They are very niche basses and reminiscent of their time. Although I don't play the two that I have all that much, I don't see myself getting rid of them anytime soon.
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I don't find the split P Fury pickup to be anything special (because they are just Fender clones), their necks are effin awesome though....and Fury P bass .....which truth be told is my single favoritest P bass of all time and I have had squire and MIM and MIA Fenders.....the Peavey just does the job -- feels great and cost pennies compared to the MIM or MIA
They thought I was a crook when I sold my SiennaBurst (maple fretted and FL neck - both matching numbers for $1000ish.
I must be the only one on the board that doesn't miss a T- Bass
Lee?
I too have a relationship with the T series of instruments that could be described as "it's complicated."
The T40 and T60 were clearly born from a Fender type platform. That's great in my book.
The T40 and T60 were very original designs and assembled with high quality parts. Another big plus.
They are Peavey, were a tremendous value and very versatile. Hell to the yeah!
However, they just didn't look very sexy to me. They have a 70s vibe that strikes me in a 'meh' way. I know they were trying to fall into the instrument business and make waves, not Tsunamis. I'm just not a fan of natural wood, overdone hardware and massive pickguards of the T era. The solid color painted Ts do look better (to me).
Give me that "Post T"/2nd generation of instruments where Peavey may not have had such original designs, but the instruments were less clunky and more cool looking. I did up a couple basses that I love using some T electronics in a Foundation body and repurposing my beloved Ibanez RB into a virtual T45 (if I had a Fury that I loved as much as this Ibby platform, I would have modded it to keep it all Peavey). These are such win/win instruments, they look, play and sound much better than I could have possibly hoped.
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I don't find the split P Fury pickup to be anything special (because they are just Fender clones), their necks are effin awesome though.
Oh no! I used to do some work in Meridian and went to his house a couple of times. He has one of the strongest collections of Peavey basses I have ever seen, and was a pleasure to hang out with and pick his brain on all things Peavey. He will be missed. Rest in peace Ronnie and thanks for everything!RIP Mech. Ronnie Goss left us last night.
Bummer. He was a fountain of knowledge here.RIP Mech. Ronnie Goss left us last night.
Yep-87 body/electronics/hardware, 82 neck and 1st gen/70s toasters! Standard VVT, but added a switch to cut to the inside coils. It gets a tone similar to a passive Stingray in split mode with both pickups up full. The Toasters have a really great tone in the Foundation pickup locations (the outside coils are exactly where the original SFs were located). It's like a fatter, smoother J tone in humbucking mode and the soloed neck pickup in humbucking mode is similar to a P. It's a very useful bass for cover band projects.Those are cool originals for sure. The bass on the right is a Foundation body, T-45 neck and T-40 pick-ups? What a great idea! How did you configure the electronics?
Very sad news.RIP Mech. Ronnie Goss left us last night.
MECH had a killer collection. That Koa Unity with the B-Quad neck on the stand on the floor is sweet. He even had an old school telephone with rotary dial. RIP Ronnie Gross aka MECH. He helped me many times here on TB with answers.Some of Ronnie's collection. Koa TL5!
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