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What if you're one of those folks that has (or thinks they have) the wherewithal to design your own body shape, want something unusual in terms of neck design and scale length etc? Any builders out there who both offer this level of customization AND can turn out a truly high-quality instrument in terms of build-quality, fit & finish etc?
Thanks!
Fender will build whatever you want. People aren't always aware of this. So will Fodera.
It tends to be super expensive because dealing with fully custom orders is extremelly time consuming.
The solution is often to deal with local luthiers, most will build the instrument of your dreams at relatively moderate prices.
Haha when you put it like that, it doesn't sound like many options at all.
It would be interesting to have a running list of builders that will do what you're asking. From speaking with many builders, most are a bit gun-shy about it; what looks awesome on paper turns into a nightmare instrument that the player may end up hating. Also, having something out there that's not "on brand" with their artistic statement doesn't appeal to them.
If you do find someone that's willing to do this, I would hope you do two things:
1. Heed his/her advice when they steer you for/against a specific feature. You are working with the builder on this project, and they're the expert. Otherwise, you could just build it yourself.
2. Pay more than just a deposit. I know many builders who still have that "truly custom" instrument, because the buyer either backed out or demanded a refund because it wasn't "exact" (spoiler: it was) and threatened to smear them on social media.

Alpher FTW...I'd like to see how these finishes are achieved.
View attachment 3812643
View attachment 3812644
If you do find someone that's willing to do this, I would hope you do two things:
1. Heed his/her advice when they steer you for/against a specific feature. You are working with the builder on this project, and they're the expert. Otherwise, you could just build it yourself.
2. Pay more than just a deposit. I know many builders who still have that "truly custom" instrument, because the buyer either backed out or demanded a refund because it wasn't "exact" (spoiler: it was) and threatened to smear them on social media.
Dan Ransom in San Francisco.
1. Heed his/her advice when they steer you for/against a specific feature. You are working with the builder on this project, and they're the expert. Otherwise, you could just build it yourself.
2. Pay more than just a deposit. I know many builders who still have that "truly custom" instrument, because the buyer either backed out or demanded a refund because it wasn't "exact" (spoiler: it was) and threatened to smear them on social media.
WOW guys thanks for all this feedback! This is a lot of food for thought and I'll be doing some research over the next week or so.
I should say that... there's really only a 50/50 chance of this ever actually happening... but if it does it will be a decades-long dream come true. I'll pull the curtain back and explain what I'm after. Since I was a kid I wanted a BUZZARD BASS:
View attachment 3813017
The iteration I liked best in terms of design/aesthetic was the Status version. Mine would have this aesthetic exactly, built as follows:
I've played the Warwick versions and didn't care for them, and Status won't build any new ones as far as I know, even if I did care for the carbon fiber, which I don't.
- Light Ash 2-pc body (since most CNC's out there don't have this wide a table)
- Deep-pocket bolt-on maple neck w/ ebony FB
- 35" scale tuned B-E-A-D
- EMG 35DC pups w/ Darkglass pre
- Hipshot hardware & brass nut
- Gloss black body, satin black neck
- I have some ideas on nut / last fret width as well as radius, but will likely defer to the builder's recommendations here.
- Super thin frets
- As cool as they are, probably wouldn't go with the Roman Numeral inlays tho...
NICE!!
Having been a consultant for, or been an exec for manufacturers of high-end bass gear for almost a decade, I'd like to think I would be less of a headache for builder in these matters, but the opposite may be true in practice ;-)
What if you're one of those folks that has (or thinks they have) the wherewithal to design your own body shape, want something unusual in terms of neck design and scale length etc?
I'll pull the curtain back and explain what I'm after. Since I was a kid I wanted a BUZZARD BASS
Have you asked Status if they'd make you one, provided that is what you are really after?WOW guys thanks for all this feedback! This is a lot of food for thought and I'll be doing some research over the next week or so.
I should say that... there's really only a 50/50 chance of this ever actually happening... but if it does it will be a decades-long dream come true. I'll pull the curtain back and explain what I'm after. Since I was a kid I wanted a BUZZARD BASS:
View attachment 3813017
The iteration I liked best in terms of design/aesthetic was the Status version. Mine would have this aesthetic exactly, built as follows:
I've played the Warwick versions and didn't care for them, and Status won't build any new ones as far as I know, even if I did care for the carbon fiber, which I don't.
- Light Ash 2-pc body (since most CNC's out there don't have this wide a table)
- Deep-pocket bolt-on maple neck w/ ebony FB
- 35" scale tuned B-E-A-D
- EMG 35DC pups w/ Darkglass pre
- Hipshot hardware & brass nut
- Gloss black body, satin black neck
- I have some ideas on nut / last fret width as well as radius, but will likely defer to the builder's recommendations here.
- Super thin frets
- As cool as they are, probably wouldn't go with the Roman Numeral inlays tho...
NICE!!
Having been a consultant for, or been an exec for manufacturers of high-end bass gear for almost a decade, I'd like to think I would be less of a headache for builder in these matters, but the opposite may be true in practice ;-)
It's worth asking Status what they'd think about building one. I know they did on occasions.
Have you asked Status if they'd make you one, provided that is what you are really after?
Ahhh. Different ball of wax. Proven design, that's good. Now for the problem. Warwick will sue you into the ground for building it. They went after Rob Green hard, made him destroy all his molding for the Status version, and that molding cost far more than any money he ever made off the very limited amount of Buzzards he was able to build. It's like building a Rickenbacker. You can do it in your garage and there's not a damn thing John Hall can do about it. If you build one and sell it to someone else John can ruin your life, and he will try.
Having been a consultant for, or been an exec for manufacturers of high-end bass gear for almost a decade, I'd like to think I would be less of a headache for builder in these matters, but the opposite may be true in practice ;-)