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I've played in places and forgot to pay my tab. I make it good with a phone call, and a visit next day. No big deal in my world.That fact that the tab may be legitimate doesn't really help the OP's position. All that means is that a tab was knowingly walked on. I'd probably feel better if it was a revenge pad by the band
can't believe you left your bass!
LOL! I love to play, and I'll play for nothing, but I'm not a customer.
I don't rack up a tab where I'm playing.
I don't rack up a tab where I'm playing.
Sorry if this already came up but I cannot be the only one thinking the BL is pulling a Whiplash move. He is going to get you back on stage again and bust out a "you don't think I know it was you?" moment.
Nah. We are acquainted.
Sooooo..... Are you going to join? Sounds like a fun gig!!Punch line: he calls me yesterday and askes me to join as permanent bass player!
I don't drink when I'm playing - ever. And I certainly don't leave ANY gear behind - ever.I don't rack up a tab where I'm playing.
Sooooo..... Are you going to join? Sounds like a fun gig!!
Absolutely! I agree, to each his own.To each his own
Absolutely! I agree, to each his own.
For us, it goes like this... Each musician gets $300 for a four set gig, plus food and drink (a reasonable meal and a couple of drinks). It's part of the deal. Fuel costs, loading, travel time, setup, teardown, and unloading, plus four hours playing means about seven to eight hours time. That means somewhere between $37.50 - $42.85/hr for each of four musicians for some real work, which is why a reasonable amount food and drinks is included in our price.
Los Angeles (restaurant/bar), where EVERYTHING costs more.$300 a man for a bar gig is......unheard of. Mind if I ask where this is?
I think you have almost hit on the best solution if that happens again. Hit your tuner or volume pedal so no feed goes to FOH, play air guitar on your instrument, rock back and forth with happy face and have another beer.I think I understand what you're saying. In fact, the moment I decided to leave was during the second set: I came out of a trance/attempt-at-going-to-a-happy-place and realized I had been pretending to play bass for some time, not making a sound. On the basis of this, could you pleeeeaase deem me a semi-pro?
It doesn't sound like anyone would have known differently. Learn how to do nothing and look cool doing it.I was asked to sub in a popular country-ish cover band. These guys play regionally and open for larger touring acts. I've seen them a few times and they are quite good. So I said yes. I get the play list and actually listen to all the original recordings. I run through the bass parts at home. I make charts. This is more work than I have ever done for a sub gig and that's only because the material is mostly new and I'm not familiar with it.
Now, these guys use IEM's. I know because I ran sound for them once. So I call the BL and ask if I need to bring my own buds or what. His answer was "we have four body packs, so yeah you could do that". But it's a six piece band, so I ask if they have a wedge to throw on the floor for me and he says "sure".
Fast forward to gig night. It's at a tiny club that has horrible acoustics. A small PA with only vocals in the mains would have been perfect. But, no, these superstars bring towers and subs, etc. And they're late. Everything seems about set-up except for my monitor. I ask BL about it, he asks sound guy, and sound guy says "it's broken". But they drag out a crappy powered wedge anyway. It IS def broken. About this time the drummer wants to know where his monitor is. BTW, it's the drummer's second gig with the band.
Monitor doesn't work, drummer doesn't have one at all. I can hear NOTHING. Drummer can't either. He's young and a little green and his reaction is to bash the hell out of everything. I trudge through the first set and tell myself that we'll get it straightend out on break.
Second set: still no monitors for me and Animal. But now, everyone else's IEM's are crapping out. I'm getting steamed. At one point, half the band is playing one song and half the band another.
A break is hastily called and I walk out the door and drive home. Not proud, but there it is.
I go the next day to get my gear and my bass is in the manager's office with a note on it that says I owe $40 for my tab. Never had my bass held for ransom before!
Anyway, I saw the BL the other night and we shook hands, all cool.
Punch line: he calls me yesterday and askes me to join as permanent bass player!
Judge away!I deserve it. I'm telling this story as some sort of confession for my utter failure to maintain professionalism in the face of extreme diversity.
This band is interesting. They are not seasoned pros at all. They are all new to it, like one year in. They just happend to have filled a void in the local market and assembled a cast of undiscovered raw talent. Except for the keyboardist. He's new to this band and I don't know why he's even there. He doesn't have a clue. He plays arpeggios over everything all the time. I call him Baby Mozart.