Also, don't underestimate the importance of transients as determinants of instrumental timbre.
Sure. And indeed that is an rather important and essential characteristic especially with acoustic instruments.
My thoughts refered mainly to electric bass guitar. In this case it's impressing to recognice how much amount of the attack part can be "altered" while the timbre (and also dynamic feel) remains audible the same.
Indeed it was not correct what TC did, it was not correct the way how they tried to get market shares.
There are some things that I don't really understand. It was clear that sooner or later this "marketing trick" will be unmasked. I insinuane TC has taken this into account.
I suppose TC used bass players all around the world as unbiased test persons to figure out if the new development really works. If DC had done it in a different way like:
"this amplifier provides a new technique that provides considerably more power than rated"
then I claim most bass players would have argued that THIS is impossible, and every bass player testing the amp the very first time had been biased by an imagination of a new technique that can't operate in an oversimplifying view of things, like most folks do. Some folks hear grass growing where there is no grass.
No doubt it was not correct what TC did, but at the other hand the way how they introduced this technique was a sharp clou because they duped lots of (self made) experts and even those who believed they are able to hear clearly a difference of 1 dB.
Makes me no wonder that a lot of folks was pissed off.
I'm not employed by TC, neither do I own TC products, neither do I sell ones but, if I was an engineer signing responsible for this technique I'd feel proud to have developed a product that was finally unmasked by bench mark testing, but NOT by (pro) bass players.