goes down on the sidewalk, hits her head on the curb and begins bleeding massively. It's strange, but what I noticed first was that her opponent had pulled out a huge hank of her hair. Turns out they were both employees at the place, and one of them had been ragging the other about not doing her job. No cops for that one, but wow, I don't ever want to see anymore girl fights. They scared the crap out of me. PS: The place closed for good last Fall.

The other one I remember was October 2016, a few weeks before the election: Good sized sports bar in Connecticut. A man and a woman sitting across from each other in a booth. They're having some kind of argument, and suddenly she reaches over and punches the side of his head. So hard that he falls out of the booth onto the floor. But she's not done yet: She gets out of the booth, he's still on the floor, and she starts kicking him in the head. Gets him in the eye. The cops came lickety-split (one was a woman had to be 6'2" and 250 well-muscled pounds). The BL looked at me and said "Should we stop?" I told her if the cops wanted us to stop, they'd tell us. So we went right into Stairway To Heaven. BL acknowledged the situation, saying "I don't know what he said to her, but I want to find out to make sure I never say it." In the end, we got big points from the GM, because we felt sorry for her and stayed on another 20 minutes to help her clean up the blood, glass, and booze. Much later, someone told me he had been saying something nice about the Republican candidate. ;)
 
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