Here's a strange question, maybe: what does the EQ curve on one of the recent model Walter Woods amps look like when everything is set at noon?
I was playing at the Blue Wisp last night, which has a WW house amp, and although I was using my IP112/Summit TD100 I thought I'd swap the WW (as a preamp only) for the Summit and see what happened. The sound was...unbelievably good. Whatever irritates me in the sound of the Realist went away, and it was very "woody" and natural sounding.
I owned an Electracoustic for several years, and I never recall it sounding that good. Something about the combination of that preamp with the EQ curve/compression on the IP112 power amp was bee-yoo-tiful.
Well, anyway.
I was playing at the Blue Wisp last night, which has a WW house amp, and although I was using my IP112/Summit TD100 I thought I'd swap the WW (as a preamp only) for the Summit and see what happened. The sound was...unbelievably good. Whatever irritates me in the sound of the Realist went away, and it was very "woody" and natural sounding.
I owned an Electracoustic for several years, and I never recall it sounding that good. Something about the combination of that preamp with the EQ curve/compression on the IP112 power amp was bee-yoo-tiful.
Well, anyway.