KingRazor said:Your second paragraph there about basses that played well but just needed a bit of a setup, that describes the Cort bass I played at that shop. The bass played well, just needed a couple of minor tweaks to get it playing how I like.
That 4-string Musicman was just hard to play. I couldn't play parts that were easy on other instruments. I have to believe there was more that was wrong with that bass than just a simple setup.
If I walked in to a shop, determined to buy a bass, and none of the basses played to "my standards", then I'd pick the one that played best and see if they would set it up knowing I was planning to buy that day.
But so far I've never been to a guitar shop where there wasn't at least one bass that was almost flawless of the shelf. Usually it's an Ibanez or an American Standard/Special Fender bass.
Perhaps as I play more I'll get a better idea of which instruments are "salvageable", but in the mean time, I'll continue to judge basses by their "off the wall" playability. And I'll continue to GAS for Ibanez...
Seems like You do what works for you, nothing unreasonable there.
I only really objected to extending a verdict on one bass to the whole model.
With regards to the Stingray... well, maybe you just don't like Stingrays. Many find the neck too chunky and unwieldy. I did too at one point but later I changed my mind, go figure.
I personally think a neck makes or breaks a bass for me. The profile, how it feels... some just won't do, and a set up won't get it to the point that I fall in love with it. That can be judged even on a badly set up bass. Conversely, you may find a bass with a great neck and balance that buzzes like hell and has too high action etc... but you may realise all it needs is to be adjusted to your preference.