- Jun 30, 2010
- 49,588
- 221,964
- Disclosures
- musician/artist/owner - Gildaxe
One of the nicest custom-built basses I've seen.
I just put an Audere JZ3 in my FSR Jazz bass...along with a set of Fender Super 55s...and couldn't believe how incredible this preamp sounds.
Your bass must sound as good as it looks.
Great name, too.
Thanks! It's the 2nd Audere JZ3 I installed (first in a J w/Lindy Fralin split-poles) - and matched with the twin Delano's it's a huge tone hammer! I also have the Fender Super 55's in my '66 trib J and they sound great!
I agree, and kitsch can be cool too in certain applications, but I can see that's not what you are going for. I think (to my eyes, at least), there is a gentle nod or "touch" of retro, but you did very effectively manage to skirt the kitsch 100%.
Ummm...if you are ever looking for an endorsing artist, I rock out in total obscurity in the den of my home in Nowheresville, Oklahoma. Just putting that out there!
Just checked out John Backlund - pretty amazing! Turns out I have seen his more conservative designs but some of the others are very out-there/space-age. His quality looks very high. For myself, I appreciate his design sense but always step back and want to imagine someone playing one in a bar band, or on a stage. Adam Clayton can get away with as out-there designed bass as he feels a 'theme' need for w/U2, but most players shy away from something too crazy. (even if a cool design) I keep that fact in my mind when I design my basses.
Having said that, I did play my Supernova in a local bar for 1/2 the improv set. Someone afterwards came up and said "what's that Prince bass?"
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