Hello:
I've been dying to get another Warwick FNA Jazzman (Swamp Ash Body & Ovangkol Neck/ WENGE Fretboard), and have the frets removed, to make it a LINED FRETLESS bass.
BY THE WAY: I USE THOMASTIK FLATS...no more rounds!
I'm worried that despite it's hardness, Wenge might be too open-grained. Because if I can feel coarse grains under my fingernail, I fear this may constitute high and low spots that will catch oscillating strings (I use SUPER low string action).
On top of that, I'd imagine pulling frets and filling could be a bear dure to that open grain tearing and splintering.
I was thinking of sending it to Michael Pedulla to do his excellent work on the whole job, and coating it with his poly. I had a buzz bass before. Mine was really zingy, but it was afterall 100% neck through maple. I'd HOPE it wouldn't ruin the warmth of the Wenge.
Experience and ideas are much appreciated...this will cost me like two grand; hate for it to be a mess.
I've been dying to get another Warwick FNA Jazzman (Swamp Ash Body & Ovangkol Neck/ WENGE Fretboard), and have the frets removed, to make it a LINED FRETLESS bass.
BY THE WAY: I USE THOMASTIK FLATS...no more rounds!
I'm worried that despite it's hardness, Wenge might be too open-grained. Because if I can feel coarse grains under my fingernail, I fear this may constitute high and low spots that will catch oscillating strings (I use SUPER low string action).
On top of that, I'd imagine pulling frets and filling could be a bear dure to that open grain tearing and splintering.
I was thinking of sending it to Michael Pedulla to do his excellent work on the whole job, and coating it with his poly. I had a buzz bass before. Mine was really zingy, but it was afterall 100% neck through maple. I'd HOPE it wouldn't ruin the warmth of the Wenge.
Experience and ideas are much appreciated...this will cost me like two grand; hate for it to be a mess.