I return from our underground brethren in the Greenboy forums, and I got my answer.
Cab is absolutely fine. To quote the Spirit of the West, I came a long way to find something that wasn't out here. But I'm glad I did it. Little better understanding of how everything fits together, little less fear. I think that's pretty much why we're all here on TB/earth. I kind of sheepishly feel like I wasted the time of my fellow forumites and the people locally who helped me run the tests, but it's still good to have the matter settled.
Just an amp/taste thing, and there's already plenty of threads on that. Given that, I'm surprised I wasn't able to achieve success with the EQ, HPF and Markbass but it's a fundamentally tricky thing to work on in a gig setting. Based on the problems I was having ie too boomy/overpowering in FOH, wimpy-sounding on-stage, cutting bass and boosting low mids/mids sounds like the ticket, and that's what I did, but then it just sounded middy and lacking in bottom end.
The one damned gig I got to do with the fearful and my CTM300 (all-tube head) before it was benched and factory recalled sounded pretty good, so maybe the Orange AD200 I have coming will really make it come alive as well; transformer highpassing and tube excitation and that sort of thing? We'll see.
Maybe it'll get sold, maybe I'll learn to use it properly, either way the cabs are in proper phase, in properly built boxes, and all the drivers are functioning normally. It was actually really cool running a sine wave sweep through the fearful and then through the Genz benz 610 I've replaced it with in the interim, very different sounds.
If anyone can suggest what I'm still doing wrong tone-wise (see the post #113 for full details), I'd love to hear it, otherwise I'll just slowly experiment at my own pace and see where I get to. Thank you all!
Cab is absolutely fine. To quote the Spirit of the West, I came a long way to find something that wasn't out here. But I'm glad I did it. Little better understanding of how everything fits together, little less fear. I think that's pretty much why we're all here on TB/earth. I kind of sheepishly feel like I wasted the time of my fellow forumites and the people locally who helped me run the tests, but it's still good to have the matter settled.
Just an amp/taste thing, and there's already plenty of threads on that. Given that, I'm surprised I wasn't able to achieve success with the EQ, HPF and Markbass but it's a fundamentally tricky thing to work on in a gig setting. Based on the problems I was having ie too boomy/overpowering in FOH, wimpy-sounding on-stage, cutting bass and boosting low mids/mids sounds like the ticket, and that's what I did, but then it just sounded middy and lacking in bottom end.
The one damned gig I got to do with the fearful and my CTM300 (all-tube head) before it was benched and factory recalled sounded pretty good, so maybe the Orange AD200 I have coming will really make it come alive as well; transformer highpassing and tube excitation and that sort of thing? We'll see.
Maybe it'll get sold, maybe I'll learn to use it properly, either way the cabs are in proper phase, in properly built boxes, and all the drivers are functioning normally. It was actually really cool running a sine wave sweep through the fearful and then through the Genz benz 610 I've replaced it with in the interim, very different sounds.
If anyone can suggest what I'm still doing wrong tone-wise (see the post #113 for full details), I'd love to hear it, otherwise I'll just slowly experiment at my own pace and see where I get to. Thank you all!